Benthien Claudia (214 results)

Trade Paperback. Condition: VG. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Paperback. Condition: Very Good. Pages are clean with no markings. Ships promptly.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New. pp. xxi + 384 Illus.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. xxi + 384.

Hardcover. Condition: Like New. Like New. First Edition. First Edition, First Printing. Published by Columbia, 2002. Octavo. Book is like new. Dust jacket is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New. pp. xxi + 384.

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. This book examines the notion of hybridity as a central figure in the intercultural discourse in post-structuralist and post-colonial theories . Here the concept of hybridity is used as a working term to analyse processes of creation and usages of hybrid languages in contemporary cultures.…

Condition: New.

Paperback or Softback. Condition: New. Public Poetry: Lyrik Im Urbanen Raum. Book.

Condition: as new. Wie neu/Like new.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. "Only skin deep," "getting under one's skin," "the naked truth": metaphors about the skin pervade the language even as physical embellishments and alterations-tattoos, piercings, skin-lifts, liposuction, tanning, and more-proliferate in Western culture. Yet outside dermatology textbooks, the topic of skin has been largely ignored. This important cultural study shows how our perception of skin has changed from the eighteenth century to the present. Claudia Benthien argues that despite medicine's having penetrated the bodily surface and exposed the interior of the body as never before, skin, paradoxically, has become a more and more unyielding symbol. She examines the changing significance of skin through brilliant analyses of literature, art, philosophy, and anatomical drawings and writings. Benthien discusses the semantic and psychic aspects of touching, feeling, and intellectual perception; the motifs of perforated, armored, or transparent skin; the phantasma of flaying; and much more through close readings of such authors as Kleist, Hawthorne, Balzac, Rilke, Kafka, Plath, Morrison, Wideman, and Ondaatje.Myriad images from the Renaissance, anatomy books, and contemporary visual and performance art enhance the text.…

Condition: New. 2004. Paperback. Shows how our perception of skin has changed from the eighteenth century onwards. This title examines the changing significance of skin through brilliant analyses of literature, art, philosophy, and anatomical drawings and writings. Translator(s): Dunlap, Thomas. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 256 pages, ill. BIC Classification: JFC; JHM. Category: (P) Professional & Vocational. Dimension: 229 x 155 x 16. Weight in Grams: 430. On the Cultural Border Between Self and World. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. 256 pages, ill. Shows how our perception of skin has changed from the eighteenth century onwards. This title examines the changing significance of skin through brilliant analyses of literature, art, philosophy, and anatomical drawings and writings. Cateogry: (P) Professional & Vocational. BIC Classification: JFC; JHM. Dimension: 229 x 155 x 16. Weight: 430. Translator(s): Dunlap, Thomas. . . . . . …

Paperback. Condition: New.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: New. 2004. Paperback. Shows how our perception of skin has changed from the eighteenth century onwards. This title examines the changing significance of skin through brilliant analyses of literature, art, philosophy, and anatomical drawings and writings. Translator(s): Dunlap, Thomas. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 256 pages, ill. BIC Classification: JFC; JHM. Category: (P) Professional & Vocational. Dimension: 229 x 155 x 16. Weight in Grams: 430. On the Cultural Border Between Self and World. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. 256 pages, ill. Shows how our perception of skin has changed from the eighteenth century onwards. This title examines the changing significance of skin through brilliant analyses of literature, art, philosophy, and anatomical drawings and writings. Cateogry: (P) Professional & Vocational. BIC Classification: JFC; JHM. Dimension: 229 x 155 x 16. Weight: 430. Translator(s): Dunlap, Thomas. . . . . . Books ship from the US and Ireland. …

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Condition: New.

Soft cover. Condition: Fine. some feint pencil markings that have been erased. Otherwise in very good condition.

Softcover. Condition: Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Verschmutzung / Farbtonveränderung; Leichte Anmerkungen / Beschriftungen.

Paperback. Condition: New.