Beno Thomas (9 results)
- Hardcover
Seller: Evergreen Goodwill, Seattle, WA, U.S.A.Evergreen Goodwill
Contact seller5-star sellerCondition: Used - Good
US$ 2.59
US$ 3.99 shippingShips within U.S.A.Quantity: 2 available
hardcover. Condition: Good.
- Hardcover
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta
Contact seller5-star sellerCondition: Used - Very good
US$ 6.68
Free ShippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta
Contact seller5-star sellerCondition: Used - Very good
US$ 6.68
Free ShippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta
Contact seller5-star sellerCondition: Used - As new
US$ 6.68
Free ShippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.ThriftBooks-Dallas
Contact seller5-star sellerCondition: Used - As new
US$ 6.79
Free ShippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
Seller: Jenson Books Inc, Logan, UT, U.S.A.Jenson Books Inc
Contact seller5-star sellerCondition: Used - Good
US$ 27.96
Free ShippingShips within U.S.A.Quantity: 1 available
hardcover. Condition: Good. The item is in good condition and works perfectly, however it is showing some signs of previous ownership which could include: small tears, scuffing, notes, highlighting, gift inscriptions, and library markings.
Published by Alt Publishing Co., Green Bay, Wisconsin [2000], 2000
- Hardcover
- First Edition
Seller: Stony Hill Books, Madison, WI, U.S.A.Stony Hill Books
Contact seller5-star sellerCondition: Used - Fine
US$ 20.00
US$ 5.50 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Fine. 1st Edition. Bound in dark blue cloth with gilt lettering on front cover and spine, clean tight and unmarked with a very slight bump on rear cover, personally inscribed and signed "Tom Beno" on front free endpaper.
- Softcover
- Print on Demand
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
Contact seller5-star sellerCondition: New
US$ 16.96
Free ShippingShips within U.S.A.Quantity: Over 20 available
PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Fashioning of French Opera (1672-1791). Identity, Production, Networks
Barbara Nestola, Beno t Dratwicki, Julien Dubruque, Thomas Leconte (eds)
Published by , Brepols, 2023, 2023
- Softcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
Contact seller5-star sellerAssociation member: ILAB
Condition: Used
US$ 106.09
US$ 45.21 shippingShips from Belgium to U.S.A.Quantity: 1 available
Paperback, 440 pages, Size:178 x 254 mm, Illustrations:36 b/w, 23 col., 27 tables b/w., 8 exemples musicaux, Language(s): English, French. ISBN 9782503604787. Summary As the forerunners to the Paris Opera, the Acad mie d'op ras (1669-1672) and the Acad mie royale de musique (1672-1791) inspired first historical then aesthetic re…search, research that appeared very steadily through the eighteenth, nineteenth, and twentieth centuries. At the beginning of the twenty-first century, researchers and performers alike began to change their perspective on the institution and its legacy, shifting away from the Acad mie's image as a tool used in the propaganda machine and towards a focus on aspects of performance practice. However, despite the scale and diversity of the current body of scholarship, many facets of the Acad mie royale de musique remain unexplored. It was first and foremost a cultural institution, one that developed its own identity and savoir-faire, some aspects of which still need to be uncovered. ? This study aims to reconsider the institution from a new angle, thanks to an interdisciplinary approach and three sustained motivations: questioning the institution's very nature, as well as its place and status in the French academic network; highlighting practical, logistical, and material questions as yet unexplored; and reevaluating not only its interactions with other theaters in Paris, at court, and in the provinces, but also the ways its repertoire spread in general. For once, poets and composers are not the main subject. We choose to concentrate instead on those who helped the pieces to exist and to come to life: directors and administrators, performers, teachers, and craftsmen. The papers focus on their hierarchical relationships, their decision-making authority, and their respective responsibilities, in order to better understand all that the fashioning of operas entails. Le d veloppement de l'op ra en France est intrins quement li l'histoire de l'Acad mie royale de musique de Paris?: le genre et l'institution naissent et voluent en parall le, se nourrissant l'un de l'autre. L'institution en tant que telle reste cependant moins tudi e?: son administration, son mod le conomique, sa gestion des carri res et des comp tences, son personnel (artistes, artisans, ma tres de chant et de danse, employ s), ses fournisseurs, son organisation quotidienne, l'interaction entre les corps de m tier qui la composent (et notamment la notion de responsabilit , de droit ou de fait, incombant chacun), son volution dans le temps, la diffusion de son r pertoire et de son image fournissent autant de pistes explorer. Ces aspects sont d terminants pour comprendre la nature de l'institution, mais aussi celle de son r pertoire. la diff rence des autres acad mies tablies par Louis XIV, l'Acad mie royale de musique est en effet avant tout une entreprise culturelle, qui ?fabrique du spectacle? avec des contraintes de production, de rentabilit et d'attractivit . Unique th tre de r pertoire en Europe l' poque, elle entretient des forces artistiques permanentes (orchestre, ballet, troupe) et g re des fonds consid rables (musique, d cors, costumes). Le succ s public d pend tout autant de la qualit du spectacle et de l'interpr tation que de la valeur intrins que du po me et de la musique. Ce fonctionnement particulier place l'?uvre au croisement de multiples consid rations pragmatiques, dont l' tude permet de r valuer le geste cr ateur et la notion d'?uvre elle-m me. C'est ce que le CMBV a souhait mettre en valeur dans un ouvrage collectif interdisciplinaire. 0 g.
