Bertini Gianni, Signed (22 results)

Broché. Condition: Très Bon État. Gianni Bertini (illustrator). Bibliothèque Phantomas n°3. Envoi de l'auteur à René Alleau. Couverture illustrée par Gianni Bertini. Dédicacé par l'auteur.

En Feuilles. Condition: Satisfaisant. Gianni Bertini (illustrator). In8 - en feuilles - non paginé - Frontispice de Gianni Bertini - Envoi autographe signé de l'auteur en page de faux titre .Rousseurs aux plats . Michel Vachey est un poète expérimentaliste qui a marqué la vie culturelle Lorientaise . Il fut aussi romancier , essayiste , plasticien et auteur de contes . Dédicacé par l'auteur.

Unpaginated. With 14 illustrations. Orig. wrappers. One of 500 numbered copies. - Signed by the author on ffep. - Fine copy.

Cartonnage de L'éditeur. Condition: Très bon. Bertini (illustrator). EDITION ORIGINALE de cet album autobiographique confectionné artisanalement par Bertini, à partit de documents originaux photocopiés ou d'époque: affiches d'exposition, illustrations en noir et en couleurs, invitations, coupures de presse . Chaque exemplaire est ainsi unique. Celui-ci est signé par l'artiste qui a apposé son empreinte digitale. Il ouvre sur une SERIGRAPHIE originale en couleurs de Bertini, justifiée 28/75 et signée. L'exemplaire est en plus dédicacé et daté 1992 par l'artiste, qui a accompagné son envoi d'un DESSIN original au feutre gris et jaune. Dédicacé par l'auteur.

Couverture souple. Condition: Bon. Edition originale. Dossier de presse pour l'exposition éponyme, se tenant du 20 septembre au 3 novembre 1991, et contenant en outre une carte de la galerie ainsi qu'un prospectus de la FIAC, tout deux dédicacés par l'artiste à une critique. Sont joints également 5 tirages argentiques reproduisant des oeuvres de Bertini, dont l'un comportant au verso un envoi (avorté). Bon ensemble. Dédicacé par l'illustrateur.

Original-Pappband. Condition: Zufriedenstellend. Dust Jacket Condition: Schlecht erhaltener Umschlag. Erstausgabe. ohne Seitenangabe, reich bebildert, auf Vorsatz mit langer Widmung , Ort und Datum signiert von dem italienischen Lyriker, Maler und Graphiker Gianni Bertini ( 1922-2010) . Das Buch stammt aus dem Besitz des deutschen Schriftstellers Richard Hey (1926-2004) . leichte Gebrauchsspuren, ca 10 Seiten etwas fleckig am rechten Seitenrand, etwasberieben,Schutzumschlag beschädigt . signed by artist Size: 8°. Vom Künstler signiert. Buch.

Leinen. Condition: Gut. Dust Jacket Condition: Kein Schutzumschlag. Erstausgabe. ohne Seitenangabe, reich bebildert, auf Vorsatz mit langer Widmung , Ort und Datum signiert von dem italienischen Lyriker, Maler und Graphiker Gianni Bertini ( 1922-2010) , auf nächster Seite noch langes handschriftliches Postskriptum. Das Buch stammt aus dem Besitz des deutschen Schriftstellers Richard Hey (1926-2004) . leichte Gebrauchsspuren, minimal berieben,Ecke etwas bestossen . signed by artist Size: 8°. Vom Künstler signiert. Buch.

Couverture rigide. Condition: Comme neuf. Edition originale. In-4° broché. Signé par l'auteur.

