Botnick Ken (4 results)
Published by Red Ozier Press, New York, 1981
- First Edition
Seller: Boojum and Snark Books, Kanab, UT, U.S.A.Boojum and Snark Books
Contact seller5-star sellerCondition: Used - Near fine
US$ 10.00
US$ 8.00 shippingShips within U.S.A.Quantity: 1 available
Add to basketNo Binding. Condition: Near Fine. 1st Edition. Prospectus for two Red Ozier publications: The Woman & The Knife, by Aime Cesaire, and The Streets of Chance, by William S. Burroughs. Single sheet, 8 7/8 x 11 1/8 inches, folded once, engraving on recto of first leaf. Near fine (slight sunning?). (3214025).
Published by Metropolitan Museum of Art, New York, 1986
- Softcover
- First Edition
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.Between the Covers-Rare Books, Inc. ABAA
Contact seller5-star sellerCondition: Used - Fine
US$ 20.00
US$ 5.50 shippingShips within U.S.A.Quantity: 1 available
Add to basketSoftcover. Condition: Fine. First edition. Fine in wrappers. Photos. Exhibition catalogue.
Published by Metropolitan Museum of Art, 1986
- Softcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
Contact seller5-star sellerCondition: Used - Good
US$ 20.20
US$ 6.00 shippingShips within U.S.A.Quantity: 1 available
Add to basketpaperback. Condition: Good. Stapled gallery catalogue Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.
Published by Codex Foundation, The, Berkeley, 2024
- Softcover
Seller: Oak Knoll Books, ABAA, ILAB, NEW CASTLE, DE, U.S.A.Oak Knoll Books, ABAA, ILAB
Contact seller5-star sellerwrappers. 5.5 x 7.75 inches. wrappers. 16 pages. CODE(x)+1 Monograph #18. Number eighteen in the CODE(x)+1 monograph series. While conceptual complexities differentiate the artist book from the world of handmade objects, there is a similarity in reconciling ones vision for a project with its functionality. One of the truest less…ons of craft practice is that it is not only difficult to foster innovation and creativity in the absence of constraints, the constraints give birth to them. Italo Calvino described this as escaping the pull of gravity that so stimulates the imagination. The book, a seemingly constrained form, should surely be exhausted by now. Yet it continues. And we continue making them. The books ineffable natureits sustainable, renewable, inexhaustible resourceis found in the potential of the imaginative mind informed by the work of the hand.
