Bock Hieronymus (67 results)

Paperback. Octavo, [20cm/8in],paperbound with pictorial covers, unpaginated. In exceptionally good condition.

Condition: New. pp. 54.

Condition: New. pp. 54.

Condition: New. pp. 54.

No Binding. Condition: Very Good. David Kandel (illustrator). First Edition. [Botanical]. Original leaf, with woodblock illustration, from the famous first illustrated edition of Hieronymus Bock (1498-1554) Kreuter Buch printed by Wendel Riehel at Strasburg in 1546. Sheet Size approx. 12.25 x 8.25 inches. Woodcuts on recto and verso depicting Caryophyllus (Carnations); text on recto and verso. Hieronymus Bock is one of the three German Fathers of Botany. The illustrations in this early German herbal were designed and cut by David Kandel. A very good example from this landmark work, printed in black-letter, on laid-paper, evenly-toned, loose and unmatted.

No Binding. Condition: Very Good. David Kandel (illustrator). First Edition. [Botanical]. Original leaf, with woodblock illustration, from the famous first illustrated edition of Hieronymus Bock (1498-1554) Kreuter Buch printed by Wendel Riehel at Strasburg in 1546. Sheet Size approx. 12.25 x 8.25 inches. Woodcut depicting Date Palm tree with Unicorn; text on recto and verso. Hieronymus Bock is one of the three German Fathers of Botany. The illustrations in this early German herbal were designed and cut by David Kandel. A very good example from this landmark work, printed in black-letter, on laid-paper, evenly-toned, loose and unmatted.

No Binding. Condition: Very Good. David Kandel (illustrator). First Edition. [Botanical]. Original leaf, with woodblock illustration, from the famous first illustrated edition of Hieronymus Bock (1498-1554) Kreuter Buch printed by Wendel Riehel at Strasburg in 1546. Sheet Size approx. 12.25 x 8.25 inches. Woodcut depicting Boxwood tree with rooster, monster, and toad; text on recto and verso. Hieronymus Bock is one of the three German Fathers of Botany. The illustrations in this early German herbal were designed and cut by David Kandel. A very good example from this landmark work, printed in black-letter, on laid-paper, evenly-toned, loose and unmatted.

No Binding. Condition: Very Good. David Kandel (illustrator). First Edition. [Botanical]. Original leaf, with woodblock illustration, from the famous first illustrated edition of Hieronymus Bock (1498-1554) Kreuter Buch printed by Wendel Riehel at Strasburg in 1546. Sheet Size approx. 12.25 x 8.25 inches. Woodcut depicting Tannenbaum tree with Stag and initialed "DK" in the plate; text on recto and verso with additional woodcut. Hieronymus Bock is one of the three German Fathers of Botany. The illustrations in this early German herbal were designed and cut by David Kandel. A very good example from this landmark work, printed in black-letter, on laid-paper, evenly-toned, loose and unmatted.

disbound. Condition: Very Good Condition. single leaf 7.5" x 11 3/4", hand colored illustration of a sowthistle. A bit of staining at edges, slight browning. Size: Folio. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Science & Technology; Botany; Inventory No: 049675.

Hardcover. Condition: Gut. Reprint 1577. 28 x 20 cm 58 S : 450, 44 :. Kunstleder. Zustand: Sehr Gut, eher ungelesen (Innen); Ex Libris auf dem Innendeckel; Einband (Außen) hat geringe Gebrauchsspuren; Schnitt oben ist gering u. seitlicher ist min. fleckig; Buchrücken ist min. fleckig; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Condition: Good. in-4 (mm. 226x163), ff. (34), pp. 1200, ff. (32), preziosa legatura coeva in pelle di scrofa su assicelle in legno, dorso a nervi, piatti adorni di vari ordini di bordure a secco, tracce di fermagli. Prima edizione latina, e seconda illustrata, accresciuta di quasi 100 silografie rispetto all'edizione del 1546 fino a giungere a 568 legni. Bock è considerato uno dei padri tedeschi della botanica moderna e fu tra i primi a cercare di classificare le piante. La particolarità della sua opera è da individuarsi nel modo sistematico di descrivere le piante basato sull'osservazione a prima vista. Nel 1539 uscì la prima edizione non illustrata ma già comprensiva della classificazione delle piante in famiglie; la presente comprende 568 silografie a mezza pagina, tratte per lo più dai disegni di Kandel, Fuchs, Brunfels; mentre le aggiunte testuali di Tessier e Gessner comprendono il primo tentativo di una bibliografia botanica. Bell'esemplare in buono stato di conservazione, malgrado alcuni piccoli difetti abilmente restaurati (sporadiche fioriture, porzione del titolo in alto a destra restaurata, con alcune lettere anticamente rifatte a mano, e strappo restaurato alla pag. 203). Arricchito da chiare ed interessanti annotazioni di  botanico tedesco ed illustri provenienze manoscritte sulla sguardia e sul titolo: "ex Bibliotheca Fischeriana", dedica di C. A. Schmid "Collegio Carolini Professor Brunsvic 1785" a Io. Fred. Poij, Archiatra di Karolina, Principessa di Orange-Nassau (1743-1787). Hunt 66; Nissen BBI 183; Stafleu TL2 576. Book.

