Benjamin Walter Etc (3 results)

Hardcover. Condition: Good. Volume 6 only. Leather cover shows moderate wear, tear, rubbing. Minor writing on the front endpaper. Pages are lightly tanned with minor scattered foxing.

Madrid, Trotta, Primavera 2002. Ilustraciones en b/n. 165 p. 8º. Rústica editorial ilustrada con solapas. Muy buen ejempla. Revistas literarias.

Octavo. Original Softcover / Broche Originale. Some of the issues with condition-problems but in general in good to very good condition with some of the issues having frayed and detached wrappers. Only one frontwrapper with titles missing. A very rare run of 88 issues of this rare periodical. 88 Issues with interruptions in between. See here below an example of the structure of each Volume: 2e année - No.14 - Novembre 1946 (Novembre 1946) Reviews of works by: Simone de Beauvoir - "Pour une morale de l'ambiguite" / Carlo Levi - "Le Christ s'est arrete a Eboli" / Pham van Ky - "L'Ogre qui devore les villes" / Maurice Merleau-Ponty - Le Yogi et le Proletaire (suite) / Samuel Beckett - "Poemes 38-39" / Benjamin Goriely - Science des lettres sovietiques / Temoignages: T.F. - "Evasion de France (1943) Opinions: Karl Loewith - Les implications politiques de la philosophie de l'existence chez Heidegger Exposes: Albert Laffay - "Etiemble" History of the Review: Les Temps Modernes (lit. 'Modern Times') was a French journal, founded by Simone de Beauvoir, Jean-Paul Sartre, and Maurice Merleau-Ponty. Its first issue was published in October 1945. It was named after the 1936 film by Charlie Chaplin. Les Temps Modernes filled the void left by the disappearance of the most important pre-war literary magazine, La Nouvelle Revue Française (The New French Review), considered to be André Gide's magazine, which was shut down by the authorities after the liberation of France because of its collaboration with the occupation. Les Temps Modernes was first published by Gallimard and was last published by Gallimard. In between, the magazine changed hands three times: Julliard (January 1949 to September 1965), Presses d'aujourd'hui (October 1964 to March 1985), Gallimard (from April 1985). Les Temps Modernes ceased publication in 2019, after 74 years. The first editorial board consisted of Sartre (director), Raymond Aron, Simone de Beauvoir, Michel Leiris, Maurice Merleau-Ponty, Albert Ollivier, and Jean Paulhan. All published many articles for the magazine. Sartre's contributions included "La nationalisation de la littérature" ("The Nationalisation of Literature"), "Matérialisme et révolution" ("Materialism and Revolution"), and "Qu'est-ce-que la littérature?" ("What is Literature?"). Simone de Beauvoir first published Le Deuxième Sexe ("The Second Sex") in Les Temps Modernes. In the preface to the first edition, Sartre stated the review's purpose: to publish littérature engagée. This philosophy of literature expresses a basic creed of existentialismthat an individual is responsible for making conscious decisions to commit socially useful acts. Thus, literature in the magazine would have a utilitarian component; it would not be just culturally valuable ("art for art's sake"). Other intellectuals, such as André Gide, André Breton, and Louis Aragon, disapproved of this orientation. Sartre's response: "Le monde peut fort bien se passer de la littérature. Mais il peut se passer de l'homme encore mieux." ("The world can easily get along without literature. But it can get along even more easily without man.") The works of many writers appeared in Les Temps Modernes. They include Richard Wright, Jean Genet, Nathalie Sarraute, Boris Vian, and Samuel Beckett. Political divisions between board members soon surfaced. Raymond Aron quit in 1945 because of the magazine's Communist sympathies, becoming an editor at Le Figaro. At the time of the Korean War of 19501953, Merleau-Ponty resigned. Originally more supportive of Communism than Sartre, he moved progressively to the right as Sartre moved to the left. At the time, Sartre still endorsed Communism in his writings but in private expressed his reservations. Sartre disapproved of Camus for seeing both sides in the Algerians' rebellion against their French colonial masters (The Algerian War195462). In his bitterness against Camus, Sartre selected Francis Jeanson, who did not like the works of Camus, to review the.