Chieri, Art press (stampa: «Arti grafiche Giacone»), 1976 (aprile), Prima edizione. Ottimo esemplare. Dedica autografa dell'autore. Raccolta di poesie visive; le illustrazioni ritraggono opere, scritti (e scritte) e aggregazione sociale. in 8°, piena tela con titoli impressi in oro ai piatti e al dorso, pp. [142]; numerose illustrazioni nel testo. Prima edizione. Ottimo esemplare. Dedica autografa dell'autore. piena tela con titoli impressi in oro ai piatti e al dorso,

Soft cover. Condition: Very Good. 1st Edition. Bound in wraps with 60 pages and plates. A presentation copy signed by about 15 of the artists as photographed. Perhaps not Levee. Juin, Hubert - Pierre Alechinsky, Francois Arnal, Gianni Bertini, Martin Barre, Huguette Arthur Bertrand, Camille. Oscar Chelimsky, Corneille, Jacques Doucet, Roger Edgard Gillet, Robert Lapoujade, John Levee, Maryan, Wilfrid Moser, Louis Nallard, Kumi Sugai. An unsigned working copy is also included. Signed by Illustrator(s).

Couverture souple. Condition: Très bon. 1ère édition. In-8 (25,3 x 26,3 cm), broché, couverture illustrée rempliée, non paginé, 32 ff. n. ch. Edition originale entièrement tirée en sérigraphie. Un des 200 exemplaires imprimés sur papier gris d'emballage (après 1 ex. sur Japon nacré avec suite, 10 ex. sur vélin d'Arches avec suite et 10 ex. sur vélin d'Arches), tous signés par l'artiste au colophon. Bel exemplaire, broché tel que paru. « Alors que la peinture abordait l'univers du "pop", et dans le temps même où la "figuration narrative" préparait ses rencontres promotionnelles, [Jean-Jacques Lévêque] conçut avec Gianni Bertini, un livre qui aura préparé l'esprit même de cette peinture qui s'appuie sur le réel, regarde du côté de la BD et du cinématographe et traite les images avec la vigueur que lui donne en exemple le monde de la presse journalistique qui en souligne l'essentiel par une mise en page nerveuse. Stèle pour Adam de la Halle aura été une expérience artisanale, tirage en sérigraphie et en petite quantité, le tout traité "à la main" ce qui est pour le moins un paradoxe quand l'ouvrage a pour vocation d'ouvrir des voies nouvelles dans l'édition et mettre en rythme un poème dont la référence médiévale n'est qu'un clin d'oeil malicieux pour montrer que la poésie n'a pas d'âge et que les siècles se catapultent par dessus les traditions, le jeu des "écoles" un classement universitaire qui assèche le discours poétique. Adam de la Halle, poète médiéval proche du théâtre de tréteaux et de la farce, n'est qu'un repère dans un poème qui s'enfle au souffle de la modernité, pour la chanter et la fustiger : mai 68 n'est pas loin et justement le pop-art qu'il annonce est aussi une critique de la modernité. Stèle pour Adam de la Halle a été imprimé à Anduze, sur les bords du Gardon, dans une maison louée à cet effet par le mécène Jean Parizel qui est à l'origine de l'ouvrage. » (Jean-Jacques Lévêque). ?. Signé par l'auteur. Livre d'occasion.

Couverture rigide. Condition: Neuf. Edition originale. Danse mon sang. Illustrations de Gianni Bertini. P., Falaize, Georges Fall, 1959, 4°, en feuilles, couverture illustrée rempliée, double emboîtage édit. EDITION ORIGINALE de ce poème de Bosquet, illustré par quatre lithographies originales en couleur en pleine page de Gianni Bertini, signées par l'artiste. Edition limitée à 100 exemplaires numérotées imprimées sur papier Rives. Signé par l'illustrateur.

