Bloteling Abraham (29 results)

Schönes original Kupferstich-Portrait von ca. 1680. Seltenes Portrait! -- Blattformat: ca.47x37 cm. -- teils leicht fleckig, mit alter Knickspur, sonst gut erhalten. || Original engraved portrait from c. 1680. Rare portrait! -- slightly stained, with an old fold mark, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Niederländisch Gewicht in Gramm: 20.

Acquaforte su rame, mm. 295x190 parte incisa, rifilata al marg. Si tratta del frontespizio dell'opera, allegorico, con figure e putti. Il volume fu pubblicato per i tipi Johan van Someren, Abraham Wolfgangh, Hendrik and Dirk Tree, in Amsterdam 1681.

Reproduction of the engraved portrait of Michiel de Ruyter by Bloteling after Lievens l Photogravure on paper; total: 460 x 351; some tears and foldings along the external margins.

Bust portrait of Michiel de Ruyter in an oval. Around the oval frame cannons and other items. On pedestal three lines of Dutch text: 'De Heere Michiel Adriaensz Ruyter, / Ridder, Lt Admirale over de Provintie / van Hollandt ende Westvrieslandt' signed on the bottom: 'A. Blotelingh fecit aqua forti et Exc.' Reprint of the original plate on 20th century paper: on the bottom right: 'PREMIE ALGEMEEN HANDELSBLAD' Etching on paper with broad margins; plate mark: 287 x 223 mm, total: 502 x 327 mm; foxing all over the plate.

Bust porrait of admiral Michiel de Ruyter, after an engraving by Abraham Bloteling. Signed below the portrait: 'Naar de orig. Grav. van A. Blotelingh, Steend . v. Steuerwald. / F. Waanders. Lith.'; on the bottom reproduction of the signature of de Ruyter. l Lithograph on paper; total: 240 x 176 mm; some foxing yet in good conditions.

Blattgröße ca. 12,5 x 15,2 cm. Plattengröße ca. 10,6 x 13,7 cm. Unter Passepartout montiert; Im rechtern oberen Randbereich etwas fleckig; Gute Erhaltung.

Nicolaes Pietersz. Berchem (illustrator). 'AFBEELDINGHE DER VOORNAEMSTE STEDEN VAN EVROPA / UYTGEGEVEN DOOR NICOLAES VISSCHER. / N. BERCHEM INVENT. / AB. BLOTELINGH FECIT.'Europa seated on the bull (Zeus), surrounded by her maidens who decorate the animal with flower garlands on the shore. Trees and coastline in the background. Classical allegory used as title piece for Visscher's European city series.Made by Abraham Bloteling after Nicolaes Pietersz. Berchem.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 29 x 22.3 cm (11.42 x 8.78 inch). Image size: 27.5 x 20.5 cm. (10.83 x 8.07 inch).EUROPA AND THE BULL, ALLEGORY, CITY VIEWS, DUTCH ENGRAVING, TITLE PAGE, NICOLAES BERCHEM, ABRAHAM BLOTELING, NICOLAES VISSCHER, CLASSICAL MYTHOLOGY | PCO-E30-12BACKGROUND INFORMATIONTitle print for 'Afbeeldinghe der Voornaemste Steden van Europa,' published by Nicolaes Visscher I.Reference: Hollstein Dutch 129-3(4); Rijksmuseum RP-P-BI-1866.Biography engraver: Abraham Bloteling (1640-1690) was a renowned Dutch engraver and printmaker known for his refined reproductive engravings. He worked in Amsterdam and London, contributing significantly to Dutch book illustration.Biography artist: Nicolaes Pietersz. Berchem (1620-1683) was a Dutch painter and draughtsman, celebrated for his Italianate landscapes and mythological scenes, many of which were later engraved by master printmakers. Condition: very good, given age. Light foxing, soiling and creasing. Original middle fold as issued. Some paper separation at this middle fold margins. Small tear at bottom paper edege, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

original copper engraving and etching by Abraham Blooteling after Bartholomeus van der Helst, plate: ca. 49 x 35 cm, sheet: ca.: 55 x 38 cm Egbert Bartholomeusz Kortenaer Battle of Lowestoft de 1001 Grafik.

