Bombois (39 results)

Paperback. Condition: Used: Good. Good to VG overall with no marks; internally VG; very minor shelfwear; 10 oz.;

Paperback. Condition: Used: Good. Good to VG overall with no marks; internally VG; very minor shelfwear.

Couverture souple. Condition: Comme neuf. BOMBOIS, Camille (illustrator). 368 pages. Quatrième de couverture : "1515. Pendant que Français, Italiens et Suisses s'étripent à Marignan, que le pape Léon X s'acharne à embellir Saint-Pierre de Rome, qu'Henry VIII d'Angleterre n'a encore qu'une épouse - celle de son frère - et que le prince turc Suleïman se prépare à devenir Soliman le Magnifique, le jeune Jean Jambecreuse, peintre comme son père et son frère aîné, quitte sa ville natale d'Augsbourg pour parfaire son apprentissage à Bâle, ville alors en plein essor. Jean veut connaître le latin, la langue internationale de l'époque, celle qui, il le pressent, lui permettra de passer de l'ancien statut d'artisan à ce nouvel état dont on commence à parler en Italie et qui rapproche le peintre du poète : celui d'artiste. Il va alors se frotter aux plus grands penseurs de son temps : Érasme, pour lequel il illustre les marges de l'Éloge de la folie, mais aussi Léonard de Vinci, qu'il suit jusqu'à Amboise où le vieil homme termine ses jours, et auquel il dérobera certains papiers compromettants. De surcroît, par-delà l'apprentissage de son art, il va faire celui de la vie, laquelle - en ce siècle qui est également celui de Rabelais - est faite de bruit, de paillardise et de fureur. Le personnage de Jean Jambecreuse est inspiré de celui du peintre Hans Holbein (1497-1543). Cet ouvrage a la saveur d'un fabliau moderne : brillant, succulent et drôle, il joue avec finesse des genres et du langage. Rigoureusement documenté, il nous immerge au coeur du XVIe siècle par le truchement des aventures souvent teintées de grivoiserie du jeune Holbein.". Livre.

Softcover staple-bound, 16 pages, very good condition; except tipped on color plate on cover is missing; no internal marks.

Soft cover. Condition: As New. Slim, stapled booklet; 24 pages, illustrated. Bright, fresh exhibition catalog. No marks or flaws; no defects.

Softcover staple-bound, 14 pages, very good condition; no internal marks.

Paperback. Condition: Very Good. same title but catalogue for March 4-April 5 1969 Perls Gallereis.

First Edition. First Edition. Catalog for the October 13 to November 8, 1958 joint exhibition at Perls Galleries, New York. Front wrapper with two Museum of Modern Art Library stamps, a "Withdrawn From MOMA Library" stamp, and several library pencil annotations. 6 x 9.5 inches. Near Fine overall in saddle-stapled card wrappers.

Vintage bi-fold catalog brochure for the October 13 to November 8, 1947 exhibition at Perls Galleries, New York. 6 x 9.25 inches, Bi-fold. Very Good plus, with silverfish damage to the surface of the top right corner of the front panel.

Hardcover. Condition: new. Hardcover. As artists, they were self-taught and created a cosmos of images that still captivates us today with its sensual immediacy and has made a lasting mark in art history on the work of non-academically trained artists: Henri Rousseau (1844-1910), Camille Bombois (1883-1970), Andre Bauchant (1873-1958), Louis Vivin (1861-1939) and Seraphine Louis (1864-1942). They are counted among the so-called circle of the "painters of the sacred heart"; their scenarios, often borrowed from nature, especially flowers and fruits, but also people in parks and landscapes, indicate a closeness to nature, a sensitive approach to the things of the immediate environment, with which they apparently sought to escape the coldness of uprising modernism.These French pioneers of authentic art were discovered by the German art historian Wilhelm Uhde (1874-1947), who organized their first joint exhibition in Paris in 1928. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Very Good. First Edition. First Edition, First Printing. Published by Gallery Sun Motoyama, 1974. Quarto. Paperback. Text in Japanese. Book is very good with shelf wear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Softcover staple-bound, 16 pages, very good condition; tipped on color plate on cover still attached; no internal marks.

Condition: Good. 8vo. [8 pp.] Stapled Wraps With Deckled Edge, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Condition: Good. 8vo. [8 pp.] Stapled Wraps With Deckled Edge, Very Good, minor sun-fading. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Condition: Good. 8vo. [4 pp.] Printed Wraps, Very Good. Illustrated.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Hardback. Condition: New. As artists, they were self-taught and created a cosmos of images that still captivates us today with its sensual immediacy and has made a lasting mark in art history on the work of non-academically trained artists: Henri Rousseau (1844-1910), Camille Bombois (1883-1970), André Bauchant (1873-1958), Louis Vivin (1861-1939) and Séraphine Louis (1864-1942). They are counted among the so-called circle of the "painters of the sacred heart"; their scenarios, often borrowed from nature, especially flowers and fruits, but also people in parks and landscapes, indicate a closeness to nature, a sensitive approach to the things of the immediate environment, with which they apparently sought to escape the coldness of uprising modernism. These French pioneers of authentic art were discovered by the German art historian Wilhelm Uhde (1874-1947), who organized their first joint exhibition in Paris in 1928.