The semi-autobiographical artist's book made by Gianni Bertini, an Italian artist who developed MecArt, which recalls the pace of Pop Art but with a more explicitly critical orientation by way of postwar consumer culture. The works compiled here bring together textual fragments with stunning, highly modified images culled from magazines and popular culture. The images were restructured in a recherché mode by means of Bertini's own mechanical processes, involving screenprints and photo-reproductions. The work contains a text by French critic Noël Arnaud, who writes, "All the beings who fed our dreams, or the dullest hours of our sight, after which we sighed, or whom we reproached, and whom we pleasurably banished to the closets of fiction, are brought here to real existence by the demonic grace of Bertini.". First edition. Offset. Sewn fold binding in corrugated cardboard boards with original brightly illustrated dust jacket. Signed by the author and stamped with his fingerprint on page the initial blank. 8 plates, 3 of which mounted, and 1 inserted leaf, text in Italian and French. [52] pp. 11 5?8 in x 9 1?4 in. Very good; ex-library copy with de-accession stamps on front flyleaf, edgewear and discoloration to dust jacket, second mounted plate slightly separating at bottom edge, otherwise tight and clean. Very good.

Enrico Baj, Gianni Bertini, Camille Bryen, Marie Carlier, Bill Copley, Corneille, Roberto Crippa, Lucio del Pezzo, Hisao Domoto, Ferró, Lucio Fontana, Roland Giguère, Henri Ginet, Yozo Hamaguchi, Stanley William Hayter, and others (illustrator). Galleria Schwarz, Milan, 1962. A landmark publication of post?war printmaking, The International Avant?Garde?1 captures the dynamic spirit of the early 1960s avant?garde. This limited edition of 60 copies, printed on Rives handmade paper, features 20 original etchings by leading international artists selected by Tristan Sauvage, each signed and numbered in pencil. Included are contributions from celebrated figures such as Enrico Baj, Gianni Bertini, Camille Bryen, Marie Carlier, Bill Copley, Corneille, Roberto Crippa, Lucio del Pezzo, Hisao Domoto, Ferró, Lucio Fontana, Roland Giguère, Henri Ginet, Yozo Hamaguchi, Stanley William Hayter, Horst?Egon Kalinowski, Jacques Lacomblez, Josaku Maeda, Hans Meyer?Petersen, and Jean Tinguely, showcasing a remarkable cross?section of Italian and international modernism. The edition is presented in its original black binding with embossed title. Cover with spine partially detached.

First Edition. First Edition. Portfolio, featuring 4 vibrant litho-serigraphs (16 inches square), each hand-numbered and SIGNED by Bertini to versos in pencil. Accompanied by 8 pp. interview, in Italian, printed in loose folio gatherings and hand-numbered as 79 of 120 trade copies. When Warhol started to apply photomechanical processes to his canvases, he famously declared: "The reason I'm painting this way is that I want to be a machine." Within a few years, under the banner of Mec Art, Gianni Bertini was employing similar photographic techniques in Paris, but not for their qualities of repetition. Instead, he drew photography into painting to flatten the distance between the two of them, in pursuit of new synthetic images that might represent the post-War commingling of humans and machines; more alchemy than collage. Luigi Cavallo, who animates the interview in this portfolio, proposes that we reconsider Bertini as "the conscience of our age." Some minor creasing to red portfolio wrappers, else near fine. Prints are bright and clean, with minor rounding to some corners; also near fine. Scarce, with only 2 OCLC records located (Yale and Paris-Doucet). Signed.

Small folio. (332 x 264 mm). [8 bifolia + 5 inserted leaves]. Bifolium with title to first recto, following leaf with first engraving without colour, 4 following bifolia with PAB's verse to first leaf of each recto and verso, each conjoined leaf with engravings without colour, final bifolium with justification to first leaf recto; also included is the additional suite of five engravings printed in colour on single sheets. Original publisher's printed wrappers, titles to front cover in black. The édition de tête of Bertini's collaboration with PAB with the additional suite. From the edition limited to 50 copies signed by Bertini and PAB in pencil, with this one of ten édition de tête copies numbered in Roman numerals with a separate suite of the prints with colour; the prints in the 40 normal copies were printed without ink. The second engraving of the additional suite retains its conjoined blank. This is annotated in pencil (by PAB?): 'II = 2 / X'; this copy of the book is numbered 'II / X' so it is likely that the annotation refers to this detail. [Montpellier 361].