The personification of history, with opened wings and a pyramid on the head, writing on a large book. With the left hand she is holding the mirror of truth. Two small putti on each side of the altar she is sitting at; some items on the pedestal on which the figures are, like some patents and documents; the pedestal is decorated with three elements. Frontispiece to the third volume of Jean le Clerc's 'Geschidenissen der Vereenigde Nederlanden' published between 1650 and 1679. Signed on the bottom: 'W. Schellinkx invent. / A. Blooteling Sculp.' l Engraving on paper with small margins; plate mark: 329 x 205, total: 346 x 222 mm; damaged on the left margin, some soil along the most external margins, on the corners; traces of previous mounting on the verso. Hollstein 127.

Titlepage to Kerckring's Anatomy book published in Amsterdam in 1670: 'Spicilegium anatomicum : continens observationum anatomicarum rariorum centuriam unam : nec non osteogeniam foetuum, in qua quid cuique ossiculo singulis accedat mensibus, quidve decedat & in eo per varia immutetur tempora, accuratissimè oculis subjicitur'. A woman is standing with a knife in her hand, in the act of removing the skin from a corpse. Two children in the foreground are offering some spikes to the woman. Signed on the bottom right: 'A. Blotelingh Sculp.' and lettered below: 'AMSTELODAMI, Sumptibus ANDREAE FRISII, MDCLXX.' l Engraving on paper, trimmed to platemark; total: 206 x 146 mm; only state; Hollstein 125; Wess 121.

Half- length portrait of admiral Michiel de Ruyter in front of a seascape with a sea battle. On the bottom two cannons. Further on the bottom an inscription below a balustrade: "De Heer Michiel Adriaensz R,uyter Ridder / St Admirael over de Provintie van / Hollandt ende Westvrieslandt" l Engraving on paper with some margins; plate mark: 199 x 155 mm, total: 213 x 169 mm; Hollstein 16; traces of previous mounting on the verso.

No binding. Condition: Good. Half-length portrait of admiral Michiel de Ruyter in front of a seascape with a sea battle. On the bottom an inscription below a balustrade: "MICHIEL ADRIANSZ. / DE RUYTER RIDDER. / van St. Michiel en den Oliphant. / Lt Admirael van Hollandt. et."; above on the right: "tweede deel fol: 173". Used as illustration in: Leeven en daden der doorluchtighste zee-helden en ontdeckers van landen deser eeuwen. Beginnende met Christoffel Columbus (.) en eyndigende met (.) M.A. de Ruyter. Published in Amsterdam in 1676. In the same direction of the portrait at the Rijksmuseum by Christiaan Hagen (RP-P-1905-3).[NL] Portret van admiraal Michiel de Ruiter met tekst onder het portret: Michiel Adriaensz. De Ruyter Ridder van St. Michiel en den Oliphant, Admirael van Hollandt et. Michiel de Ruyter (1607-1676) is een van de bekendste zeehelden uit de Nederlandse geschiedenis. Zijn bijnaam is Bestevaer ofwel grootvader. Hij was een tijdlang zelfstandig ondernemer in de walvisvaart. De Ruyter behaalde tijdens de Engelse Zeeoorlog belangrijke successen tegen Engeland met als hoogtepunt de Tocht naar Chatham die in 1667 leidde tot een voor Nederland gunstige vrede. Engraving and etching on paper with some margins; plate mark: 165 x 131 mm, total: 195 x 140 mm. In the right top the text: Tweede deel fol: 173. A visible fold in the bottom middle and a light diagonal fold in the right bottom. Print in passepartout size 350 x 250 mm.

Adriaen van Ostade (illustrator). This print shows a view on a painter in his studio, sitting behind his easel at the window, with a book on a stool beside him. On the painting is written: CAPRICE Ostade inv: Two assistants or pupils are preparing paint at a table under the stairs. Inscribed at the bottom left: A. Blooteling excudit. A frontispiece of a series of 6. Numbered at the bottom right: 1.Made by Abraham Bloteling after Adriaen van Ostade .Medium: Engraving / etching on hand laid (verge) paper.Sheet size: 12.8 x 18 cm (5.04 x 7.09 inch). Image size: 10 x 11 cm. (3.94 x 4.33 inch).PAINTER-CAPRICE-EASEL-ASSISTANTS-ART | RBOS-A10-25BACKGROUND INFORMATIONThis print was published ca 1650-1700.Biography engraver: Abraham Bloteling (1640-1690) was a Dutch designer and engraver.Biography artist: Adriaen van Ostade (1610-1685). Condition: good, given age. Creases in cornes. Remains of glue and paper in upper corners and right margin on reverse. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No Binding. Condition: Fair. Portrait of Johannes Coccejus. Born 9 August 1603 in Hamburg, Germany. Died 5 November 1669 in Leiden, The Netherlands. Etching and Engraving by Abraham Bloteling (1640-1690), after Anthonie Palamedesz. (1601-1673), c. 1665. Reasonable condition. Margins trimmed to the border. Paper slightly soiled. Verso: blank. Dimensions: 221 x 186 mm. Johannes Coccejus was Writer, Professor, Orientalist, Professor at the University of Franeker, Professor at the University of Leiden, and Philogist. c. 1665. Print.

