Benjamin Lowy (35 results)

Condition: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Cloth. Condition: Very Good. No Jacket. Fifth Edition. xv, 400 pp. Previous owner bookplate on the front pastedown. The head of the spine is slightly bumped. The binding is tight and square, and the text is clean.

Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover without dustjacket as issued, 120 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Magazine. First edition. Near Fine magazine with a small crack at the spine, otherwise fine. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The August 5, 2007, issue of the Sunday New York Times Magazine with: Doors Open, fiction by Ian Rankin, chapter 13; Watergate Sue, a graphic novel by Megan Kelso, chapter 18; local anti-immigration initiatives are tearing their communities apart, by Alex Kotlowitz, with photographs of Carpentersville, Illinois, by Paul D'Amato; Emily Bazelon on new research showing that autistic girls are different from autistic boys and how that affects the quality of their lives with portraits by Tabitha Soren; a personal essay by Michael Ignatieff on how supporting the catastrophic war in Iraq has shaped his judgment as a politician with photographs by Benjamin Lowy; a fashion pictorial photographed by Liz Collins; Walter Kirn on why Americans don't need vacations anymore with a photo by Mark Peterson; an interview with Mary Gordon; Annie Murphy Paul on changing a child's calorie-regulation mechanism at birth with a photo by Amy Arbus; and much more. Staple-bound magazine; 58 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches.…

Magazine. First edition. Near Fine magazine with a printer's scuff along the fore edge, otherwise fine. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The May 11, 2008, issue of the Sunday New York Times Magazine with: Simon Norfolk portfolio of photographs of rockets and rocket launches; the rising and greater rate of injuries girls suffer in sports by Michael Sokolove with photographs by Benjamin Lowy; the arrest of Hmong general Vang Pao for plotting to overthrow the Laotian government by Tim Weiner with a portrait by Robert Maxwell; interview with Jay Roach; the polarization of American politics; Low Moon comic strip, chapter 12, by Jason; photograph by David Levinthal; fashion; and much more. Staple-bound magazine; 86 pages; color and b&w reproductions throughout; 9.5 x 11.5 inches.…

Hardcover. First Edition. Stated first printingClean pages, tight binding, cloth boards with small amount of light soilPlease contact us about shipping costs for international orders of over-sized books or multi-book sets. We are happy to provide accurate quote prior to purchase. Clean pages, tight binding, clot.…

Hardcover. Condition: GOOD PLUS. 1936 (fourth) edition, first printing. Dark red cloth hardcover,foldout charts, photos of prominent chemists, 429 pages. Slight cover wear (fraying at top of spine and tips of corners), slight loss of color on edges. Extensive writing on endpapers, occasional notes and underlining throughout. **We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: New. Powerful and arresting colour photographs of Iraq in conflict, taken over a six-year period through Humvee windows and military-issue night vision goggles Series: Center for Documentary Studies/Honickman First Book Prize in Photography. Num Pages: 120 pages, 96 color photographs. BIC Classification: AJCR; HBWS5. Category: (P) Professional & Vocational. Dimension: 263 x 314 x 18. Weight in Grams: 1193. . 2011. First Edition. Hardcover. . . . .…

