Bertol Daniela (24 results)

paperback. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condition: Good. A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact (including dust cover, if applicable). The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels or limited small stickers. Book may have a remainder mark or be a price cutter. INCLUDES DISKETTE.

paperback. Condition: Very Good. A nice copy. Clean text, solid binding. Does not include CD. Sticker on spine and rear cover.

Condition: Used. pp. 396.

Condition: Used. pp. 396.

Condition: Used. pp. 396.

Condition: New. In.

PF. Condition: New.

Couverture souple. Condition: bon. RO60077647: 1994. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 359 pages. Illustré de nombreux schémas en noir et blanc dans et hors texte, et de quelques photos en couleur hors texte. Diskette missing. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon.

Paperback. Condition: Brand New. pap/dis edition. 385 pages. 9.25x8.00x1.00 inches. In Stock.

paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Taschenbuch. Condition: Neu. Visualizing with CAD | An Auto CAD Exploration of Geometric and Architectural Forms | Daniela Bertol | Taschenbuch | xxvi | Englisch | 1994 | Copernicus | EAN 9780387942759 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - I spent the first twenty six years of my life in Rome. I used to go for ice cream to a popular place near the Pantheon and I remem ber the excitement I felt, beyond the chocolate and whipped cream, when I entered this ancient Roman temple. After staring at the 'shower' of light coming from the circular opening at the center of the dome, as strong as a spotlight, I remember being attracted almost hypnotically to the place below the opening. I remember counting the coffers carving the concave dome, com posed in five rows of circular arrays, and could feel the power and protection created by the concave space. I also recall going every Sunday to Piazza San Pietro. This Baroque square is well known for its colonnades, which have an oval shape defined by two interlocking circles. For each of these circles there is a mark, located approximately at its center, from which the four aligned rows of columns appear as one. Before entering the church, almost as a part of a ritual, I had to find the mark in the pavement of the oval square. I was amazed by how the rows of columns could appear and disappear according to my position in relation to the mark:.

Condition: Gut. Zustand: Gut | Seiten: 396 | Sprache: Englisch | Produktart: Bücher | I spent the first twenty six years of my life in Rome. I used to go for ice cream to a popular place near the Pantheon and I remem­ ber the excitement I felt, beyond the chocolate and whipped cream, when I entered this ancient Roman temple. After staring at the "shower" of light coming from the circular opening at the center of the dome, as strong as a spotlight, I remember being attracted almost hypnotically to the place below the opening. I remember counting the coffers carving the concave dome, com­ posed in five rows of circular arrays, and could feel the power and protection created by the concave space. I also recall going every Sunday to Piazza San Pietro. This Baroque square is well known for its colonnades, which have an oval shape defined by two interlocking circles. For each of these circles there is a mark, located approximately at its center, from which the four aligned rows of columns appear as one. Before entering the church, almost as a part of a ritual, I had to find the mark in the pavement of the oval square. I was amazed by how the rows of columns could appear and disappear according to my position in relation to the mark:.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -I spent the first twenty six years of my life in Rome. I used to go for ice cream to a popular place near the Pantheon and I remem ber the excitement I felt, beyond the chocolate and whipped cream, when I entered this ancient Roman temple. After staring at the 'shower' of light coming from the circular opening at the center of the dome, as strong as a spotlight, I remember being attracted almost hypnotically to the place below the opening. I remember counting the coffers carving the concave dome, com posed in five rows of circular arrays, and could feel the power and protection created by the concave space. I also recall going every Sunday to Piazza San Pietro. This Baroque square is well known for its colonnades, which have an oval shape defined by two interlocking circles. For each of these circles there is a mark, located approximately at its center, from which the four aligned rows of columns appear as one. Before entering the church, almost as a part of a ritual, I had to find the mark in the pavement of the oval square. I was amazed by how the rows of columns could appear and disappear according to my position in relation to the mark:. 396 pp. Englisch.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -I spent the first twenty six years of my life in Rome. I used to go for ice cream to a popular place near the Pantheon and I remem ber the excitement I felt, beyond the chocolate and whipped cream, when I entered this ancient Roman temple. After staring at the 'shower' of light coming from the circular opening at the center of the dome, as strong as a spotlight, I remember being attracted almost hypnotically to the place below the opening. I remember counting the coffers carving the concave dome, com posed in five rows of circular arrays, and could feel the power and protection created by the concave space. I also recall going every Sunday to Piazza San Pietro. This Baroque square is well known for its colonnades, which have an oval shape defined by two interlocking circles. For each of these circles there is a mark, located approximately at its center, from which the four aligned rows of columns appear as one. Before entering the church, almost as a part of a ritual, I had to find the mark in the pavement of the oval square. I was amazed by how the rows of columns could appear and disappear according to my position in relation to the mark:.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 396 pp. Englisch.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A deeper understanding of how humans relate to the sky reveals the profound ways our perception of the cosmos shapes culture, meaning, and our sense of place on Earth. Observing celestial cycles through embodied experience reconnects individuals with rhythms that have guided humanity for millennia. This awareness highlights the interdependence between the local landscape and the remote, seemingly unreachable expanse above it; an interdependence essential to understanding both human consciousness and our ecological responsibilities. Exploring this relationship shows how ancient and contemporary practices alike use geometry, orientation, and perception to bridge the gap between self and universe. Remote Space in the Architecture of Cosmology examines how built forms, past and present, create meaningful connections between earthly places and the remote space of the sky. It traces the architecture of cosmology from ancient observatories to contemporary land art, culminating in a phenomenological exploration grounded in lived experience. Covering topics such as archaeoastronomy, spatial perception, and time-based geometries, this book is an excellent resource for researchers, academicians, artists, philosophers and humanities scholars, and more.

Taschenbuch. Condition: Neu. Remote Space in the Architecture of Cosmology | Daniela Bertol | Taschenbuch | Englisch | 2026 | IGI GLOBAL SCIENTIFIC PUBLISHING | EAN 9798337334004 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condition: Neu. Remote Space in the Architecture of Cosmology | Daniela Bertol | Buch | Englisch | 2026 | IGI GLOBAL SCIENTIFIC PUBLISHING | EAN 9798337333991 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A deeper understanding of how humans relate to the sky reveals the profound ways our perception of the cosmos shapes culture, meaning, and our sense of place on Earth. Observing celestial cycles through embodied experience reconnects individuals with rhythms that have guided humanity for millennia. This awareness highlights the interdependence between the local landscape and the remote, seemingly unreachable expanse above it; an interdependence essential to understanding both human consciousness and our ecological responsibilities. Exploring this relationship shows how ancient and contemporary practices alike use geometry, orientation, and perception to bridge the gap between self and universe. Remote Space in the Architecture of Cosmology examines how built forms, past and present, create meaningful connections between earthly places and the remote space of the sky. It traces the architecture of cosmology from ancient observatories to contemporary land art, culminating in a phenomenological exploration grounded in lived experience. Covering topics such as archaeoastronomy, spatial perception, and time-based geometries, this book is an excellent resource for researchers, academicians, artists, philosophers and humanities scholars, and more.