Couverture rigide. Condition: Très bon. Normal 0 21 false false false FR X-NONE X-NONE Precious and very rare edition printed and hand-colored in Strasbourg in 1572 of Bock's famous herbarium, illustrated with hundreds of well-known woodcuts by David Kandel: printer's mark on the title-page, portrait of the author and more than 500 engravings in the text fully enhanced with colors at the time. The first methodical herbarium from the 16th century. VD 16, B 6021; IA 120.597; Heilmann 193; Muller III, 519,137; Nissen, BBI 182; Stafleu/C. 575; STC 130; Pritzel 866, Jourdan, Biog. médicale, F. Ritter, Repr. bibliog. des livres imprimés en Alsace au xviè siècle, 1934, 219; Arber, Herbals, 1938, 59 and 221. Lutheran Pastor Jerome Tragus called Bock (1498-1554), was also a doctor and an apothecary. Exiled in Sarrebruck after some religious troubles, he became a doctor at the Court of the Earl of Nassau. Bock is a leader among the revivers of botany in the 16th century. His studies on plants resulted from live observations, in nature, during his frequent excursions in the Ardennes, Vosges, Jura, Swiss Alps and the borders of the Rhine. "Bock is the second Germanic founder of Botany. His descriptions of flowers were remarkably intelligible? he took into consideration some elements that his predecessors completely ignored. He established the corolla, stamens and pistils as essential components of many flowers and he's probably the first botanist from the 16th century who understood the necessity of a classification." Hunt. "It was him first who introduced a certain method in botany that we couldn't find nor in Brunfel neither in Fuchs." (Jourdan, Biographie médicale.) The « New Kreutter Buch », the most important work by Jerome Bock, was printed in Strasbourg in 1539. Praised for its remarkable descriptions, it didn't contain however any illustration. All the iconographic part of this compilation was entrusted to the flowers painter David Kandel who conceived and executed more than 500 botanic drawings, wood engraved in the text, some of them with the artist's monogram. Most of those plates, published in 1546, were original; some were inspired by Brunfels and Fuchs. Beautiful gothic Edition from Strasbourg illustrated with more than 500 woodcuts, whose obvious iconographic richness is magnified in this copy with the bright colors used by a watercolorist on each of these engravings. A great part of the woodcuts follow the quite classical presentation of a 16th century herbarium. Some, filled with whim, are however an excuse for the author to represent animal or animated scenes, with a tree or a plant in the background: Asleep man under the grapevine. Pigs lead to the pannage under an oak. Sheperds under a beech. Rustic dance, storks, cherries picking, nuts picking by an adorned woman . Superb copy preserved in its attractive contemporary blind-stamped pigskin binding on wooden boards, with the clasps preserved, magnified by the contemporary hand-coloring.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1900 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 29 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: German.

