Boucher Lucy (61 results)

Condition: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition. Please note: -May include library or rental stickers, stamps, or markings. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading.…

paperback. Condition: New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: New. Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists' relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca's concept of the poetry of inspiration and the emotional depths of 'duende.' Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the 'duende,' or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.…

Paperback. Condition: New. Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists' relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca's concept of the poetry of inspiration and the emotional depths of 'duende.' Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the 'duende,' or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.…

Paperback. Condition: Brand New. 304 pages. 9.00x6.00x0.75 inches. In Stock.

Condition: New. In English.

Condition: New.

Soft cover. Condition: New. 1st Edition. Bloomsbury Academic (2021). Brand new / unread softcover. Dispatched from UK within three days.

paperback. Condition: New. Shipped from the UK within 2 business days of order being placed.

paperback. Condition: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. No Cover. Reprint.

Paperback. Condition: New. Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists' relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca's concept of the poetry of inspiration and the emotional depths of 'duende.' Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the 'duende,' or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.…

Taschenbuch. Condition: Neu. Neuware - Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists' relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca's concept of the poetry of inspiration and the emotional depths of 'duende.' Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the 'duende,' or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Bob Dylan and Leonard Cohen | Deaths and Entrances | Lucy Boucher (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2021 | Bloomsbury Publishing Plc | EAN 9781501345661 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Paperback. Condition: New. Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists' relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca's concept of the poetry of inspiration and the emotional depths of 'duende.' Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the 'duende,' or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists' relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca's concept of the poetry of inspiration and the emotional depths of 'duende.' Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the 'duende,' or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.…

Hardcover. Condition: Brand New. 304 pages. 9.00x6.00x1.00 inches. In Stock.

Hardback. Condition: New. Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility. While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists' relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca's concept of the poetry of inspiration and the emotional depths of 'duende.' Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the 'duende,' or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.…

Couverture rigide. Condition: Très bon. Tome 2 seul ! 1 seul volume ! Suite en bleu azur des illustrations hors-texte. 219 p. Illustrations remarquables ! 21,5x28 cm. 219 p. Reliure éditeur plein cuir superbement décorée ! Dos nervé décoré. Tranche de tête dorée. Très bon état. Sous étuis bordés en bon état. Fraîcheur remarquable ! Fort in-4° édition originale. EO. Edition numérotée. Ed. num. Tirage à 1910 exemplaires sur Vélin de Lana filigrané Sefer au Léopard. L'un des 300 exemplaires enrichis d'une illustration originale en couleurs (présente dans le Tome 2) et d'une suite en bleu azur des illustrations hors-texte. Exemplaire n°460. On joint le certificat d'authenticité.…

Couverture rigide. Condition: Très bon. Le Chant des Sphères / Editions d'Art Sefer / Joseph Pardo, 1977 - Deux vol. petit in-4° reliés sous étuis cartonnés, reliures pleine peau ocre richement ornées de dorures et de décors à froid, illustrations de Lucy Boucher à la manière des miniaturistes en couleurs (aquarelle au pochoir) en planches hors-texte sous serpentes, 186 et 218 pages, exemplaires en parfait état. Tirage limité à 1910 exemplaires sur Vélin de Lana filigrané Sefer au Léopard, un des 1188 (n°1693) du tirage courant, complet de son certificat d'authenticité. (Ouvrages volumineux, prévoir des frais de port complémentaires, expédition impossible à l'international au tarif économique). Boucher, Lucy (illustrator).…

Condition: trés bon état. LUCY BOUCHER Nice SEFER 1977 in-4 pleine basane 2 volumes, reliure pleine basane maroquinée rouge bordeaux petit in-quarto sous emboitage Editeur (26,7 x 21 cm), cartonnage éditeur à plaques spéciales monochromes (estampée à froid et dorée) pour le dos et les plats, tête lisse dorée (gilt top-edge), gouttière et tranche de queue non-rognées, étui bordé de veau bordeaux, recouvert de suédine rouge, gardes de suédine rouge estampée à froid, Tirage limité à 1838 Exemplaires, un des 1188 exemplaires sur vélin de Lana filigrané Sefer au Léopard, numérotés de 651 à 1838, avec son certificat d'authenticité (N°1582), Contient 16 illustrations hors texte (dont une en double page dans le tome I), 8 vignettes et 2 titres ornés, par LUCY BOUCHER, tome I : 186, pages, 2ff. non chiffrés et 218 pages, 4ff. non chiffrés, 1977 Nice, Le Chant des Sphères, Editions d'Art Sefer Editeur, trés bon état Joachim du Bellay ou Joachim Du Bellay est un poète français né vers 1522 à Liré en Anjou et mort le 1er janvier 1560 à Paris. Sa rencontre avec Pierre de Ronsard fut à l'origine de la formation de la Pléiade, groupe de poètes pour lequel du Bellay rédigea un manifeste, la Défense et illustration de la langue française. Son oeuvre la plus célèbre, Les Regrets, est un recueil de sonnets d'inspiration élégiaque puis satirique et finalement encomiastique écrit à l'occasion de son voyage à Rome de 1553 à 1557. .Beaux Exemplaires .superbement enluminés.en trés bon état (very good condition).…

Couverture rigide. Condition: Très bon. Tome 1. 1977. 186 p. Suite en bleu azur des illustrations hors-texte. Tome 2. 1977. 219 p. Illustrations remarquables ! 21,5x28 cm. 405 p. Reliure éditeur plein cuir superbement décorée ! Dos nervé décoré. Tranche de tête dorée. Très bon état. Sous étuis bordés en bon état. Fraîcheur remarquable ! Fort in-4° édition originale. EO. Edition numérotée. Ed. num. Tirage à 1910 exemplaires sur Vélin de Lana filigrané Sefer au Léopard. L'un des 300 exemplaires enrichis d'une illustration originale en couleurs et d'une suite en bleu azur des illustrations hors-texte. Exemplaire n°404. On joint le certificat d'authenticité.…