Bernard Pucker (12 results)

Softcover. Condition: VG. White & color illus. stapled wraps, [24 pp.], many color illus. Issued in conjunction with a 1993 exhibition featuring these paintings by Polish-born Holocaust survivor Samuel Bak (b. 1933). With a brief introductory essay by Bernard H. Pucker, and many full-color examples of Bak's work.…

Softcover. Yellow illus. wraps; 36 pp.; 48 color plates. Includes biographical and exhibition information about the artist. VG (Price sticker on front cover).

Softcover. Condition: VG. BW illus. stapled wraps; Unpaginated, 10 pp.; 8 bw plates, 4 bw photos. From the exhibition of the same name, held at Brockton Art Center from 13 June - 6 July, 1969; Includes works by Samuel Bak, Naphtali Bezem, Shmuel Bonneh, and David Sharir; Artist chronology provided for each.…

Softcover. White & color illus. stapled wraps, 28 pp., many color illus. Issued in conjunction with a 2003 exhibition of these paintings rendered by Polish-born Holocaust survivor Samuel Bak (b. 1933). With an introduction by Bernard H. Pucker, a chronology, an exhibition history, and many full-color examples of Bak's work. Scarce. VG- (Ex-library with few marks and labels, otherwise clean.).…

Hardcover. Condition: Brand New. 128 pages. 8.50x0.34x11.00 inches. In Stock.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New.

Hardcover. Condition: New. A unique and sweeping retrospective on the work of David Aronson, from 1946-2002. As an immigrant artist of Jewish background, who borrowed freely from Christological, Jewish, mystical, and modernist motifs, David Aronson has been an equally acclaimed and controversial figure in the Boston Expressionist school and beyond. Defying all clear categorization, his highly evocative art moves precariously between the realms of the religious and the secular, between Judaism and humanism, tradition and modernity. This book includes rich reproductions of Aronson's works done in encaustic, pastel, charcoal, and bronze. It also contains Aronson's 1967 lecture "Real and Unreal: The Double Nature of Art," which offers a unique testimony of the intellectual background of his creative oeuvre. An interpretive essay by Asher Biemann of the University of Virginia places Aronson's work and biography in an historical, cultural, and intellectual context and comments on specific aspects of his art. Provocative and thoroughly documented, this volume will be of interest to scholars of art history, Judaism, and religion, as well as to a general audience.…