Botzaris (36 results)

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Condition: Near Fine. Lisbon 1961. Wraps. Name on front end paper, else near fine.

Softcover. Condition: Good. Dust Jacket Condition: No Dust Jacket. Blue gray and white soft cover, red and black lettering, owner's name on front. Africa.

Softcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Condition: Very good. 6 x 9 in. Paper wraps. Fold-out map. Condition is VERY GOOD ; covers toned with wear to edges. Binding solid. Text unmarked. Text in French. Stax.

Rústica. Condition: Bien. Rústica rozada. 4º. Pág 126.

BOTZARIS (Alejandro) Africa, ¿continente negro o rojo?.- Madrid ,C.S.I.C Instituto de Estudios Africanos,1960- en 4º, 407 pp. 1 h.

24x16. 407 pags.

rústica . .

Rustica. Condition: Buen Estado. 407 PP.

Madrid I.D.E.A. 1960 4º 407 Rústica Muy bien. EL ENVIO CONTRAREEMBOLSO TIENE UN COSTE TOTAL DE EUR 7. Libro.

1949 128pp Prólogo de Mauricio Karl 4ºm(24x17) Rústica Buen estado levemente deslucido. Texto según las actas taquigráficas de las sesiones del proceso .

Condition: fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.

71, [1] p : (20,5 cm) : broch. Muito bom exemplar.

Softcover. Condition: Gut.

Couverture souple. Condition: bon. RO30147704: 2012. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 100 pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte - non daté. . . . Classification Dewey : 923-Politiciens, economistes, juristes, enseignants.

4º (24 x 17 cm). 142 p., [1] h. Rústica. Ejemplar con dedicatoria autógrafa del autor.

Hardcover. Condition: Fine. 1st Edition. 34 Pp. Bound In Thin Wood Boards, Gray Paper Spine Label And Endpapers, Printed In Black On Gray Paperfine In Oversize Clear Glassine Dust Jacket. Per Wikipedia, Miriam Constance Beaumont-Vaughan (1901-1979), Better Known By Her Pseudonym Olive Moore, Was A Modernist English Writer Best Known For Three Well-Esteemed Novels: Celestial Seraglio (1929), Spleen (1930), And Fugue (1932), And For The Acerbic Essay Collection The Apple Is Bitten Again (1934). She Also Produced An Essay On D.H. Lawrence, Entitled Further Reflections On The Death Of A Porcupine, Which Was Privately Printed In 1933 And Included In Her Essay Collection. Her Collected Writings Was Published In 1992. Born In Hereford, Moore Was Acquainted With The Bloomsbury Literary Circles In London During Her Prolific Years, And With The Poet Hugh Mcdiarmid And The Radical London Bookseller And Publisher Charles Lahr. She Briefly Worked For The Daily Sketch. In The Early 1920'S, She Married The Sculptor Sava Botzaris (1894-1965). Otherwise, Little Is Known About Her Life, Beyond A Brief Autobiographic Sketch In 1933. Moore Claimed To Be Working On A Novel Entitled Amazon And Hero: The Drama Of The Greek War For Independence, Which Was Never Published. Due To Her Rapid Disappearance From The London Literary Scene, The Date And Location Of Her Death Remain Unknown, Though She Is Believed To Have Died Around 1970. Moore Has Been Termed "A Cross Between Virginia Woolf And Djuna Barnes, But With A More Biting Wit." Her Novels Make Free Use Of Modernist Techniques Such As Stream Of Consciousness In Their Frank Dealings With Issues Of Sexuality And Disability. Though Considered A Highly Talented Experimental Writer, Moore's Disappearance (And The Rarity Of Published Versions Of Her Texts Until The Mid-1990'S) Has Led To A Relative Critical Neglect Of Her Work, Until Recently.

1949 Nos, editorial Texto según las actas taquigráficas de las sesiones del proceso. Prólogo de Mauricio Karl. 128 pg. 24x17 cm. Enc. en rústica edi. Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas.

Soft cover. Condition: Fine. No Jacket. card covers, vg condition, small nick to cover 1974 reprint ***** SHIPPING OUTSIDE UK WILL BE ADJUSTED UP OR DOWN TO MATCH ACTUAL COST.

Rústica. 128 p. Prólogo de Mauricio Karl.Texto según las actas taquigráficas de las sesiones del proceso. 24 x 17.2 cm.

4to. mayor; 407 pp., 1 h. Cubiertas originales.

Madrid, Edit. Nos, 1949, 24,5x18 cm., piel, 128 págs.

