Bird Kim (19 results)

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New.

Paperback. Condition: Good. No Jacket. Battis, Gwen (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Staplebound. Condition: Very good. Battis, Gwen (illustrator). Staplebound paperback quarto, 36 pages. Firm binding; no loose pages. Book and cover with minimal wear.

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: New. In.

Softcover. Condition: Very Good. Revised Edition. Octavo Size [approx 14x22cm]. Very Good condition. Staple bound. Illustrated with Colour & Black and White Photographs. Robust, professional packaging and tracking provided for all parcels. 56pages.

Hardback. Condition: New. A groundbreaking examination of how the act of drawing was a vital component of Ruth Asawa's multifaceted art "A revelatory exhibition. . . . [A] fine exhibition catalog."-Nancy Princenthal, New York Times, "Critic's Pick"   Ruth Asawa (1926-2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa's oeuvre throughout her career, featuring essays that examine the range of Asawa's aesthetic maneuvers across materials and techniques; how Asawa's drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers's pedagogy and Asawa's lifelong adoption of his type of paper folding. Tracing Asawa's artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist's drawings includes reproductions of more than one hundred works-many of which have never been published-organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear.   Distributed for the Menil Collection and the Whitney Museum of American Art  Exhibition Schedule:  Whitney Museum of American Art, New York (September 16, 2023-January 15, 2024)  The Menil Collection, Houston (March 22-July 21, 2024).

Hardcover. Condition: New.

Hardback. Condition: New. A groundbreaking examination of how the act of drawing was a vital component of Ruth Asawa's multifaceted art "A revelatory exhibition. . . . [A] fine exhibition catalog."-Nancy Princenthal, New York Times, "Critic's Pick"   Ruth Asawa (1926-2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa's oeuvre throughout her career, featuring essays that examine the range of Asawa's aesthetic maneuvers across materials and techniques; how Asawa's drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers's pedagogy and Asawa's lifelong adoption of his type of paper folding. Tracing Asawa's artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist's drawings includes reproductions of more than one hundred works-many of which have never been published-organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear.   Distributed for the Menil Collection and the Whitney Museum of American Art  Exhibition Schedule:  Whitney Museum of American Art, New York (September 16, 2023-January 15, 2024)  The Menil Collection, Houston (March 22-July 21, 2024).

Paperback. Condition: Very Good. First Edition. Adelaide, Australian Railway Historical Society (S.A. Division) Inc., 1972. Quarto, 81 pages with numerous illustrations (some in colour). Colour-pictorial card cover very lightly rubbed; an excellent copy.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Taschenbuch. Condition: Neu. Neuware - 'The public asked for more, and Keith Leon S. delivered. Volume 2 of the INside effects presents even more incredible healing stories and valuable information that could change your life.'- Dr. John Demartini, Author, Transformational Leader, and Featured Teacher from The Secret.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Hardback. Condition: New. A groundbreaking examination of how the act of drawing was a vital component of Ruth Asawa's multifaceted art "A revelatory exhibition. . . . [A] fine exhibition catalog."-Nancy Princenthal, New York Times, "Critic's Pick"   Ruth Asawa (1926-2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa's oeuvre throughout her career, featuring essays that examine the range of Asawa's aesthetic maneuvers across materials and techniques; how Asawa's drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers's pedagogy and Asawa's lifelong adoption of his type of paper folding. Tracing Asawa's artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist's drawings includes reproductions of more than one hundred works-many of which have never been published-organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear.   Distributed for the Menil Collection and the Whitney Museum of American Art  Exhibition Schedule:  Whitney Museum of American Art, New York (September 16, 2023-January 15, 2024)  The Menil Collection, Houston (March 22-July 21, 2024).

Hardback. Condition: New. A groundbreaking examination of how the act of drawing was a vital component of Ruth Asawa's multifaceted art "A revelatory exhibition. . . . [A] fine exhibition catalog."-Nancy Princenthal, New York Times, "Critic's Pick"   Ruth Asawa (1926-2013), widely known for her looped-wire sculptures, was an inveterate drawer. She filled sketchbook after sketchbook and even stated that drawing was central to her sculpture. This volume is the first to consider the significance of drawing in Asawa's oeuvre throughout her career, featuring essays that examine the range of Asawa's aesthetic maneuvers across materials and techniques; how Asawa's drawing intertwined with the Bay Area arts community and her contributions to public education as a teacher and organizer; and the influence of Josef Albers's pedagogy and Asawa's lifelong adoption of his type of paper folding. Tracing Asawa's artistic journey from her first formal art lessons in a Japanese American internment camp during World War II through her time at Black Mountain College and beyond, this comprehensive overview of the artist's drawings includes reproductions of more than one hundred works-many of which have never been published-organized into eight thematic sections that cut through time, reflecting an art-making practice that was more circular or cyclical than linear.   Distributed for the Menil Collection and the Whitney Museum of American Art  Exhibition Schedule:  Whitney Museum of American Art, New York (September 16, 2023-January 15, 2024)  The Menil Collection, Houston (March 22-July 21, 2024).