No Binding. Condition: Fair. Portrait of Johannes Coccejus. Born 9 August 1603 in Bremen, Germany. Died 5 November 1669 in Leiden, The Netherlands. Etching and Engraving by Abraham Bloteling (1640-1690), after Anthonie Palamedesz. (1601-1673), c. 1665. Reasonable condition. Paper a bit soiled with little stains. With a very faint diagonal fold . The left edge slightly ragged. Verso: blank. Dimensions: 222 x 185 mm. Johannes Coccejus was Writer, Professor, Orientalist, Philologist, Professor at the University of Franeker, Professor at the University of Leiden, and Theologist. c. 1665. Print.

No Binding. Condition: Fair. Portrait of Johann Cramprich von Cronefeld. Born c. 1642. Died 1693. Mezzotint by Abraham Bloteling (1640-1690), after Simon Ruys (fl. 17thC), 1687. Reasonable condition. Margins trimmed to the border. Mounted on an old album leaf. Paper slightly browned, with some minor, faint stains and some faint damage to the image. Dimensions: 394 x 273 mm. Johann Cramprich von Cronefeld was Ambassador, Ambassador in the Hague, and Ambassador of the Holy Roman Empire. Print.

No Binding. Condition: Good. Portrait of Johannes Coccejus. Born 9 August 1603 in Bremen, Germany. Died 5 November 1669 in Leiden, The Netherlands. Etching and Engraving by Abraham Bloteling (1640-1690), after Anthonie Palamedesz. (1601-1673), c. 1665. Good condition. Margins trimmed to the border. Paper slightly browned. Verso: blank, with traces of former mounting. Dimensions: 222 x 185 mm. Johannes Coccejus was Writer, Professor, Orientalist, Philologist, Professor at the University of Franeker, Professor at the University of Leiden, and Theologist. c. 1665. Print.

Frontispiece of : 'Theatrvm statvvm regiĉ celsitvdinis Sabavdiĉ dvcis, Pedemontii principis, Cypri regis', published for the first time in Amsterdam in 1682.Signed and dated at bottom: G. Lairesse invent. A Bloteling sculp. / A LA HAYE Chez RUTGERT CHRISTOFFEL ALBERTS 1725. Etching and engraving on paper, with small margins; total: 498 x 327 mm; a tear at bottom repaired on the verso, remargined at bottom; some rubbing and dirt; otherwise in fair condition.

The four Fathers of the Church, Ambrose, Gregory, Hieronymus and Augustine, gathered in circle, reading from the Bible. Very fine engraving. Inscribed on the bottom:'In Effigiem Quatuor- Virorum, AMBROSII, GREGORII, HIERONYMI et AUGUSTINI, Patrum de Ecclesia Christi optime meritorum. / Adspice, Posteritas. Tantorum Laudem posse perire negat.'; on the bottom left:'P.P. Rubens / Pinxit.' on the right:'C. van Dalen Junior / Sculpsit. / A. Blotelingh Exc.' l Engraving on paper, small margins; platemark: 329 x 257 mm, total: 334 x 263 mm; evenly yellowed paper; state II/2; Hollstein 5, W 52, V.S. p. 64 nr 3 PP01A (Ambrosius) / black folders A-D [Dalen II].

