Betsy Jolas (103 results)

Paperback. Condition: new. Paperback. (Woodwind). Trifolium, composed in 1947 to play with her new friend, the flutist Genevieve Noufflard, stands for Betsy Jolas, over 70 years later, as one of the very few pieces from this distant past, that she still recognises in spite of her future evolution. When Betsy Jolas met Genevieve Noufflard in New York, she was on tour, lecturing on the French resistance movement which she had joined during the war. But Betsy Jolas soon found out about her musical activity and when both returned to Paris shortly after, meetings to play together, were promptly arranged. After much work "a deux" on Bach, Haydn and many others, Betsy Jolas decided to write a special piece for the two of them. Genevieve Noufflard watched the piece grow, then suggested the title Trifolium to designate its quasi classical structure in three highly contrasting movements. Two years later, in 1949, a concert premiere of Trifolium was given in New York by Samuel Baron, flute, and Robert Cornman, piano. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Fine. ISMN M-046-304323. stiff covers with fold out music score. priority and international shipping will be extra for this large book, please inquire. ; 9 1/8 x 12 1/4 ".

Size: 8vo. [ii], 18pp. Stapled as issued in publisher's printed wrappers.

Size: Two scores. Folio. [ii], 6; [ii], 6pp. Stapled as issued in publisher's printed wrappers. Dedicated to Elliott Carter.

Size: Folio. [ii], 12, 3, 3pp. Stapled as issued in publisher's printed wrappers.

Gatefold Score for 2 Saxophone. Condition: Near Fine. Al 30 435. "Pueri apud Magistros Exercentur" (Ciceron).* 4 pages attached to open out so all 4 are facing toward the players.; 9 x 12 ''.

Size: 8vo. [iv], 14pp. Stapled as issued in publisher's printed wrappers. Reproduction of the composer's manuscript.

Size: Folio. [viii], 19pp. Stapled as issued in publisher's printed wrappers.

Size: Folio. [v], 37pp. Stapled as issued in publisher's printed wrappers. Dedicated to Gunther Alexander Schuller (1925-2015).

Folded as issued. Size: Folio. 5pp.

Size: Folio. [vi], 23pp. Stapled as issued in publisher's printed wrappers.

Couverture souple. Condition: Très bon. Large 4° (21 x 30 cm). Score & 4 separate parts. 37,11,12,13,12 pages. PN : AL 28953. Brand new price 2026 : 85,00 euros !!!

Size: Folio. 20pp. Stapled as issued in publisher's printed wrappers.

Size: Folio. [iv], 24pp. Stapled as issued in publisher's printed wrappers. Reproduction of the composer's manuscript.

Condition: Bon. Ancien livre de bibliothèque avec équipements. Editeur différent. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different publisher. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Neuf.

Paperback. Condition: new. Paperback. (Woodwind). Trifolium, composed in 1947 to play with her new friend, the flutist Genevieve Noufflard, stands for Betsy Jolas, over 70 years later, as one of the very few pieces from this distant past, that she still recognises in spite of her future evolution. When Betsy Jolas met Genevieve Noufflard in New York, she was on tour, lecturing on the French resistance movement which she had joined during the war. But Betsy Jolas soon found out about her musical activity and when both returned to Paris shortly after, meetings to play together, were promptly arranged. After much work "a deux" on Bach, Haydn and many others, Betsy Jolas decided to write a special piece for the two of them. Genevieve Noufflard watched the piece grow, then suggested the title Trifolium to designate its quasi classical structure in three highly contrasting movements. Two years later, in 1949, a concert premiere of Trifolium was given in New York by Samuel Baron, flute, and Robert Cornman, piano. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: new. Paperback. (Woodwind). Trifolium, composed in 1947 to play with her new friend, the flutist Genevieve Noufflard, stands for Betsy Jolas, over 70 years later, as one of the very few pieces from this distant past, that she still recognises in spite of her future evolution. When Betsy Jolas met Genevieve Noufflard in New York, she was on tour, lecturing on the French resistance movement which she had joined during the war. But Betsy Jolas soon found out about her musical activity and when both returned to Paris shortly after, meetings to play together, were promptly arranged. After much work "a deux" on Bach, Haydn and many others, Betsy Jolas decided to write a special piece for the two of them. Genevieve Noufflard watched the piece grow, then suggested the title Trifolium to designate its quasi classical structure in three highly contrasting movements. Two years later, in 1949, a concert premiere of Trifolium was given in New York by Samuel Baron, flute, and Robert Cornman, piano. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Couverture souple. Condition: Très bon. Un volume 13,5 x 21,5 cm broché de 265 pages. Textes en français. Sommaire. Chronologie des oeuvres musicales de 1945 à 1998. Un long entretien de 1996 avec la compositrice. Recueil des articles et textes publiés. Index des noms de personnes. Betsy Solas, née en 1926, après une première formation aux Etats-Unis, a étudié à Paris avec Darius Milhaud, Simone Plé-Caussade et Olivier Messiaen après la Seconde guerre mondiale.

Size: Folio. [ii], 29, 11, 11, 11pp. Stapled as issued in publisher's printed wrappers. Reproduction of the composer's manuscript.

Size: Folio. [ii], 56pp. Stapled as issued in publisher's printed wrappers.

Size: Folio. [vi], 53pp. Stapled as issued in publisher's printed wrappers.

Condition: new. Expédition le jour même. Libraire depuis 27 ans. Envoi soigné avec suivi.

Condition: New.

Couverture souple. Condition: Assez bon. Edition originale. Paris, Armand Colin, 1972. Plaquette in-8 agrafée, pp.42-68. Couverture légèrement défraichie avec une pâle mouillure sur le dos.

Condition: New.

Condition: New.

Condition: New.

Condition: Fine. First edition. Paperback. Octavo. 226 + 28 plates. Original illustrated paperback. Near fine and unread. French text.

Condition: New.