. darin underscheidt Nammen und Würckung der Kreutter, Stauden / Hecken unnd Beumen /sampt ihren Früchten / so inn Teutschen Landen wachsen / auch derselben eigentlicher und wolgegründter Gebrauch inn der Artzney / fleissig dargeben / Leibs gesundtheit zu fürdern und zu behalten / sehr nützlich und tröstlich / bevorab dem Gemeinen und Einfältigen Mann . Rot-schwarzes Titelblatt, 34 (nicht nummerierte) Seiten Vorreden etc. + 24 (nicht nummerierte) Seiten Register + 451 (nummerierte) Seiten mit zahlreichen Holzschnitten + 42 (nicht nummerierte) Seiten Register + 2 Blätter. Ca. 27,5 cm x ca. 20 cm, ca. 7,5 cm stark, ca. 2,8 kg schwer. Brauner Kunstledereinband mit Rückentitel. - Reprint 1964 by Verlag Konrad Kölbl, Grünwald bei München. Nahezu nicht berieben oder bestoßen. Vorderer Deckel innen mit kleinem ExLibris, sonst keine Einträge. Papier nicht gebräunt, nicht fleckig. Bindung sehr gut und fest. Zustand insgesamt sehr gut. Auf Wunsch senden wir gerne per E-Mail Fotos des Werkes.

Bildmaß der Darstellung ca. 15 x 7 cm ( Höhe x Breite ), Blattmaß ca. 31 x 19,5 cm. Auf Büttenpapier gedruckt. Das Blatt ist gebräunt, etwas finger und stockfleckig, im weißen Außenrand stärker fingerfleckig sowie mit Randläsionen. ( Lagerort Grafik-Truhe, Kü )( Weitere Bilder auf Anfrage ) / Artikel 25143 /// Image size approx. 15 x 7 cm (height x width), sheet size approx. 31 x 19.5 cm. Printed on handmade paper. The sheet is browned, with some finger and foxing, more pronounced finger staining and edge damage along the white outer margin. (Location: Graphic Art Chest, Kü) (Further images available upon request) / Item 25143 /// Dimensions de l'image: env. 15 x 7 cm (hauteur x largeur); dimensions de la feuille: env. 31 x 19,5 cm. Imprimé sur papier fait main. La feuille est brunie, avec quelques traces de doigts et rousseurs, des taches de doigts plus marquées et des dommages sur les bords le long de la marge blanche extérieure. (Localisation: Graphic Art Chest, Kü) (Autres images disponibles sur demande) / Article 25143.

Bildmaß der Darstellung ca. 15 x 7 cm ( Höhe x Breite ), Blattmaß ca. 31 x 19,5 cm. Auf Büttenpapier gedruckt. Das Blatt ist gebräunt, etwas finger und stockfleckig, rechte untere Ecke stärker fingerfleckig. ( Lagerort Grafik-Truhe, Kü )( Weitere Bilder auf Anfrage ) / Artikel 25142 /// Dimensions de l'image: env. 15 x 7 cm (hauteur x largeur); dimensions de la feuille: env. 31 x 19,5 cm. Imprimé sur papier fait main. La feuille est brunie, avec quelques traces de doigts et rousseurs, et des traces de doigts plus marquées dans le coin inférieur droit. (Localisation: Graphic Art Chest, Kü) (Autres images disponibles sur demande) / Article 25142 /// Image size approx. 15 x 7 cm (height x width), sheet size approx. 31 x 19.5 cm. Printed on handmade paper. The sheet is browned, with some finger and foxing, and more pronounced finger marks in the lower right corner. (Location: Graphic Art Chest, Kü) (Further images available upon request) / Item 25142.

Christian Glaser, Strassburg, 1630. 25 Bll., 892 Seiten, 40 Bll. Register, 94 Seiten, 4 Bll. Mit Kupfertitel, Holzschnitt-Porträt, Holzschnitt-Wappen und ca. 550 Pflanzenholzschnitten sowie 19 Holzschnitten mit figürlichen Darstellungen zur Speißkammer. Folio, Neuer Leder mit 2 Schließen (stockfleckig/ Kupfertitel mit hinterlegtem Ausriss und Bildverlust, etwas fleckig und mit Besitzvermerk oben/ durchgehend etwas wasserrandig/ anfangs einige Wurmspuren und erstes Blatt im Falz hinterlegt/ Seite 17 mit Abriss und Textverlust/ S. 349 oben wurmstichig im Text/ 1 Registerbl. mit hinterlegten Randläsuren/ das Schlußblatt mit dem Druckvermerk hinter gest. Titel gebunden)---- Eines der populärsten Kräuterbücher des 16. Jahrhunderts. Letzte Ausgabe. Das Kräuterbuch erschien erstmals 1539 und wurde mehrfach verlegt, häufig bei Rihel in Straßburg. Die Ausgaben seit 1577 wurden von dem Straßburger Arzt Melchior Sebisch revidiert; sie enthalten ein neues Vorwort, fünf Register, und als vierten Teil die 1550 und 1555 von Bock gesondert herausgegebene und später von Tobias Stimmer und Christoph Maurer mit 19 Holzschnitten illustrierte Speisskammer, in der auch die pharmakologischen und diätischen Wirkungen von Nahrungsmitteln verzeichnet werden (Isphording S. 148); Nissen 182 (Nachtrag); Stafleu/Cowan I, 575; VD17 39:125451Z. - - One of the most popular 16th cent. herbal books in last edition. With illustr. engr. title, woodcut portrait, armorial woodcut, ca. 550 herbal woodcuts and 19 woodcuts with fig. illustrations to Speißkammer- Modern leather. Foxed/ backed torn off to engr. title/ ownership inscription to engr. title/ continuously some waterstaining/ some worming to first leaves/ torn off to page 17. -.

