Bolt Ron (14 results)

Hardcover. Condition: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Used - Very Good.

Hardcover. Illustrated by Ron Bolt Paintings and Drawings (illustrator). 160 pages. introduction by Hugh Maclennan. signed by Ron Bolt on page facing title page. priority and international shipping will be extra, please inquire; 9 3/4 x 11 3/4 "; Signed by Author. Very Good+ in Very Good dust jacket.

Soft cover. Condition: Very Good. minor scuffing along edges and corners. shelf wear and creasing along spine.

Soft cover. Condition: Near Fine. 24 p. 21 cm. 20 colour illustrations. Pictorial softcover. Paintings of the Yukon, Newfoundland and the Orkney Islands. Exhibition at Loch Galleries in Toronto, Winnipeg, Calgary in May 2006. Light wear.

Soft cover. Condition: Very Good. [210 x 200mm]. 24pp. Chipping to spine and corners. Vertical fold down centre of book. Loose price list inserted. Inscribed and dated by Ron Bolt Ron Bolt to Canadian writer Greg Gatenby. Catalogue. Signed by Author(s).

Soft cover. Condition: Fine. 1st Edition. 10.75" x 7.5" SIGNED by Bolt to title page. Oblong soft cover, staple bound. [12] pp. Colour photos. Slight fading and rubbing to spine, else fine. Signed by Author(s).

Condition: Used - Very Good. VG paperback. Exhibition catalogue, with separate price-list; full-page colour illustrations, with introduction by Edward Lucie-Smith. A bright, tidy copy Used - Very Good. VG paperback.

Condition: Very Good. 4to pp. 159, introduction by Hugh MacLennan, b/w and color iluustrations, "explores universal concerns, using the metaphor of the sea." Signed by the artist on the verso of the front free endpaper. Signed by Author. book.

Hardcover in Slipcase. Condition: Fine (Book Condition). Dust Jacket Condition: Near Fine ( Jacket Condition). Limited Edition. Leather-bound. limited edition. This is one of the Roman-numbered copies No seriegraph present. Signed by Bolt. [Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair.] Size: Over 11 Inches. Signed by Artist. Book.

Hardcover in Slipcase. Condition: Fine (Book Condition). Dust Jacket Condition: Near Fine ( Jacket Condition). Limited Edition. Leather-bound. limited edition. This is one of the Roman-numbered copies No seriegraph present. Signed by Bolt. [Our rating system: 1.Fine; 2. Near fine; 3. Very good; 4. Good; 5. Fair.] Size: Over 11 Inches. Signed by Artist. Book.

Hardcover. Condition: Gut. kA (illustrator). kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Hardcover - Gewicht: 1375 - Illust.: kA - Zustand: Gut - leichte Lager- und Gebrauchsspuren.

Hardcover. Condition: Good- to fine condition. Limited edition. Signed by Ron Bolt and Norman Levine on limitation page and hand-numbered 23/175, dated 30/4/10. Folio. 64 (1)pp. Original heavy black cow hide covered boards with blind-stamped ruling framing two laid in sheet lead plates, with title on front, ornamental design on back plate. Housed in light gray Curtis Flannel slipcase. Ingres marbled endpapers; translucent stockGilclear Bond. The edition contains 175 copies numbered in Arabic and 35 copies bearing Roman numerals. ". a rare beautiful book that celebrated the physical surroundings and explores the human contradictions of St. Ives, Cornwall, England, a town that has attracted artists and writers since the time of Turner" (Prospectus). The art depicted in this volumes includes five seriegraphs, four photo-lithos over seriegraphs, three etched steel plates, and fourteen addition reproductions of artwork. The etchings are prepared and pulled on Vellum Arches cover under the artist's supervision by Paul Machnik in his Montreal studio. Prints are hand colored by the artist. The litho-serigraph plates and drawings are prepared by the artist, pulled on Arches cover under the artist's supervision by Susan Farquhar, director of the Lithographic Department, Novak Graphics, Toronto. The serigraph drawings are prepared by the artist. The screens are photographically prepared and pulled on Arches cover and Mohawk Superfine under the supervision of the artist by Namik Kulenovic, Graphics Graphics, Toronto. The sheet lead cover plates are impressed by a magnesium plate and etching press, sealed with spray varnish. Five black plates, pages 39 to 48, loose but present with light fraying at bottom of one of them. Binding with minor blemishes, else in fine condition.