Botwick (7 results)
Landscapes of Industrial Labor (Historical Archaeology : Journal for the Society of Historical Archaeology; Vol. 39, No. 3, 2005)
Mark S. Cassell (ed.); Stachiw; Taksa; Paterson; Given; Behrens; Pittaway; Botwick; McClane; Brandon; Davidson
Published by The Society, 2005
- Softcover
Seller: Katsumi-san Co., Cambridge, MA, U.S.A.Katsumi-san Co.
Contact seller5-star sellerCondition: Used - Very good
US$ 17.95
US$ 1.95 shippingShips within U.S.A.Quantity: 1 available
Add to basketSoft cover. Condition: Very Good. 151 p., illustrated [O1:5].
Hot Lead: vol. 2, #2 & 3, December 1969 & March 1970 [two issues]
Botwick, Joel S., Dotty Hafner, David Kimberly & Traci Churchill, editors, Woody Morse, Paul Kirchner, Abraham Polansky, Steve Mellor, et al.
Published by Hot Lead, Orange, CT, 1970
- Softcover
- Magazine / Periodical
Seller: Bolerium Books Inc., San Francisco, CA, U.S.A.Bolerium Books Inc.
Contact seller5-star sellerMagazine. Two issues, 16p. each, 8.5x10.75 inches, articles, poetry, fiction, politics, art, reviews & interviews, local ads, center spread detached but present on issue #2, rusty staples, light wear, magazines in stapled pictorial wraps. Material from New Haven area students. A report on the new version of Paul Sills' "Story Th…eatre" at Yale Rep with a full back page ad. Interview with filmmaker Abraham Polansky. Woody Morse decides that "Butch Cassidy and the Sundance Kid" is a failure. Who is Woody Morse again? No holdings located in OCLC as of 3/2023.
- Hardcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
US$ 116.25
US$ 5.67 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
More images- Hardcover
- First Edition
Seller: Frey Fine Books, Rougemont, NC, U.S.A.Frey Fine Books
Contact seller5-star sellerCondition: Used - Near fine
US$ 150.00
US$ 6.95 shippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st edition. 1st edition, 2008. A Near Fine book in a Very Good dust jacket. 4to., 256 pp., bound in publishers gold paper covered boards with photo illustrated glossy dust jacket, $65.00. Minor signs of wear to jacket tips and edges. Text appears unmarked. Dust…jacket now protected in mylar sleeve. Mona Botwick (illustrator).
- Hardcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
Contact seller5-star sellerCondition: New
US$ 188.96
US$ 72.38 shippingShips from Germany to U.S.A.Quantity: 2 available
Buch. Condition: Neu. Neuware - An intellectual and literary history of the professionalization of suicidology at the turn of the 20th century which shows that fiction played a significant role in the transformation of the debates on voluntary death.In 19th-century England, the main point of contention around suicide was the pun…ishment. Should 'self-murderers' still be staked through the heart Should the crown continue to seize their assets In the 20th century, the questions shifted to motives: Why does someone commit suicide What does it feel like to be suicidal And can these questions, asked about a subject who is no longer present, be answered without their testimony As The Dead Cannot Reply shows, the emphasis shifted from effects to causes.Fiction, unbound by factual truth, offers an ideal space for these debates. Nicholas Nickleby, Jane Eyre, and Daniel Deronda illustrate the 19th-century understanding of suicide as a public event whose meaning is located in its meaning for others. The Man of Property and The Good Soldier confront the limits of our understanding on the subject. Mrs. Dalloway imagines what it feels like to take the leap, and Golden Age detective fiction, like Émile Durkheim and his contemporaries, finds the answer to suicide in the suicidal 'type.' Meanwhile, D.H. Lawrence, like Sigmund Freud, identifies a self-destructive urge, or a death drive, in modern man.The Dead Cannot Reply combines close readings of major Victorian and modernist novels alongside popular and scientific texts on suicide to examine how questions of teleology, causality, and phenomenology were answered in the English imagination.
- Hardcover
- Print on Demand
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contact seller5-star sellerCondition: New
US$ 141.33
Free ShippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. An intellectual and literary history of the professionalization of suicidology at the turn of the 20th century which shows that fiction played a significant role in the transformation of the debates on voluntary death.In 19th-century England, the main point of contention around suicide was t…he punishment. Should self-murderers still be staked through the heart? Should the crown continue to seize their assets? In the 20th century, the questions shifted to motives: Why does someone commit suicide? What does it feel like to be suicidal? And can these questions, asked about a subject who is no longer present, be answered without their testimony? As The Dead Cannot Reply shows, the emphasis shifted from effects to causes.Fiction, unbound by factual truth, offers an ideal space for these debates. Nicholas Nickleby, Jane Eyre, and Daniel Deronda illustrate the 19th-century understanding of suicide as a public event whose meaning is located in its meaning for others. The Man of Property and The Good Soldier confront the limits of our understanding on the subject. Mrs. Dalloway imagines what it feels like to take the leap, and Golden Age detective fiction, like Emile Durkheim and his contemporaries, finds the answer to suicide in the suicidal type. Meanwhile, D.H. Lawrence, like Sigmund Freud, identifies a self-destructive urge, or a death drive, in modern man.The Dead Cannot Reply combines close readings of major Victorian and modernist novels alongside popular and scientific texts on suicide to examine how questions of teleology, causality, and phenomenology were answered in the English imagination. Argues that the professionalization of suicidology in the 20th century shifted the focus of suicide discourse from its effects to its causes and illustrates the influence of this shift on English literature. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
- Print on Demand
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
Contact seller5-star sellerCondition: New
US$ 123.62
US$ 50.47 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. An intellectual and literary history of the professionalization of suicidology at the turn of the 20th century which shows that fiction played a significant role in the transformation of the debates on voluntary death.In 19th-century England, the main point of contention around suicide was t…he punishment. Should self-murderers still be staked through the heart? Should the crown continue to seize their assets? In the 20th century, the questions shifted to motives: Why does someone commit suicide? What does it feel like to be suicidal? And can these questions, asked about a subject who is no longer present, be answered without their testimony? As The Dead Cannot Reply shows, the emphasis shifted from effects to causes.Fiction, unbound by factual truth, offers an ideal space for these debates. Nicholas Nickleby, Jane Eyre, and Daniel Deronda illustrate the 19th-century understanding of suicide as a public event whose meaning is located in its meaning for others. The Man of Property and The Good Soldier confront the limits of our understanding on the subject. Mrs. Dalloway imagines what it feels like to take the leap, and Golden Age detective fiction, like Emile Durkheim and his contemporaries, finds the answer to suicide in the suicidal type. Meanwhile, D.H. Lawrence, like Sigmund Freud, identifies a self-destructive urge, or a death drive, in modern man.The Dead Cannot Reply combines close readings of major Victorian and modernist novels alongside popular and scientific texts on suicide to examine how questions of teleology, causality, and phenomenology were answered in the English imagination. Argues that the professionalization of suicidology in the 20th century shifted the focus of suicide discourse from its effects to its causes and illustrates the influence of this shift on English literature. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