Folio. [20], 369, [17] ff. Portrait of Hieronymus Bock, title-vignette, numerous woodcut figures throughout; waterstained, especially on lower part of the book and particularly in the rear, considerable spotting or foxing, both preliminary and posterior leaves with paper-fills or realigning to strengthen each leaf, professionally done. At the beginning and end with some reinforcements and restorations in the margins, leaf 230 torn with text loss (lower portion of leaf, losing 11 lines of text â" to greater or lesser degree), 21 leaves in the front and 18 of the final 20 leaves are heavily stained and with considerable paper-fills, largely along the outer margins â" the top inner corner of a leaf from the Register [SS7], with loss. Odd printer's error where leaf 287 recto is not present but instead is printed as f.288 recto, and in the two consecutive leaves "288" and 288, versos, are correct. Thus f.287 (r) is printed in error as if it were f.288 (r). A few minor ink annotations within the text (see ff. aui, 279v, 280r), the first note of which is dated in ms.: April 5, 1613; underlining [8v, 9r, 18v, 23r, 58r, 85r, 244v], small burn-hole f.119 (touches a few letters), etc.), some worm-trails (see the gutter through the latter half of the book â" however these are minor trails). 20th century elaborately stamped calf, raised bands, all to imitate a fine late 16h century binding, clasps have broken away (only one remains saved), by [Ernst] Renggli [Buchbinder], St. Gallen, Switzerland. Rare. AS IS. WITH PORTRAIT AND APPROXIMATELY 500 WOODCUTS OF PLANTS. Fifth edition printed by Josias Rihel of what is among the most famous and advanced herbarium of the 16th century, embellished with beautiful woodcuts by David Kandel (1520-1590), his initials sometimes found within the images (such as the author's portrait is signed DK). / This famous herbal is decorated with some 500 hundred woodcuts by David Kandel, the printer's mark on the title, and a woodcut portrait of the author (facing A1). Bock was the first botanist to describe plants in a systematic manner that was based uniquely on his own observations. His aim, as stated on the title-page, was revolutionary: to describe the characteristics and effects of the plants of Germany, a very different study from all previous herbals, which had been concerned with identifying the plants of Dioscorides. He carried this out with unprecedented clarity of expression and of thought: / "Brunfels's herbal had not sold well, and it was probably in part Bock's inability to persuade his publisher to pay for illustrations for the first part of his Kreuter Buch. that obliged him to describe in detail. facts that Brunfels and Fuchs mistakenly believed to have been adequately dealt with by their artists" â" Blunt and Raphael, p. 129. / "Bock is the second of the Germanic founders Botany . . . His descriptions of flowers were remarkably clear . . . he took into consideration elements that his predecessors had completely ignored. He recognized the corolla, stamens and pistils as essential parts of many flowers and he was probably the first botanist of the 16th century to have understood the need for classification." â" Hunt Botanical catalogue. / Many of the artist's woodcuts are imbued with added points of interest relating to each plant. These woodcuts, with the added features, are clustered to the rear of the volume: 2 cherubs under a tree (one is clearly having a bowel movement, indicating this tree has properties favorable to the person suffering from loose stools [f332]); a Nectarine tree with a well-dressed woman [f333r]; a cherry tree is shown [f337r] with a man climbing the limbs to pick the fruit, a young girl waiting below; the apple tree [342r] shows the Biblical snake and a skull, suggesting death from a poisoned fruit; the pear tree depicted on [f343r] also shows a fox or a dog[?], apparently interested in the bird in the tree who drops enough fruit that the animal can eat; a mulberry tr.

