Bidermanas Manuel (13 results)

First Edition. Fine copy in the original printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. ; 1 pages; Description: Unpaged; ill. Subjects: Authors -- French -- Portraits. Authors -- Portraits. J. C. Lattes -- Authors. 1 Kg.

First Edition. Fine copy in the original printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. ; 1 pages; Description: Unpaged; ill. Subjects: Authors -- French -- Portraits. Authors -- Portraits. J. C. Lattes -- Authors. 1 Kg.

Paris, JC Lattes, 1980. In-4 cartonnage illustré de l'éditeur non paginé. Photos. Bon état.

Soft cover. Condition: Fine. 1st Edition. In excellent condition. 200 pages, large softcover in thick wraps, 12.25" by 9.5". Excellent book published for a Parisian exhibition on midcentury French photographer Izis, best known for his images of Paris, equal to his contemporaries Robert Doisneau and Willy Ronis. Well printed and generously illustrated with over 100 full-page plates, with images of London and the French countryside in addition to his classic Parisian photos.…

Softcover, 200 pages; in French; light wear to lower edge of rear cover; otherwise as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

softcover. Condition: Very Good. 1st edition. Flammarion, 2009, 200 pages 12.5" x 9.5". Text in French.Exhibition catalogue. Illustrated mainly in black and white. Paperback. Ships from Hawaii. --- In the 1951 exhibition "Five French Photographers" at the Museum of Modern Art in New York, Izis was one of the five together with Brassai, Henri Cartier-Bresson, Robert Doineau and Willy Ronis.…

21 x 29, sans pagination, nombreuses illustrations en N/B, reliure d'édition carton imprimé, bon état.

Hardcover with dustjacket, 200 pages; in French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very Good. Dust Jacket Condition: Near Fine. 1st Edition. 267 Pp. Light Grey Cloth, Gilt. 13 3/8" X 10". First Edition. Fine In Near Fine Dj But Several 1/8" Deep Bumps Within 1" Long Area Along Center Bottom Edge Of Both Front And Rear Covers Of The Book, No Trace On Dj So Apparently A Manufacturing Defect Before Dj Was Put On The Book. Dj With Slight Wear Along Top Edges And Slight Fading To Spine Panel. Oversize, No International Shipment.…

hardcover. Condition: New. Volume in copertina rigida con sovraccoperta, 300 pagine profusamente illustrate in nero. Copia in condizioni di nuovo, sigillata / Brand new, sealed copy - "Tra i principali esponenti della "fotografia umanista", Izis è, insieme a Brassaï, Henri Cartier-Bresson, Robert Doisneau e Willy Ronis, nel 1951, uno dei "Cinque Fotografi Francesi" le cui fotografie sono esposte nel 1951 al MoMA di New York. Izis, Il Poeta della Fotografia presenta l'opera fotografica di quello che è stato un artista, un reporter, un grande ritrattista e un poeta dell'immagine. Dal primo lavoro sui partigiani agli incontri con Colette e Chagall, dalle sue fotografie di Parigi - elogio al sogno e alla lentezza della sua città d'adozione - a quelle scattate durante i viaggi a Londra e in Israele, questo volume rivela l'eterogeneità, l'originalità e la modernità del suo lavoro.". Book.…

Condition: Used: Good. Occasion - Bon Etat - Portraits d'écrivains chez JCLattes (1980) - Grand Format.

Condition: Used: Good. Occasion - Bon Etat - Portraits d'écrivains chez JCLattes (1980) - Grand Format.

Archive of 29 original photographs from The Living Theatre performances, dating between 1959 and 1969, including 27 borderless photographs and eight double weight photographs. Four photographs with Gianfranco Mantegna photographer stamps on the versos, six photographs with Horace Dimayo photographer stamps on the versos, two with "L'Express/Manuel Bidermanas" photographer stamps on the versos, and one with a "Photo Pic" stamp on the verso. The archive includes: One borderless photograph from the January 13, 1959, premiere performance of William Carlos Williams' "Many Loves," on The Living Theatre Playhouse's opening night. Three borderless photographs of the June 29, 1966 performance of "Mysteries and Smaller Pieces" (1964) at the Odéon-Théâtre de l'Europe in Paris. Three borderless photographs from the September - October, 1966 performances of Jean Genet's "The Maids" (1947) at the Berliner Festwochen, including two double weight. Seven borderless photographs from the July 1968 performance of Bertolt Brecht's "Antigone" (1948), performed at the Avignon XXII Festival at the Cloître des Célestins. Two double weight borderless photographs of Julian Beck and Judith Malina being interviewed in 1968 at the Avignon XXII Festival at the Cloître des Carmes. Six borderless photographs from the October 1969 performance of "Mysteries and Smaller Pieces" (1964) at the Circo Medini in Milan. Two photographs from the October 1969 performance of "Paradise Now" (1968) at Teatro Alfieri in Turin. One borderless photograph of Julian Beck from Bernardo Bertolucci's segment, "Agonia," from the 1969 compilation film "Love And Anger." Lastly, four borderless photographs we have been unable to definitively identify, including a photograph of a stage set, a photograph of a performance of three actors, a photograph of Jean-Jeacques Lebel, and a photograph of a woman in profile, possibly Living Theatre actress Mary Mary. The latter two photographs are likely from the 1968 Avignon performance of "Paradise Now." Founded in 1947 in New York by Julian Beck and Judith Malina, The Living Theatre is the oldest active experimental theater group in the United States. In the fifties and sixties the company became an epicenter for revolutionary culture, performing both original and repertory works. The company produced often radical stage productions and adaptations of works by artists and writers such as Bertold Brecht, Gertrude Stein, Jean Cocteau, William Carlos, Williams, T.S. Eliot, Pablo Picasso, Luigi Pirandello, and Federico García Lorca, among others, and laid the foundation for New York's robust underground art scene in the ensuing decades. The Living Theatre and its founders were the subject of the 1983 documentary "Signals Through the Flames," directed by Sheldon Rochlin. Photographs generally 7 x 5 inches to 12 x 8 inches. Near Fine overall, five with light toning. All housed in a 9.75 x 12.17 inch Near Fine black folder with a "The Living Theatre" sticker on the front board.…