Boger Astrid (142 results)

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

8° Festeinband. Condition: Wie neu. 1. Aufl. 271 Seiten : Illustrationen ; 22 cm Buch ist in einem sehr guten Zustand Papier in sehr gutem Zustand. B12-02-06Cb Sprache: Englisch Gewicht in Gramm: 400.

Condition: New.

hardcover. Condition: New. 1st.

Hardcover. Condition: Fair. Unbekannte Unterschrift / Widmung; Leichte Kratzer / Abnutzungen / Druckstellen. "This volume of original essays presents an overview of Popular Culture Studies as an ever-growing branch of American Studies while also reflecting the critical debates driving the field toward a more nuanced approach to contemporary culture more generally. Thus, many of the essays included take fresh perspectives on Black American culture, feminism, multiculturalism, and queer studies, among others, but they also provide critical updates on the global impact of U.S. American popular culture. 0If an understanding of U.S. Culture as Popular Culture in its national and international dimensions is one of the aims behind this publication, another is to conceive of cultural formations against the backdrop of shifting media environments. Placed alongside more traditional media such as literature and film, more recent phenomena including reality television, internet memes, and video games add considerable relevance to the critical appreciation of culture in the twenty-first century"--.…

Condition: New.

Condition: New.

Condition: New.

Hardcover. Dust Jacket Condition: No Dust Jacket As Issued. First Edition. Pictorial boards, spiral bound fold-out leaves, color photography throughout, with original slipcase. 400+ pages of documentary street photography in various locations, mostly Los Angeles, London, Paris, focusing on graffiti and architecture. Light rubbing overall, a few tiny tears and bumps. International shipping billed at cost. International shipping billed at cost. Photos upon request. Please note that the buyer is responsible for any customs duties, tariffs, or import fees levied by the destination country.; Oblong 8vo 8" to 9" tall Very Good+ No dust jacket as issued. Illustrated by Astrid Boger (illustrator).…

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: Neu. Negotiating Popular Culture Between Europe and the United States. Edited by Christof Decker and Astrid Böger. In the 20th and 21st centuries, American media have been continually received, adapted, and transformed by European cultures. Initially based on the competition among the early film industries and continuing with today's global dominance of American web-based companies, these productive exchanges entail complex economic, aesthetic, and cultural negotiations. The dynamic and scope of these negotiations has been ambiguous, ranging from instances of cultural imperialism to the subversion of social and cultural hierarchies. More often than not, they have furthered the exchange of creative ideas and the cross-fertilization of media and art productions. The 13 contributions to this volume highlight core arenas of transnational cultural encounters including photography, film, fashion, advertising, television, and the new media. They ask not merely how American media productions were received in different European cultural contexts but how they shaped the idea of distinct yet interconnected European identities. 271 Seiten mit 9 Abb., gebunden (American Studies - A Monograph Series; Vol. 261/Universitätsverlag Winter 2015). Früher EUR 40,00. Gewicht: 404 g - Gebunden/Gebundene Ausgabe.…

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: new. Hardcover. In the 20th and 21st centuries, American media have been continually received, adapted, and transformed by European cultures. Initially based on the competition among the early film industries and continuing with today's global dominance of American web-based companies, these productive exchanges entail complex economic, aesthetic, and cultural negotiations. The dynamic and scope of these negotiations has been ambiguous, ranging from instances of cultural imperialism to the subversion of social and cultural hierarchies. More often than not, they have furthered the exchange of creative ideas and the cross-fertilization of media and art productions. This publication highlights core arenas of transnational cultural encounters including photography, film, fashion, advertising, television, and the new media. It asks not merely how American media productions were received in different European cultural contexts but how they shaped the idea of distinct yet interconnected European identities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. The World's Fairs staged in the United States in the nineteenth and early twentieth centuries showcased world cultures in peaceful competition and cooperation. This title shows that at the same time the fairs played an important role in the growth of nationalism and American exceptionalism, subtly recasting world history. Num Pages: 320 pages, Illustrations (some col.). BIC Classification: 1KBB; 3JH; HBJK; HBLL; HBTB; JFC. Category: (G) General (US: Trade). Dimension: 226 x 140 x 23. . . 2011. Paperback. . . . .…

Condition: New.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations. …

Condition: As New. Unread book in perfect condition.

Condition: New. 2015. Hardcover. . . . . .

Condition: New. In English.

Taschenbuch. Condition: Neu. Neuware - Die Weltausstellungen des 19. und frühen 20. Jahrhunderts waren entscheidend für die kulturelle Selbstverortung der USA. In New York, Philadelphia, Chicago, St. Louis und San Francisco stellte sich die junge Nation in eine Reihe mit den Kulturnationen Europas. Wichtiger Bestandteil der Ausstellungen waren die neuen Medien Fotografie und Film. Astrid Böger zeigt, wie diese visuellen Technologien eine neue Perspektive auf die amerikanische Landschaft und Kultur und damit erstmals eine Vorstellung der Nation als Ganzes ermöglichten. Während der Ausstellungen zelebrierte das Land außerdem historische Ereignisse wie die Unabhängigkeitserklärung als nationalkulturelle Spektakel und schuf damit das Bewusstsein einer amerikanischen Nationalkultur. …

Condition: New. The World's Fairs staged in the United States in the nineteenth and early twentieth centuries showcased world cultures in peaceful competition and cooperation. This title shows that at the same time the fairs played an important role in the growth of nationalism and American exceptionalism, subtly recasting world history. Num Pages: 320 pages, Illustrations (some col.). BIC Classification: 1KBB; 3JH; HBJK; HBLL; HBTB; JFC. Category: (G) General (US: Trade). Dimension: 226 x 140 x 23. . . 2011. Paperback. . . . . Books ship from the US and Ireland.…

Buch. Condition: Neu. Neuware - People's Lives, Public Images: The New Deal Documentary Aesthetics reexamines 1930s documentary literature, photography, and film in the context of recent documentary theory. Using an innovative intertextual approach, the book offers indepth analyses of representative documentary works in all three media.It argues that while documentary realism was originally derived from 19th century literary realism, it was established as a powerful arena for cultural and political renegotiations especially during the years of the Great Depression. Although the focus throughout is on this specific historical period, the book's conclusions extend into contemporary valorizations of the 'real'.…