Portrait of Hieronymus van Beverninck (16414-1690) in an oval frame. Beverninck was mayor of Gouda and ambassador in England Inscribed on the oval frame:'NE TE QUAESI VERIS EXTRA'; on the pedestal on the plinth on bottom:'ILLUSTRIS ET GENEROSUS DOMINUS / D. HIERONYMUS VAN BEVERINGK / Teylingae Toparcha, Foederati Belgy Exthezaurarius, Lycaei Batavi Curator, in Consessu Celsorum et praepoten: / tium d:d: Ordinum Generalium Assessor, ad Tractatus pacis, [.] Neomagi instituti sunt, extra ordinem Legatus et Plenipotentiarius.'; signed on the bottom left:'B. Vaillant ad Vivum Pingebat et ex.' and right:'A. Blooteling sculp. 1679' l Engraving on paper with small margins; platemark: 350 x 265 mm; total: 358 x 273 mm; state IV/5, Hollstein 2, Wess 2, M 397. On the verso, bottom left in brown ink: 'N.:902' PP01B (Beverningk) / black folders A-D.

Portrait of Govert Flinck (1615-1660) in profile with right arm resting on a support. He is holding a roll of paper. Inscribed on the bottom, in two columns a componiment by Vondel: 'Dus leefde Apelles FLINCK, te vroegh de stadt ontruckt, / Toen hy, behantvest van haere edele overheden, / Het heerlyck raethuis met historien zou kleeden, // Gelyckze Tacitus van outs heeft uitgedruckt, / Die Rome Strycken leert voort recht der Batavieren. / Bekranst dien schilderhelt met eeuwige laurieren. / J. v. Vondel.' Signed on the bottom left:'Gr. Zyll Pinx.' and on the right:'ABlotelingh sculp. et Excud.' (A and B monogrammed) l Engraving on paper with margins; platemark: 293 x 213 mm; total: 317 x 231 mm; state II/2, Hollstein 13, Wess 11, M 1666. PP01F (Flink) / black folders A-D.

Portrait of Willem van Haren (1626-1708), Dutch diplomat. Portrait, head and shoulders, full face, within an oval border with letters, on a plinth. Lettered around the oval frame:'IRAE MODERERIS ET ORI.'; inscribed on the plinth:'ILLUSTRIS ET GENEROSUSDOMINUS / DNG WILHELMUS VAN HAREN / Billiae Frisiorum Grietman Ord./num Frisiae Delegatus Novemvir Academiae Franequeranae Curator, Celsorum ac /praepotentium Duorum Ord. Gen. Uniti Belgy ad Neomagin et Tractatus Pacis Plena cum potestate legatus Extraordinarum.', signed on the bottom left:'B. Vaillant pingebat, et ex.' and on the bottom right:'A. Blooteling sculp. 1680.' Inscribed in brown ink on the bottom margin:'Was in't Jaar 1678 aan der. / der Voorgaande Eeuw'. Engraving on paper with small margins; platemark: 352 x 263 mm; total: 375 x 273 mm; state II/2, Hollstein 17, Wess 15, M 2172. On the verso collector's marks of the Rijksprentkabinet. PP01H (Haaren) / black folders A-D (Blooteling).

Half length portrait of Peter van der Hagen, vicar at Amsterdam. Lettered at the bottom: 'PETRUS VAN DER HAGEN. / Ecclesiastes Amstelodamensis. / Natus 26 Febr. 1641 Obijt 3 Jul. 1671' signed: 'W. Vaillant Fecit / A. Blooteling exc.' l Mezzotint on paper with broad margins; plate mark: 260 x 191 mm, total 345 x 235 mm; state III/3; Hollstein 180, Wess 44, Muller 3132.

No Binding. Condition: Good. Portrait of Johannes Visscher. Born c. 1617. Died 22 April 1694 in Amsterdam, The Netherlands. Etching and Engraving by Abraham Bloteling (1640-1690), after Michiel van Musscher (1645-1705), 1682. Good condition. Rather short margins. Verso: blank, with some traces of former mounting and an old collection stamp. Dimensions: 256 x 170 mm. Johannes Visscher was Writer, Preacher, Preacher in Amsterdam, Protestant, Preacher in Zutphen, Protestant preacher, Preacher in Oosterleek, Preacher in Boven-Karspel, and Preacher in Wijdenes en Oosterleek. Print.

Half-length portrait of Witte Cornelisz. de With (1599-1658), a Dutch naval officer who served during the Eighty Years' War and the First Anglo-Dutch War. Engraving on hand laid paper, sheet size 373 x 478 mm., platemark 344 x 440 mm., engraved by Abraham Bloteling (1640-1690) after Hendrick Martensz. Sorgh (1609-1670, painter, draughtsman and naval captain). Printed by Romeijn de Hooghe and Jacobus Robijn in Amsterdam, c. 1660-1690. In good condition, some foxing in the margins and a horizontal crease over the middle of the sheet. References: Hollstein Dutch 201: 57 4/iv.