Hardcover. Condition: New.

Hardcover. Condition: Brand New. 168 pages. German language. 11.50x9.25x0.75 inches. In Stock.

Vintage bi-fold catalog brochure for the January 3-28, 1950 exhibition at Perls Galleries, New York. 6 x 9.25 inches, Bi-fold. Light rubbing, else Near Fine.

Paperback. Condition: Used: Good. Folding 9.5 x 9.5" card stock with list of paintings in show and small pictures of the 31 paitings and small pictues of these painting on the back. Used in good overall; no marks; 4 oz.

Hardcover. Condition: Brand New. 168 pages. German language. 11.50x9.25x0.75 inches. In Stock.

Condition: Good. 8vo., [12 pp.], Stapled Wrappers, Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Condition: Good. 8vo., [12 pp.], Stapled Wrappers, Very Good. Illustrations. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of ParisArtists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Condition: Good. 8vo. [4 pp.] Printed Wraps, Very Good. Illustrated cover. Scarce.The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls (1912-2008) and his brother, Franz R. Perls,(1910-1975), after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 , Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills. He originally dealt in works by Maurice Utrillo, Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris, until the Nazi occupation. When she was forced to flee France, he began dealing in now little known contemporary American artists, including Darrel Austin, and in Mexican and South American art such as Mario Carreno. After the war, Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault, Picasso, Léger, Derain, Dufy, Matisse, Modigliani, Pascin, Soutine and Vlaminck. The Perls Galleries closed in 1997.

Hardcover. Condition: new. Hardcover. As artists, they were self-taught and created a cosmos of images that still captivates us today with its sensual immediacy and has made a lasting mark in art history on the work of non-academically trained artists: Henri Rousseau (1844-1910), Camille Bombois (1883-1970), Andre Bauchant (1873-1958), Louis Vivin (1861-1939) and Seraphine Louis (1864-1942). They are counted among the so-called circle of the "painters of the sacred heart"; their scenarios, often borrowed from nature, especially flowers and fruits, but also people in parks and landscapes, indicate a closeness to nature, a sensitive approach to the things of the immediate environment, with which they apparently sought to escape the coldness of uprising modernism.These French pioneers of authentic art were discovered by the German art historian Wilhelm Uhde (1874-1947), who organized their first joint exhibition in Paris in 1928. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condition: New. As artists, they were self-taught and created a cosmos of images that still captivates us today with its sensual immediacy and has made a lasting mark in art history on the work of non-academically trained artists: Henri Rousseau (1844-1910), Camille Bombois (1883-1970), André Bauchant (1873-1958), Louis Vivin (1861-1939) and Séraphine Louis (1864-1942). They are counted among the so-called circle of the "painters of the sacred heart"; their scenarios, often borrowed from nature, especially flowers and fruits, but also people in parks and landscapes, indicate a closeness to nature, a sensitive approach to the things of the immediate environment, with which they apparently sought to escape the coldness of uprising modernism. These French pioneers of authentic art were discovered by the German art historian Wilhelm Uhde (1874-1947), who organized their first joint exhibition in Paris in 1928.

Couverture rigide. Condition: Bon état. In-16 Reliure éditeur pleine toile, 16,2 cm sur 27,3. 72 pages, format à l'italienne, couverture rigide en toile imprimée grise avec des photographes d'arbres et de branches. Reliure de type spiralée, contre plat en feutrine rousse. Une description de l'essence en Anglais, Allemand et Français. Belle documentation pour la reconnaissance des bois sinon bon état d'occasion.

Hardcover. Ehemaliges Bibliotheksexemplar mit Signatur und Stempel in gutem Zustand. 1 Sprache: Deutsch Gewicht in Gramm: 550.

Couverture rigide. Condition: Très bon. Edition originale. un volume de dimension 27,5 x 16,5 cm format à l'italienne , couverture rigide en toile imprimée grise avec des photographes d'arbres et de branches. Reliure de type spiralée, contre plat en feutrine rousse. ouvrage réalisé grâce au fond documentaire des eaux et forêt, du centre technique forestier tropical, du Muséeum national d'histoire Naturelle, de l'institut de recherches appliquées du Bois, de l'école nationale forestière des Barres. et diffusé par le comité consultatif de propagande pour la diffusion des emplois du bois, le conseil interfédéral du bois et l'union nationale des chambres syndicales de charpente, menuiserie, et parquets. Un total de 72 essences de bois répertoriées, décrites et photographiées. Avec pour chaque essence une photographie de l'arbre dans son environnement avec détail des feuilles et fruits Une planche détaillant une coupe du bois en couleur, une description de l'essence en Anglais, Allemand et Français. très bel ensemble très frais sans défaut majeur. Belle documentation pour la reconnaissance des bois.

Condition: Good. [Exhibition Catalogue]. 8vo. Slight oblong. [16 pp.]. Soft, stapled yellow wraps with black lettering. Good with marginal staining. Black and white and color plates, some paste-ins. Paste-in color frontis and black and white plate on title page. Includes text by Maximilien Gauthier. Includes catalogue of 36 exhibited plates. Catalogue created to accompany the exhibition "Camille Bombois: The Early Years", held from October 10 through November 11, 1967 in New York, NY at Perls Galleries. From the Collection of the Art Historian Peter Selz.