4to (158 x 200 mm). (14), CXIX [but: 120, fol. 95 assigned twice] ff. With large woodcut printer's device to final page. Contemporary full vellum on three raised double bands, elaborately stamped with roll tools showing Reformers and classical authors, upper cover titled "Speiszkamer" and dated "1553"; ink title to spine. First edition of this extremely rare manual of popular medicine and the sanitary effects of various foods, with chapters on wine, oil, bread, eggs, vinegar, milk and butter, meat and fish, etc. Reprinted in 1555, the work eventually came to be appended to later editions of Bock's famous "Kräuterbuch". - Hailed as one of the fathers of botany, the Lutheran preacher Bock (1498-1554) represented the transition from the medieval study of plants, with its philological scholasticism and strict adherence to Dioscorides, "to early modern botany, with its demand that descriptions and illustrations be derived from nature" (DSB II, 218). Bock studied at Heidelberg University before accepting a position as educator, physician and alchemist at the court of Duke Louis II at Zweibrücken in 1522. In 1532 he was granted a canon's sinecure at St. Fabian's in Hornbach, where he extended medical care to the population and conducted botanical studies on his long excursions through the region. In 1550/51, now personal physician to Count Philip III of Nassau-Saarbrücken, he laid out one of the first botanical gardens. - Magnificently bound with fine rolls of scrollwork enclosing portraits Martin Luther, Jan Hus, Philip Melanchthon, and Erasmus of Rotterdam ("Martin Lv", "Iohannes Hvs", "Philip Melan" "Erasmvs Rot"), surrounding compartments decorated with rosettes and fleurs-de-lis, within which a narrower roll shows the heads of Julius Caesar, Ovid, and Virgil ("Ivli", "Ovidi", "Virg"), as well as a bull's head signed with the binder's initials "NW" (not in Haebler). The upper cover further bears the work's title along with the date of binding, 1553. All rolls are exceptionally well preserved, their stark appearance emphasized by gilding which has since oxydized. An uncommonly appealing copy of a scarce work: VD 16 lists only four copies in German research libraries. A single copy is known in the United States (Lilly Library, Bloomington, Indiana), while the British Library holds only a microfilm. - Light dampstaining to lower corner of preliminaries; the odd brown spot and stain throughout and a few insignificant edge flaws, but generally very clean. Lower cover somewhat rubbed, the original binding otherwise wonderfully preserved. A roughly contemporary pencil manicule on fol. 51v singles out a paragraph discussing Arcadian wine, said to make women pregnant and men deranged (Bock mischievously notes that such wine appears to have found its way to Germany, as there are plenty of deranged wine-drinkers there who patently have never been to Arcadia). - VD 16, B 6002. Bitting, p. 46. DSB II, 220. Cagle, Matter of Taste, 85. Muller III, p. 412, no. 170. Ritter, Rép., 214. Ritter, Histoire de l'Imprimerie Alsacienne, app. 280. Ritter, Cat. Bibl. Municipale de Strasbourg, 551f. IA 120.589. Cf. Wellcome 916 (the 1555 second edition only). OCLC 38943012. Not in Durling, Waller, Brunet, Ebert etc.

