Bloch Daniel R (42 results)

Condition: Very Good. 1 Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Good. 1 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 1 Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

SingleIssueMagazine. Condition: Good-. Vol. 1, No. 6. Edited by William L. Hamling. Cover art by Harold McCauley for "The Big Binge" (novel) by Robert Bloch. Includes ". . .So Very Dark" (novelette) by Daniel F. Galouye. Features: "Introducing the Author: Robert Bloch"; "The Editorial"; "Magic Matter" by Joel Berendt; "To the Stars" by R. G. St. Clair; "Science Is Easy!" by S. A. Marton; "Universal Logic!" by George Rose. Illustrated by Harold McCauley and W. E. Terry. Stains and minor soiling; short, marginal worm hole in lower end; creasing; lean; tanning. Book.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Clean & Unmarked. Dust Jacket Condition: Very Good. A very clean and straight copy in like dust jacket. 200 pp.

Condition: As New. Unread book in perfect condition.

Condition: New.

Encuadernación de tapa blanda. Condition: Bien. 1� Edición. Martínez Roca, 1987. Colección: Gran Súper Ficción. Ciencia ficción. (Gran Super Ficción). Relatos. 289 páginas. 22 x 15. Tapa blanda de editorial ilustrada con solapas. Muy Buen estado de conservación. ISBN: 8427010664.

Condition: New.

Hardcover. Condition: new. Hardcover. Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history. Featuring essays by top scholars and an expansive introduction, this volume surveys fifteenth-century Italian sculpture. It offers the most comprehensive treatment of the topic to date, in its range of artists and media, and its geography: from great centers like Florence and Venice to lesser-studied cities like Milan and Naples. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: Very Good. 2000 Brill hardcover reprint edition. Unread copy in very good condition. Contents: 1. Preface' by Benjamin Hary, John Hayes and Jennifer Quijano; 2. 'A Tribute to Professor William M. Brinner' by Fred Astren; 3. 'Bibliography of the Works of William M. Brinner' by Barry Ross; 4. 'Time, Historiography, and Historical Consciousness: The Dialectic of Jewish-Muslim Relations' by Jacob Lassner; 5. 'Jews, Muslims, and Christians in Byzantine Italy' by Stephen D. Benin; 6. 'Sociability and the Concept of Galut in Jewish-Muslim Relations in the Middle Ages' by Mark R. Cohen; 7. 'The Jewish-Christian Debate in Transition: From the Land of Ishmael to the Land of Edom' by Daniel J. Lasker; 8. 'Patrilocal Residence and Jewish Court Documents in Medieval Cairo' by David Marmer; 9. 'Text and Territory: Jewish-Muslim Relations 632-750 CE' by Gordon D. Newby; 10. 'Medieval Jewish Magic in Relation to Islam: Theoretical Attitudes and Genres' by Shaul Shaked; 11. 'Viewing the 'Other': Sephardic/Oriental Jewry and Zionism in Contemporary Arab Political and Journalistic Writing in the 1960s and 1970s' by Michael M. Laskier; 12. 'Jews of the Arab World between European Colonialism, Zionism, and Arab Nationalism' by Norman A. Stillman; 13. 'Early Bible and Qur'an Illuminations: Preliminary Remarks' by Eva Baer; 14. 'The Story of Our Master Joseph: The Spiritual or the Righteous?' by Marc Bernstein; 15. 'Comparative Studies in Bible and Qur'an: A Fresh Look at Genesis 22 in Light of Sura 37' by Reuven Firestone; 16. 'Isfhjma'iliyat: A Judeo-Persian Account of the Building of the Ka'ba' by Vera B. Moreen; 17. 'The Garment of Adam in Jewish, Muslim, and Christian Tradition' by Stephen D. Ricks; 18. 'Vestiges of Saadiah's Tafsir in Modern Arabic Bibles' by Sasson Somekh; 19. 'Qisas al-Anbiya' by Steven M. Wasserstrom; 20. 'Islamic Law and Jewish Law on Deserted Wives/Missing Husbands: Humanitarian Considerations' by Vardit Rispler-Chaim; 21. 'Problems of Intermarriage in Early fiqh Texts' by Susan Spectorsky; 22. 'Maimonides and the Philosophers of Islam: The Problem of Theophany' by Lenn E. Goodman; 23. 'Self-Criticism in Jewish and Islamic Traditions' by Hava Lazarus-Yafeh; 24. 'Karaite Jewish Approaches to History in Medieval Islam' by Fred Astren; 25. 'A Speculation on External Factors in the Formation of the Crimean Karaite (National) Identity' by Philip E. Miller; 26. 'Sabbatian Echoes in A. B. Yehoshua's Mar Mani' by Arnold J. Band; 27. 'Ideology and Realism in a Palestinian Novella: Ghassan Kanafani's Return to Haifa' by Ariel A. Bloch; 28. 'How Can My Heart Be in the East?' Intertextual Irony in Judah ha-Levi' by Ross Brann; 29. 'From 'lh rhmn to al-rahman-The Source of a Divine Epithet' by Jonas C. Greenfield; 30. 'Egyptian Judeo-Arabic Sharh-Bridging the Cultures of Arabic and Hebrew' by Benjamin Hary; 31. 'The Nineteenth-Century Jewish Playwright, Abraham Daninos, as a Bridge between Muslim and Jewish Theater' by Shmuel Moreh.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 2020. Hardcover. . . . . .

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.…

Condition: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 444 pages. 11.25x8.75x1.00 inches. In Stock.

Hardcover. Condition: new. Hardcover. Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history. Featuring essays by top scholars and an expansive introduction, this volume surveys fifteenth-century Italian sculpture. It offers the most comprehensive treatment of the topic to date, in its range of artists and media, and its geography: from great centers like Florence and Venice to lesser-studied cities like Milan and Naples. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.…

Hardback. Condition: New. Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.…

Hardcover. Condition: New.

Hardcover. Condition: Brand New. 4th edition. 2336 pages. 10.75x8.25x4.25 inches. In Stock.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1785 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 404 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 404 Volume pe.9-10 (1797) Language: French,mul.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1785 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 406 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 406 Volume pe.7-8 (1797) Language: French,mul.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1785 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 458 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 458 Volume pe.3-4 (1786-1787) Language: French,mul.…