Berrigan Ted Cover (16 results)

Side-Stapled A4 Wrappers. Condition: Very Good. First Edition. 76pp. + 5 plates. Ted Berrigan (6pp.), Padgett (17pp.) 2 poems & interview with Black. Lightly soiled covers & staples showing a little rust. Brice Hobbs; Will Yackulic (cover) silkscreened by Black (illustrator).

Side-Stapled A4 Wrappers. Condition: Very Good. First Edition. 140pp. Additional contributions to the tape-script of the conference discussion on little mags/ small presses & the cultural revolution from the editor, Ted Berrigan, William Wantling, John Wieners, Allen Ginsberg & Robert Creeley. Covers a little nicked, creased, scuffed & soiled. Gysin, Brion (cover caligraph) (illustrator). …

First edition, first printing Cover by Joe Brainard. Close to new and bright but for the lightest loss to the text on the book spine, otherwise quite attractive. Quite Ted Berrigan throughout.

Magazine. First Edition. [57] 8.5x14 inch mimeographed sheets side-stapled into covers with illustration and title on front. Light wear to covers else good. This was St. Marks Poetry Project's magazine, part of the Mimeo Revolution. Anne Waldman became director of the project in 1968 and edited most of the issues thereafter. Jim Carroll collaborates with Larry Fagin & offers "Ten Things I Do When I Shoot Up".…

Magazine. First Edition. [52] 8.5x14 inch mimeographed sheets printed one side only with poems, prose, illustrations side-stapled in illustrated covers, toning at edges and covers with mild wear and soiling. Owen was from a horse racing family who worked the fair circuit. She was educated at SF State and was co-director of the St. Marks Poetry Project in NYC. She began publishing Telephone from St. Marks in 1969 as part of the Mimeo Revolution of which Anne Waldman, Judson Crews and Alice Notely of "Chicago" were major figures.…

Original Wrappers. Condition: Very Good binding. First Edition. Quarto. 27 ll. First edition, limited to 400 copies. As issued, mimeographed pages with text on the rectos only, side-stapled in stiff wrappers with printed cover illustration and scattered hand-coloring by Kraut. Wrappers are a trifled toned; a discolored area on the rear wrapper; light shelfwear; internally clean. One of nine mimeographed books issued by Bob Rosenthal and Rochelle Kraut at their late 1970s Frontward Press. Despite the fairly large limitation, copies are relatively uncommon. A notable piece of the New York School poets by one of their most important poet. ("From a Secret Location," a project of Granary Books.).…

Soft cover. Condition: Very Good. 1st Edition. Very good copy. Stapled mimeographed pages. Light wear at edges.

Soft cover. Condition: Good. 1st Edition. Good copy. Stapled, mimeographed pages. Back cover is detached. Light foxing to edges.

Soft cover. Condition: Very Good. Very good copy. Stapled, mimeographed sheets.

Condition: Very Good. Limited edition, of 100 copies of which this is number 94, signed by the author, 8vo.,pp. unpaginated, pictorial hardcover, b/w illustrations; author's signature to title page, light toning to margins, rubbed to extremities with light wear to head and foot of spine and corners, a very good copy. No dust-jacket. …

Condition: Very good. First printing. Inscribed first edition of this early collection by the New York School poet, to a friend and fellow poet on the West Coast. Ted Berrigan's connections with the poets and artists on both coasts seeded and saturated his poetry and peregrinations, from Chicago to New York to Bolinas. Here, in a copy formerly owned by a "star student" of his, Berrigan pays tribute to Keith Abbott, friend, collaborator (they would both go on to teach at the Jack Kerouac School for Disembodied Poetics), and per Ted, the collection's "only deserving male reader." 8'' x 5.5''. Original black pictorial wrappers designed by Joe Brainard. Cover price $1.75. 48 pages. Previous owner inscription, "Daniel Gray / Feb. 69," in pencil to first blank, below inscribed by Berrigan in black pen: "former star / student of / mine / at U. of Iowa / sold this / book to someone, / out of starvation + / despair, and / it was happily then / bought by it's [sic] / only / Truly deserving / male reader, / Keith Abbot [sic], / who is adored by, / Ted Berrigan." Minor toning overall. Front hinge mildly started. Some rubbing and creasing to wrappers. Cover by Joe Brainard. (illustrator). Signed.…

Soft cover. Condition: Near Fine. 1st Edition. 4to, stapled, mimeoed wrappers, abt fine with some light tanning on rear blank wrapper, ltd to 200 copies, scarce.(L1/4).

Paperback. Condition: VG-. Weathered & worn, this copy of The Sonnets survived a cross-continent journey as well as decades of the dry heat of Bisbee, Arizona. Number 203 of 300 numbered copies (there was also a run of unnumbered ones), the present book shows chipping & softening at extremities with the back cover quite chipped & worn & separated from one of its three staples. In addition there's indication of former dampness to final dozen pages & foxing to somewhat fewer. Aside from the usual age-toning within there are no further mentionable defects. From the collection of the great American painter, Peter Young.…

First edition, first printing Mimeographed, one of 300 copies. Large stapled wraps with slight scuff to back side of book and very fine to behold. The poet's landmark book. The editor was Ron Padgett published by Lorenz and Ellen Gude at C Press. Berrigan has dedicated his masterpiece to Joe Brainard, as often the case, the back cover is missing usually because the text stock was too thick for the staples to adhere. Our copy came between two sheets of cardboard protected and wrapped in mylar. One of the seminal books of poetry published from the sixties.…

Side-stapled wrappers. Cover by Joe Brainard to whom The Sonnets is dedicated. Ron Padgett edited the work and typed the stencils. This is an unnumbered copy from an edition of 300 numbered and an unstated quantity of unnumbered copies. Final page is the colophon page. A beautiful copy, clean and sharp. Back cover shows a hint of toning. Very near fine.…

Condition: Very Good-. New York: Lorenz & Ellen Gude, 1964. First Edition, from an edition of 300 numbered copies; this copy one of an unspecified numberof unnumbered copies, (Fischer puts the whole print run around 400). Quarto; side-stapled wrappers;[69]ll., printed rectos only. Lacks final blank and rear stiff cover, as is common with this title. Rubbing and toning to wraps; curling to corners; loss to top front corner of final leaf; interior unmarked; a Good to Very Good copy of this important New York School debut. Fischer p. 24.…