The baker sounding his horn. Inscribed at the bottom right: 'A.v. ostade. in.' Numbered at the bottom left: '8.' Etching on paper with margins; platemark: 130 x 105 mm, total: 264 x 214 mm; foxing and traces of red.Village romance. A woman and a man leaning out of a doorway. Inscribed at the bottom right: 'A.v. ostade. in.' Numbered at the bottom left: '7.' Etching on paper with margins; platemark: 129 x 103 mm, total: 266 x 213 mm; foxing at the paper's edges and stain in the margins on the left.The smoker at the window. Man with a pipe and a drinking cup leaning out of an open window. Inscribed at the bottom right: 'A.v. ostade. in.' Numbered at the bottom left: '6.' Etching on paper with margins; platemark: 129 x 103 mm, total: 266 x 213 mm; foxing at the paper's edges.Peasant leaning on his doorway. A man with a hat, leaning out of his doorway, looking outside. Inscribed at the bottom left: 'A. stade in'. Numbered at the bottom right: '4.' Etching on paper with margins; platemark: 120 x 105 mm, total: 263 x 213 mm; light foxing at the paper's edges.The painter. Frontispiece of the series, showing a painter in his studio, sitting behind his easel at the window, with a book on a stool beside him. On the painting is written: 'CAPRICE Ostade inv:' Two assistants or pupils are preparing paint at a table under the stairs. Inscribed at the bottom left: 'A. Blooteling excudit.' Numbered at the bottom right: '1.' and numbered at the bottom "no 24' (by a later hand?). Etching on paper with margins; platemark: 120 x 103 mm, total: 266 x 212 mm; light foxing at the paper's edges and a small stain in the left margin.The pater familias. An interior with a man on chair feeding a child, and a woman and child watching. Inscribed at the bottom left: 'A. ostade in'. Numbered at the bottom left: '2'. Etching on paper with margins; platemark: 124 x 103 mm, total: 264 x 214 mm; light foxing at the paper's edges. After Godefroy 7, 9, 10, 11, 32, 33, but not mentioned in Godefroy under his list of copies.

Half-length portrait William Frederick, Prince of Nassau-Dietz (1613-1664), Stadtholder of Friesland, Groningen and Drenthe.In armour, standing, slightly turned to the right, eyes to the observer. He is holding a comand staff in his right hand, and leaning his left wrist on the sword hilt. On the bottom left corner is a helmet and the gloves. Beyond the tree standing behind him, on the right, is a battle, with soldiers on horses.Eight lines of text in Dutch by Jacob Westerbaen under the portrait.Signed below: PNason pinxit/ A. Blotelingh sculp. ; with the publisher: P. Tongerloo Excudit. Engraving on paper, with some margins; total: 492 x 396 mm; state II/2 some smudges, otherwise in great condition. Hollstein 54, Wess 50, Muller 439.

Bust portrait of Hieronymus van Beverningh (1614-1690) a prominent Dutch regent, diplomat, amateur botanist, and patron of the arts. Body slightly turned to the right, looking at the observer. Within inscribed oval frame. Latin inscription below.Signed at bottom: Maes pinxit / A. Blooteling fecit et ex. cum Privilegio.[NL] Hiëronymus van Beverningh was een Gouds regent, diplomaat en thesaurier-generaal van de Republiek der Zeven Verenigde Nederlanden in de Gouden Eeuw. Van Beverningh groeide op in Gouda en studeerde aan de Universiteit Leiden. Hij was tevens amateur-botanist. Mezzotint on paper, with some margins; total: 445 x 328 mm; state III/3, some light smudges, otherwise in great condition. Hollstein 148, Wess 4, Muller 395.

A man with hat, looking at the beholder, holding a glass of wine in his hand. Within oval frame. Beautiful mezzotint. Signed on the bottom: 'J. van Mieris Pinxit / A. Blooteling fecit et ex. Cum Privilegio.'. Mezzotint on paper, trimmed close to plate; plate mark: 252 x 170; total: 261 x 180 mm; on paper mat within passepartout. A light brown stain on bottom right; overall in good condition, some areas where paper is cooked.