Encuadernación de tapa blanda. Condition: Bien. M1130. Minerva - 325pp dedicado por el autor. paginas mal cortadas.

2 vols. : 325, [3]; 199, [1] p : (26 cm) : broch. Bom exemplar, por abrir. (Col. Estudos de Ciências Políticas e Sociais, n.ºs 27 e 46).

Condition: Bueno. 45958 Botzaris, Alejandro 1948 Ediciones Combate, Madrid, 1948. 142 págs., Traducción de Joaquín Gª Astudillo y prólogo de Xavier de Echarri, papel amarillento, pequeño corte en el lomo. 4º Comunismo Soliciten fotos o más información.

SIGNED, LIMITED EDITION, no. 14 of 99. 4to, pp. 34, incl. b/w photographic frontis of Sava Botzaris' sculpture, 'Olive Moore', pasted to verso facing title page. Original wood-effect patterned paper boards, printed paper label to upper board. Bottom edge untrimmed. Printed on grey paper in black ink, first initial green. Slight bend to boards, wear to lower extremities, corners bruised, some darkening and cockling. Signed by Moore in black pen, in her minute hand, to limitation page. Else, clean, bright and tight. In the original delicate glassine dust-jacket (preserved by a second brown paper one, fashioned by PO, with hand-written title to spine): worn and torn. Near fine/ good-only Jisc LHD locates 7 copies (5 legal deposit libraries (except NLW/LGC), UoNottingham & Senate House Library). A rather glorious copy of this fragile and oddly attractive edition of Moore's meditation on D H Lawrence, which sold out almost immediately and within a year was "almost impossible to obtain." The elusive British author and journalist Olive Moore (pseud. of Miriam Constance Beaumont Vaughan; 1901-1979), described, variously, as an "enfant terrible of British literature," "a cross between Virginia Woolf and Djuna Barnes, but with a more biting wit," and, aptly for this title, "the female Lawrence," is perhaps best known for her sudden disappearance from the London literary scene from 1934. Recent scholarship, which has significantly swelled knowledge of her later life and work, reveals that "despite her rising success and notoriety as a novelist, Moore was clearly unhappy": "I feel on the verge of collapse; all day; I weep down streets, uncontrolled and unladylike," she wrote to the poet Rex Fairburn in 1932, the year her friends, Charles Lahr and Alec Bristow of the Red Lion Bookshop, published her Lawrence essay (Cavey, 2022). Lahr had known Lawrence well and Blue Moon Press had published the first unexpurgated edition of his final poetry collection Pansies three years earlier. 1932 saw a glut of Lawrence-related publications, the author having died in 1930. A marked departure from her earlier three novels (all published by Jarrolds), Further Reflections proved Moore's penultimate (literary) publication and was included in her final outing, the collection of pensées, The Apple is Bitten Again (Wishart, 1934), as she was "sick and tired of being quoted and plagiarised without acknowledgement". The striking photographic frontis featuring Sava Botzaris' sculpture of the author was also reproduced in The Apple Is Bitten Again (as well as being reused in the Dalkey Archive Press edition of Moore's Collected Writings (1992)). Moore had married the Serbian sculptor in 1924; they separated in the late 1930s and divorced sometime in the following decade. Sophie Cavey (2022) 'Olive Moore: A new biography' in Feminist Modernist Studies, 5:1, pp. 1-20.

Condition: Very Good. Short good signed handwritten letter to journalist and magazine editor Louise Coury ('Modern Girl') making an appointment and asking to be sent a copy of her magazine if he is mentioned. Dated 17/1/36 on smart notepaper embossed with his name in red. I page, about 45 words and boldly signed. Sava Botzaris was the son of the Court Painter to King Peter I of Serbia. He studied first under his father and then in Naples and Rome before going to Paris and finally settling in London in 1920. Thereafter he had one man exhibitions at the Fine Art Society in 1926, French Gallery in 1929 and the Leicester Galleries in 1938 before he emigrated in 1941 to Venezuela. In his time he portrayed some famous people -George Bernard Shaw, the actor Charles Laughton, Haile Selassie, the King of Ethiopia, and the writer James Joyce. Very good indeed. Signedes.

Soft Cover. Condition: Good. Por. N.º 20. Edição N.º 38. Legião Portuguesa, Junta Central, Direcção dos Serviços Culturais. Lisboa. 1957. De 27x21 cm. Com [ii], 27 págs. Brochado. Exemplar com leves picos de acidez nas capas de brochura e junto aos agrafos da brochura, com as folhas em vias de se soltar. Language: Português / Portuguese Location/localizacao: I-34-I-44.