Lose Doppelblatt in Umschlag u. Transparent-OU. Kl.8° (9,5 x 7,4 cm), o. P.: 6 Doppelblatt mit 3 Originalgrafiken auf Tafeln. Min. gebräunt, allg. tadellos. EA. Ex. Nr. 22/40; eines der 35 Ex. der Normalausgabe. Im Impressum in Bleistift vom Künstler signiert und vom Verleger nummeriert sowie monogrammiert.

Edition du Castel Rose, 1962, édition originale, exemplaire numéroté n° 42/500, ENVOI autographe de l'auteur, non paginé, broché, enrichi des dessins de l'auteur, bon état.

Pisa, 1959. First edition. 24,5x18 cm. (15, 1 blank) pp. Blank wrappers, stapled, with printed dustjacket. The oversized jacket is slightly chipped in top and lower margins. A fine copy. Printed on thick grey paper, the book contains poems by Lambert with Bertini's illustrations. No. 55 of 100 printed copies, signed at the colophon by Bertini, and inscribed by Lambert and his wife Åsa to Turkish-Swedish poet and photographer Lütfi Özkök and his wife Anne-Marie. Özkök, who mainly photographed authors and artists, a pair of iconic photos of Samuel Becket, for instance, had photo sessions with Lambert at several occasions, and with Bertini at least once.

Screenprint to heavy paper (26.75 x 21 inches). One of seven posters designed by Gianni Bertini and Henri Chopin to promote their absurd?and wholly fictitious?Fort Boyard arts festival; with a programme of avant-garde public art from the likes of Brion Gysin, Ian Hamilton Finlay, Dom Sylvester Houédard, Mimmo Rotella, and Gil Wolman purportedly installed on a 19th century island fortress off the coast of Rochefort, a five hour drive west of Paris. This poster, announcing an exaggerated version of one of Gysin's dream machines?three meters in diameter, to host up to 18 spectators?featuring a striking Mec-Art design from Bertini; SIGNED by the artist in pencil to lower margin, with brief inscription. Fold-lines from mailing and some offsetting, with postmarks to verso.Archivally-hinged in white lacquer frame with UV plexiglass (28.75 x 23 inches). Signed.

Deluxe Edition. Octavo. Another elegant publication from the atelier of Pierre André Benoit, featuring a sparse poem from the French-Algerian writer and anti-colonial activist Henri Kréa. Illustrated by a jazz-inspired engraving from Gianni Bertini, presumably riffing-off the Miles Davis resonance of Kréa's title. This deluxe copy, SIGNED by both Bertini and Benoit to colophon (as II of X), features an additional three loose prints from Bertini, each of them SIGNED, which don't appear in the trade edition of 40 copies. Text (12 pp.) and prints housed in white portfolio with titles; very minor rubbing to covers, else fine. Original glassine. Scarce, with only a single OCLC record located (Yale). Signed.

S.l. published by Jean-Clarence Lambert, 1988, (40) nn pp (20 double leaves, loose as issued), kept in green coloured paper portfolio with the title printed on the front. Contains the text of the poem by Leopardi (in Italian) and the French translation by J.C.Lambert. Contains also 6 original coloured lithographs, all signed and numbered in pencil by the artists. (2 x Bertini; 2 x Moronti ; 2 x Rocca). The colophon, also signed by the three artists ans J.C. Lambert states that this publication was printed in an edition of 36 copies. This is number 32. The map is in mint condition. Successful combination of a poem by the famous 19th c. Italian poet Leopardi, in two languages, illustrated with 6 lithographs by leading Italian abstract artists . The publisher Lambert played an important role in 20th c. European art. He was involved with the creation of the art periodicals ''Le Musée de Poche'' and ''Opus International''; he was also at one time close with the surrealist mouvement of André Breton and later with Cobra .