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  • Seller image for ZLOM. KRIHA VERSU 1923-1928 (FISSURE, A BOOK OF POEMS 1923-1928 FISSURE, A BOOK OF POEMS 1923-1928 for sale by L'Estampe Originale ABAA/ILAB-LILA

    BIEBLE, KONSTANTIN. (TEIGE, KAREL)

    Published by Odeon/Fomek, Prague, 1928

    Seller: L'Estampe Originale ABAA/ILAB-LILA, Saratoga, CA, U.S.A.

    Association Member: ABAA ILAB

    Seller rating 5 out of 5 stars 5-star rating, Learn more about seller ratings

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    First Edition

    US$ 1,200.00

    US$ 35.00 shipping
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    Quantity: 1 available

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    Paper Wraps. Condition: Fine. Dust Jacket Condition: None. Karel Teige (illustrator). 2nd edition. Prague, Odeon, 1928. 64pp.Czech. Avant Garde ill. 4, Kat.-Nr. 79, Dluhosch p. 81, pl. 8, p. 82, 9a-d., see Fairleigh Dickenson University catalog. Second editon of the text, but the first edition with cover design and typography by Karel Teige. The second of Bieble's works to be illustrated by Teige. 8vo. In blue wrappers. In excellent condition. Uncut. With 4 illustrations by Teige on yellow paper. Biebl, Konstantin. Zlom. Novàvydáni. (Rupture. New edition). Praha, Odeon, 1928. (19,8 x 14 cm). 64 pp. Typography and 4 coloured typographical compositions by Teige. Original wrappers, designed by Teige àEdition of 1600 copies. The second, expanded edition of Bieble's surrealistic poems from the years 1923-1928 (1st ed., 1925, E.Jánská, design O.Fuchs and C.Bouda, 800 copies), here for the first time with Teige's typographical compositions, printed in red and black on yellow stock, illustrating his concept of modern illumination: new typography is not art, nor is it black. The black, grey and white ideal of the renaissance printing belongs to the past and, in the main polygraphical discipline, colour fulfills an ever more important role (Panorama, 12, 1934). The composition differ from the companian volume S lodi., in using more decorative elements: stars, braces, etc. The cover design, however, printed in brown and blue on light blue stock, is strictly constructivist and incorporates both front and black cover, possibly inspired by El Lissitzkys cover for Wendingen (1921, however not published until December 1922 / January 1923). The title page, printed in red and black, is also different in being an almost functional design.(Odeon, 46). 1.000.