Bittner Jason (36 results)

paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: New. Brand New.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Brand New. paperback/dvd edition. 104 pages. 11.60x8.90x0.50 inches. In Stock.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

sheet_music. Condition: Very Good. Drumming out of the Shadows: The Music of Jason Bittner and Shadows Fall This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2013. Pap/DVD. Paperback. . . . . .

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

sheet_music. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Condition: New. 2013. Pap/DVD. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Condition: As New. Unread book in perfect condition.

paperback. Condition: Very Good. Very good condition. Light wear.

Softcover. Condition: As New. Solid like new softcover. Clean, spine not broken.

Paperback. Condition: new. Paperback. Mara and James needed a fresh start. A quiet street. A clean lease. A charming Victorian duplex that felt like a promise. Frank, the landlord, is clear about one thing: the upstairs is vacant-locked and off-limits. No one lives up there. Then the first night passes. and the house learns their schedule. At the same time every night, footsteps cross the ceiling above their living room-three measured steps, deliberate and heavy, like someone pacing a room that shouldn't exist. Mara starts documenting. James wants explanations. Frank offers rehearsed reassurances. And the more they push for the truth, the more the building responds-turning ordinary maintenance into a tightening pattern of pressure, denial, and escalation. Because the upstairs isn't empty. And whatever lives in that space doesn't want witnesses-it wants attention. VACANT is a slow-burn, claustrophobic haunted-house thriller about boundaries, bureaucracy, and what happens when the most dangerous thing in a home is the one door you're never allowed to open. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Paperback. Condition: new. Paperback. A fresh start was supposed to save them. A young family trades city noise for a quiet farmhouse near a small Iowa town-wide sky, empty roads, and the kind of silence that feels like a cure. The house is old but solid, the barn is steady, and the woods behind the back fence feel like privacy. A slower life. A safer life. A place where a child can run free and the world finally stops pressing in. On the first day-while boxes are still stacked and the kitchen still smells like cardboard-the parents let their child play outside while they unpack. "Stay in the yard where I can see you," the mother says. "Don't go near the trees." Minutes later, the yard is empty. No scream. No crash. No sign of struggle-just the sudden, impossible absence of a child. The parents sprint toward the woods, calling their child's name until it stops sounding like a name. Then the child steps out from the tree line calm, clean, and smiling, as if nothing happened. "I was trying to catch a bunny," the child says. "I'm okay, Mommy. I'm okay." After that, life should have returned to normal. It doesn't. The changes begin the way real nightmares begin-small enough to dismiss, subtle enough to doubt. A pause before the child smiles. Laughter that comes a second late, like an echo. Careful words that don't sound like a kid. At night, the mother wakes to soft footsteps on old wood and finds her child standing in the hallway, staring into the dark as if someone is there. When she touches the child's shoulder, the child turns slowly and whispers in a voice that isn't quite theirs: "Don't follow me." By morning, the child remembers nothing. A doctor calls it sleepwalking. Stress. A new home. The father clings to explanations that don't require him to believe in monsters-until the evidence stops being deniable. Damp socks when it hasn't rained. Dirt under fingernails after an afternoon spent "inside." A smear of mud on pajamas the child swears they never took off. Then footprints appear on the kitchen tile-small muddy prints that begin at the back door and end at the child's bedroom, like someone carried the dirt in and tucked the child back into bed. That's when the farmhouse begins to change too. Doors latch on their own. Cabinets hang open like jaws. Cold gathers in one hallway no matter how high the heat runs. Knocks answer knocks. Footsteps move overhead when no one is upstairs. The child's voice comes through vents when the child is asleep. The parents realize they aren't just dealing with a possessed child-they're living inside a possessed house, and once the house is claimed, leaving becomes its own kind of horror. The child stays sweet in public-polite, quiet, praised for "adjusting so well"-while the darkness at home grows bold. Scratches appear on skin as if the air has nails. Growls come from empty rooms. Eyes go black. A small body bends the wrong way. Objects don't fall-they're thrown, with violent precision. And the most terrifying part is the pattern: it doesn't happen constantly. It happens when the lights are off. When the house is quiet. When no one else will believe them. As the parents fight to protect their child, they're forced to face the truth that breaks them: the "bunny" was never a bunny. It was a lure-something pale and harmless-looking meant to pull a child to the edge of the woods for less than a minute. long enough for something to slip in. and come back wearing their child like a perfect mask. Now the family is trapped between the hungry woods and a home that has become a living prison, and every night brings the same unbearable question-if your child disappeared into the trees for only a moment. would you know what came back? This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Near Fine. Book is in great shape.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Paperback. Condition: new. Paperback. At Westmoore Medical Center, the night shift runs like clockwork-quiet halls, dimmed lights, and the steady pulse of machines keeping fragile lives tethered to morning. Abagail Turner is grateful to be there. Newly transferred and on a probationary period, she needs this job to stick, and she's determined to prove she belongs at one of the most respected hospitals in the region. Then she meets her assigned mentor. Martha Reynolds is everything Westmoore celebrates-calm under stress, endlessly competent, and almost unnervingly composed. Other nurses admire her. Families praise her. Supervisors trust her without hesitation. And when patients die. it happens peacefully. Too peacefully. It starts as a faint unease Abagail can't explain: a pattern in the timing, a look exchanged between staff in the hallway, a comment overheard during handoff that stops the moment she steps closer. After a few shifts, Abagail notices the same detail in the background of the worst moments-Martha is always there when the monitors go still. Abagail tells herself it's coincidence. Martha is assigned to the hardest cases. Martha volunteers for extra hours. Martha is simply the kind of nurse hospitals rely on when things go wrong. Except the charts don't match the rooms. A medication record that's too clean. A timestamp that doesn't align with a witness's memory. An order that appears after the fact. A missing cosign. Tiny contradictions-individually dismissible, collectively impossible to ignore. Abagail starts checking charts when she shouldn't, comparing logs and shift assignments, building a private paper trail because she senses what Westmoore doesn't want said aloud: something is being managed-not just pain, not just panic, but outcomes. As Abagail pushes, Westmoore pushes back. A "friendly" reminder about policy. A quiet meeting framed as support. Colleagues who were willing to talk yesterday suddenly won't meet her eyes. The hospital's polished culture-the one that once felt like safety-begins to feel like containment. Through it all, Martha remains perfectly composed, offering guidance with a steady smile and speaking about dignity and comfort, her words careful, her presence reassuring. The longer Abagail watches her, the more she realizes the most frightening people aren't the ones who rage-they're the ones who never have to. Now Abagail is trapped between what she knows and what she can prove. If she's wrong, she could destroy her career. If she's right, she may be the only person standing between Westmoore's patients and someone who has turned compassion into a weapon-and the next name on the chart isn't just another case. THE NIGHT NURSE is a chilling thriller-horror of institutional secrets, medical menace, and the terrifying ease with which truth can be rewritten inside a system designed to protect itself. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Drumset. "CD Tracking Information - About Jason Bittner - About the Author: Joe Bergamini - About the Author: Willie Rose - Notation Key - Introduction - Double Bass Crash Course - Part 1: Building Blocks - Part 2: Filling the Gaps - Part 3: Shifting Gears - "Int.