Kreutterbuch, Darin underscheidt, Nammen und Würckung der Kreutter, Stauden, Hecken unnd Beumen, sampt ihren Früchten, so inn Teutschen Landen wachsen [.]. Jetzund auffs new mit allem fleiss ubersehen, und mit vilen nützlichen Eperimenten gebessert und gemehret. Durch. Melchiorem Sebizivm.Strasbourg, Josiam Rihel, 1577.In-folio de (1) f. blanc + (30) ff.+ 450 ff.+ (22) ff. + (1) f. blanc.Peau de truie sur ais de bois, dos à nerfs orné de filets à froid, plats biseautés estampés à froid de décors floraux et de portraits de personnages célèbres, fermoirs métalliques. Reliure de l'époque titrée à froid et encrée en noir sur le premier plat "Kreuter Buch Bocks".Des salissures anciennes affectant la marge intérieure des 7 premiers feuillets, annotations de l'époque à l'encre brune en marges des feuillets d'index.Edition rarissime, entièrement mise en couleurs à l'époque.Il s'agit de l'édition la plus estimée de Hieronymus Bock, augmentée par Melchior Sebitz et illustrée des célèbres gravures sur bois de David Kandel.Celle-ci comprend pour pour la première fois, le fameux traité gastronomique de Bock "Teutsche Speisskammer". L'iconographie de ce volume se compose de plus de 590 gravures sur bois. Le portrait de l'auteur, le blason du dédicataire (de Philippe-Guillaume d'Orange-Nassau), la marque de l'imprimeur, les représentations de plantes et de scènes de métiers de bouche, aliments et animaux.Ouvrage en coloris main d'époque d'une grande finesse. Les couleurs sont d'une très belle vivacité et ont gardé toutes leurs fraîcheurs.Edition la plus recherchée du grand livre de botanique de Bock, le plus richement illustré et augmenté du traité culinaire.Médecin et botaniste, Hiernoymus Bock (1498-1554) est, à l'égal de Brunfels et de Fuchs, un des trois "Pères de la botanique allemande". L'essor de la botanique à la Renaissance se caractérise par une iconographie entièrement renouvelée, dès lors que l'image se devait de permettre non seulement la compréhension du texte descriptif, mais l'identification de la plante à des fins thérapeutiques. Commentateur des textes de l'Antiquité et pionnier de l'observation directe, l'intendant du jardin botanique de Zweibrücken a collecté un grand nombre de spécimens, précisant l'origine des plantes, les conditions de leur herborisation ainsi que leurs vertus médicinales. "One of the earliest to give original descriptions of plants instead of relying on what Dioscorides or Pliny had written" (Morton, History of Botanical Science, p. 125).Le texte du Kreütterbuch vit le jour en 1539, sans illustration, faute de moyens financiers. Arber observe que ce fut en quelque sorte une chance qui le stimula, l'obligeant à décrire minutieusement chaque plante, à tel point que Fuchs, critiqué pour l'indigence de ses descriptions, en reprit certaines mot pour mot. (Arber, Herbals, 1986, p. 151-153).La première édition illustrée (468 bois) remonte à 1546 ; iconographie portée à 530 gravures en 1551. La présente édition de 1577, donnée par le médecin Melchior Sebitz l'ancien, recteur de l'Université de Strasbourg, intègre pour la première fois le manuel de cuisine de Bock qui avait été publié séparément en 1550, sans illustration. Édition estimée, continûment rééditée jusqu'au XVIIe siècle. Elle a été retenue pour la réimpression en fac-similé (Munich, 1964). L'illustration comporte 590 bois environ, dessinés et gravés par David Kandel, coloriés à l'époque.Mariette a vanté le talent et la précision de David Kandel (1520-1592), peintre de fleurs et graveur. L'artiste strasbourgeois ne s'est pas borné à interpréter les compositions de Fuchs ou de Brunfels, il en a donné une centaine de son cru. Ses dessins restituent les plantes, des racines à la fleur, agrémentées parfois de scènes de genre, outre le portrait de l'auteur, à pleine page dans un encadrement architectural, et le blason de Philippe-Guillaume d'Orange-Nassau, également à pleine page.Exemplaire de grande qualité où l'apport de la couleur est strictement d'ép.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1550 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 271 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 271.

Leather Bound. Condition: New. Language: German. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2020, utilizing the invaluable guidance of the original edition published many years ago in 1900. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages:- 31, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 31.

17,5 x 10 cm. Condition: Gut. 3 Teile in einem Buch. 6 Blatt, 1018 Seiten, 7 Blatt Pergamenteinband der Zeit mit handgeschriebenen Rückenschild, vordere Deckelkante beschädigt, sonst insgesamt etwas fleckig. Innen mit einem gestochenen Titelblatt mit zwei SAtempeln. Innen insgesamt in guter Erhaltung jedoch unterschiedlich gebräunt. Auf der Innenseite des Deckels eine Handschriftliche Buchübergabe von einem P.R. Johannes Hundeck an Joachim Hundeck 1979. Sophronius Eusebius Hieronymus (geboren um 348/349 in Stridon, Dalmatia; gestorben am 30. September 420 in Bethlehem, Syria Palaestina) war einer der wichtigsten lateinischen Kirchenväter und ein sehr produktiver spätantiker Autor. Mit seiner rigoristischen Askese und seinen Leistungen als Übersetzer und Kommentator der Bibel übte er großen Einfluss auf die lateinische Christenheit aus. Die Vulgata ist in großen Teilen sein Werk. Zeitlebens war er ein konfliktfreudiger und vielfach kritisierter Außenseiter. UG170 la Gewicht in Gramm: 550.