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Hardcover. Condition: Brand New. 120 pages. 12.30x10.30x0.70 inches. In Stock.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. Powerful and arresting colour photographs of Iraq in conflict, taken over a six-year period through Humvee windows and military-issue night vision goggles Series: Center for Documentary Studies/Honickman First Book Prize in Photography. Num Pages: 120 pages, 96 color photographs. BIC Classification: AJCR; HBWS5. Category: (P) Professional & Vocational. Dimension: 263 x 314 x 18. Weight in Grams: 1193. . 2011. First Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. Condition: Very good. Dust Jacket Condition: Very good. xiv, [2], 284, [2] pages. Illustrations (color). Signed by the author on the fep. A Pulitzer Prize-winning journalist and Iraqi prison survivor shares the story of his incarceration and the dangerous obstacles that were overcome to secure his release, in a personal account that also gauges the prospects of Iraqis during and after Saddam Hussein's rule. Matt McAllester is a prize-winning journalist and a contributing editor at Details magazine. He is author of Bittersweet: Lessons from My Mother's Kitchen, Blinded by Sunlight: Surviving Abu Ghraib and Saddam's Iraq, and Beyond the Mountains of the Damned: The War inside Kosovo. Matthew McAllester began writing for Newsday, first as a Long Island reporter, during which time he shared the 1997 Pulitzer Prize for Newsday's coverage of the crash of TWA Flight 800; and later as Newsday's cyberspace reporter and columnist. Derived from a Kirkus review: A penetrating record of the last days of Saddam's Iraq. Newsday correspondent McAllester came to Baghdad under the burden of fate-tempting restrictions: "Unable to obtain regular journalist visas, we had entered Iraq on journalists-with-human-shields visas, which only allowed us to cover the activities of the peace activists who said they were determined to bunk down at facilities such as hospitals and schools in the hope of preventing bombing attacks." No story there, of course, so McAllester and his photographer wander through the glowing streets of the capital in the wake of the Allies' air assaults, looking for the Big Story. The tales that make their way into these pages are fascinating: Uday Hussein's unhappiness over "the accurate American targeting of his real estate," a door-to-door search for a downed American pilot, the gloomy certainty of Iraqi dissidents that the American assault would be half-hearted and that Saddam would remain in power. McAllester's narrative takes a darker twist when, soon after the bombs begin to fall, he is arrested on suspicion of espionage and spirited away to Abu Ghraib, Iraq's worst prison. His imprisonment and interrogation were far less than homegrown opponents of the regime had to endure, of course. Still, they were plenty bad, even though he had prepared for the eventuality by having taken a survival-in-hostile-conditions course a few months earlier. Freed a few days before the Marines arrived in Baghdad, McAllester enjoys a rare moment: the chance to confront one of his captors, who calmly explains that he was just doing his job in a country that, as McAllester portrays it, was itself one big prison. A memorable addition to the literature of modern war. First Edition [Stated], First Printing [Stated]. Benjamin Lowy (Jacket photograph) and Isaac Guzman (illustrator).…

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Utrecht, Kelderuitgeverij, 2026. 166 pp. Paperback. Bibliografie. Portret. *Nieuw*.

Utrecht, Kelderuitgeverij, 2026. 166 pp. Paperback. Bibliografie. Portret. *Nieuw*.

Utrecht, Kelderuitgeverij, 2026. 166 pp. Paperback. Bibliografie. Portret. *Nieuw*.

Utrecht, Kelderuitgeverij, 2026. 166 pp. Paperback. Bibliografie. Portret. *Nieuw*.

Utrecht, Kelderuitgeverij, 2026. 166 pp. Paperback. Bibliografie. Portret. *Nieuw*.

Hardcover. Condition: New. Center for Documentary Studies/Honickman First Book Prize in Photography; Selected by William Eggleston as WinnerThe Center for Documentary Studies / Honickman First Book Prize in PhotographyBenjamin Lowy?s powerful and arresting color photographs, taken over a six-year period through Humvee windows and military-issue night vision goggles, capture the desolation of a war-ravaged Iraq as well as the tension and anxiety of both U.S. soldiers and Iraqi civilians. To photograph on the streets unprotected was impossible for Lowy, so he made images that illuminate this difficulty by shooting photographs through the windows and goggles meant to help him, and soldiers, to see. In doing so he provides us with a new way of looking at the warâ"an entirely different framework for regarding and thinking about the everyday activities of Iraqis in a devastated landscape and the movements of soldiers on patrol, as well as the alarm and apprehension of nighttime raids.?Iraq was a land of blast walls and barbed wire fences. I made my first image of a concrete blast wall through the window of my armored car. These pictures show a fragment of Iraqi daily life taken by a transient passenger in a Humvee; yet they are a window to a world where work, play, tension, grief, survival, and everything in between are as familiar as the events of our own lives. . . . [In] the âNightvision? images . . . as soldiers weave through the houses and bedrooms of civilians during nighttime military raids, they encounter the faces of their suspects as well as bystanders, many of whom are parents protecting their children. . . . I hope that these images provide the viewer with momentary illumination of the fear and desperation that is war.?â"Benjamin Lowy.…