Bertoli Giasco (23 results)

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. Tennis Courts III continues the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places. The photographs dont show so much the inevitable passing of time but the forgetfulness that occurs in time's passing. The repetition of the subject transforms one thing into other things without really transforming the places themselves. I kept shooting, preferring the light at the end of the day, especially when there was a full moon and more light, and shooting until it got dark. The last photo in this third book is a daytime photo shot from a distance, a tennis court in the middle of beautiful palm trees, a sort of escape to paradise. Giasco BertoliGiasco Bertoli is a photographer and filmmaker, working in Paris since 2000. The cultural currency of his work, since the 1990s, has focused on sports, cinema, youth, music, sexuality, nostalgia, humor, and history. He has published several books and is a regular contributor to various international publications. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paris, chez Nieves,2013. In-8 sans pagination. Reliure éditeur brochée verte, illustrée d'une photographie sur le premier plat. Titrage au dos et sur le deuxième plat. Edition originale. Intérieur frais. Bon exemplaire.

Paris, chez Nieves,2009. In-8 sans pagination. Reliure éditeur brochée jaune, illustrée d'une photographie sur le premier plat. Titrage au dos et sur le deuxième plat. Edition originale. Légères tâches sur le second plat. Intérieur frais. Bon exemplaire.

Condition: New.

Condition: New.

Condition: New. 2018. paperback. . . . . .

Condition: New.

Condition: New.

Condition: New. 2018. paperback. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: NEW.

Condition: Quasi ottimo. Fotografia Fine arts Photography Collana dell'Istituto Europeo di Design in 4°, fascicolo spillato di 47 pagine numerate con sovrac. ill. - prima edizione - illustrato in b.n. OTTIME CONDIZIONI.

Paperback. Condition: new. Paperback. Tennis Courts III continues the subject of empty, abandoned courts, one after another like a long sequence shot through different seasons and different places. The photographs dont show so much the inevitable passing of time but the forgetfulness that occurs in time's passing. The repetition of the subject transforms one thing into other things without really transforming the places themselves. I kept shooting, preferring the light at the end of the day, especially when there was a full moon and more light, and shooting until it got dark. The last photo in this third book is a daytime photo shot from a distance, a tennis court in the middle of beautiful palm trees, a sort of escape to paradise. Giasco BertoliGiasco Bertoli is a photographer and filmmaker, working in Paris since 2000. The cultural currency of his work, since the 1990s, has focused on sports, cinema, youth, music, sexuality, nostalgia, humor, and history. He has published several books and is a regular contributor to various international publications. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

brossura. Condition: Ottimo (Fine). BTT146ZBrossura editoriale,Collana dell'Istituto Europeo di Design, volume in ottime condizioni,  illustrato, copertina e interno in ottimo stato, legatura salda 47 pagine circaCopertina come da foto ISBN/ASIN 8870170934 . Book.

Milano, 1992. 47 pp. B./w. plts. Softcover. - Name in pen on first end-paper.

Paperback. Condition: New. New Book, Direct from Publisher.

paperback. Condition: Perfetto (Mint). Libro d'artista completamente illustrato con foto in bianco e nero . Cm 22,5 x 14. pp. 150 non numerate. . Perfetto (Mint). . Edizione originale di 250 esemplari numerati (Original edition of 250 numbered copies). . Edizione originale di 250 esemplari numerati (Original edition of 250 numbered copies). Book.

192 pp.; 27 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Tenth anniversary issue of the biannual publication "Purple," published in Winter of 2003. Edited by Elein Fleiss and Olivier Zahm. Contents include: "Fall/Winter 02/03," by Laetitia Benat; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Therefore," by Elein Fleiss; "Surface," by Dominique Gonzalez-Foerster; "Pablo Leon de la Barra," interviewed by Lupita Peckinpah; "Purple Special: 1992," with texts by Elein Fleiss, Jeff Rian, Claude Closky, Dominique Gonzalez-Foerster, Olivier Zahm, Bennett Simpson, Lee Ranaldo, Sharon Mesmer, Marina Faust, Dike Blair, Mark Kingwell, Claude Lévêque, Richard Prince, Tim Griffin, John Kelsey, Sébastien Jamain, Michel Cloup, Mark Borthwick, Mark Fishman, and Jutta Koether; "Grand National Styling," by Terry Richardson; "Berlin Stories," by Heinz Peter Knes; "Man in the Shadows," by Emma Mafille; "Raf Simons/Louis Vuitton," by Frederike Helwig; "Hotel Okura," by Masafumi Sanai; "Dominique Sanda," by Henry Roy; "Baretto," by Giasco Bertoli; "Look But Don't Touch," by Mauricio Guillen; "Mexico City," by Marlene Marino; "AC/OC," by Banu Cennetoglu; "Rock Feller," by Christophe Brunnquell; "Emilie," by Gérard Duguet-Grasser; "World History," by Rita Ackermann; "I feel 'Lucky,' Oh so 'Lucky'!," by Glen Szabo and "Hope" by Alex Antitch. Drawings by Laetitia Benat. Very Good. Yellowing of cover edges with light bumping of top and bottom right corners of recto. Light edge wear and scratching of covers. Contents clean and unmarked.

256 pp.; 27 x 20 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Spring 2002 issue of the biannual publication "Purple". Edited by Elein Fleiss and Olivier Zahm. Contents include: "Summer 2002," by Alex Antitch; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Therefore," by Elein Fleiss; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Surface," by Dominique Gonzalez-Foerster; "Lutz Huelle," interviewed by Nakako Hayashi; "Miltos Manetas," interviewed by Olivier Zahm; "Louis Vuitton & Miu Miu," by Ola Rindal; "Helmut Lang," by Terry Richardson; "Marc Jacobs," by Mark Borthwick "Ann-Sofie Back," by Giasco Bertoli; "Julia & Mehdi, apres," by Laetitia Benat; "A.F. Vandervorst," by Masafumi Sanai; "Jil Sander, Men & Women," by Richard Prince; "La Mer," with texts by Lewis Baltz, Mehdi Belhaj Kacem, Dike Blair, Jeff Clark, Eve Couturier, Bruce Benderson, Elein Fleiss, Richard Prince, Jeff Rian, Olivier Zahm, Geoffrey Cruickshank-Hagenbuckle, Mark Fishman, Amy Fusselman, Kim Gordon, Karl Holmqvist, Lodge Kerrigan, Mark Kingwell, Claude Lévêque, Chan Marshall, Mark Mordue, and Beth Yahp; Photos by Laetitia Benat, Dike Blair, Mark Borthwick, Anders Edström, Elein Fleiss, C. Wayne Gordon, and Takashi Homma; "Tokyo Synthesis," by Claude Lévêque; "Equador," by Banu Cennetoglu; "El Castillo," by Pablo Leon de la Barra; "Seven Pink Drawings," by Tomoo Gokita; "In Jerusalem and Tel Aviv," by Rami Maymon; "Buenos Aires Amor," by Guillermo Ueno; "Faces," by Trinie Dalton; "Uncoated Eyes," by Amy Jean Porter; "Kook!," by Geoffrey Cruickshank-Hagenbuckle; "Green, Blue, Pink, Charlotte," by Henry Roy; "Uslu Airlines," by Banu Cennetoglu and "On The Hairwaves," by Tom Lingnau & Frank Schumacher. Good. Yellowing of cover edges and dusting of covers. Light bumping of top and bottom right corners of recto. Rubbing of edges and scratching of covers. Contents clean and unmarked.