ca. 23x33 cm. Sollten 450 Bl. enthalten sein, jedoch nicht alle vorhanden, vgl. Beschreibung! Vgl. htttps://www. digitale-sammlungen. de/de/view/bsb11200235?page=44,45. Die ersten 43 Scans (Haupttitel, Vorrede, Einleitung) fehlen, unser Exemplar beginnt mit "Index Graecarum". Es fehlen die Seiten ab Blatt 446 + das Register. Blatt 35-380 komplett und in akzeptablem Zustand vorhanden. Vor Blatt 35 und nach Blatt 380 in schlechtem Zustand (Fehlstellen usw.). Papier insgesamt brüchig, randlädiert. Die Holzschnitte nicht koloriert. Einband in sehr schlechtem Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

Folio. 20 Bl., 369 num. Bl., 16 Bl. Mit Holzschnitt-Druckermarke auf dem Titel, Holzschnitt-Porträt und über 530 Textholzschnitten von David Kandel. Schweinslederbd. der Zeit auf Holzdeckeln mit reicher Rollenblindprägung, zwei zentralen Blindprägungen von Platten und zwei Messingschliessen (Kopf restauriert). Aussergewöhnlich gut erhaltenes, komplettes Exemplar im dekorativen ersten Einband.- Achte illustrierte deutsche Ausgabe eines der populärsten Kräuterbücher der Renaissance. Bock wird neben L. Fuchs und O. Brunfels, für dessen "Herbarum vivae eicones" er 1536 schon einen Beitrag geliefert hatte, als einer der drei Väter der Botanik angesehen. Jedem kommt ein anderes Verdienst in der Geschichte der Botanik zu, Bock ist derjenige, welcher erstmals textlich genaue Beschreibungen der Pflanzen mit ihren Wirkungen brachte, während es Brunfels und Fuchs mehr um die eigentliche Identifikation der Pflanze ging. Bock war der erste der drei, dessen Text ausschließlich auf eigenen systematischen Aufzeichnungen beruhte und den er in einer anschaulichen, volksnahen Sprache zu verfassen verstand. Erstmals wird der ganze Lebenszyklus einer Pflanze beachtet und nicht nur ihre Blütezeit. Hunt bemerkt zu der neuen Einteilung der Pflanzen in Bäume, Sträucher und Kräuter, daß Bock wahrscheinlich als erster um die Notwendigkeit einer Klassifikation der Pflanzen gewusst hat. Er erkannte die Fortpflanzungsorgane vieler Blumen und damit Zusammenhänge, die seinen Vorgänger unklar geblieben waren.- Die Holzschnitte stammen von David Kandel und gehen teilweise auf Brunfels und Fuchs zurück, enthalten aber auch viele Neuschöpfungen u.a. das schöne Porträt Bocks und die hübschen figürlichen Abbildungen im hinteren Teil des Buches. Das Werk erschien 1539 zuerst unillustriert, dies ist der Grund weshalb Bock's Text inhaltlich Dinge bietet, von denen Fuchs und Brunfels oft fälschlicherweise annahmen, daß sie ihre Illustratoren ausreichend zur Geltung bringen würden. Die erste illustrierte Ausgabe erschien 1546 mit 477 Holzschnitten und wurde sukzessive erweitert. Umfangreiche Register der Pflanzennamen in Lateinisch und Deutsch sowie der Anwendungen erschliessen das Werk.- Insgesamt für ein Kräuterbuch sehr wohlerhalten und nur gering fleckig bzw. gebräunt. Vorsätze mit Blindstempel und wie der Titel mit hs. Besitz- oder Geschenkvermerken, Blätter 103-105 mit winziger Randhinterlegung.- Nissen BBI 182. Pritzel 866. Stafleu-C. 575.- Vlg. Heilmann SS. 198-203.

LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from 1551 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 304.

LeatherBound. Condition: NEW. LeatherBound edition. Condition: New. Reprinted from 1550 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 280.

Leather Bound. Condition: New. Language: German. Language: German. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1546. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - German, Pages:- 156, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 156 156.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1550. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 264, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 264 264.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1555. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 271, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 271 271.