Boumans Bart (11 results)

Condition: Very good.

Soft cover. Condition: Very Good. Softcover, 104 p. : ill. ; 22 cm. Very good. Text in Dutch.

Condition: Very good +. A4 broadside with red, green and purple rubber stamps. No edition size given, unsigned, the Pool Window information sheet calling for contributions to various projects by mail artists including: Commonpress 48; International Mail Art Workshop; First Mail Art Exhibition in Colombia; Casablanca no 3; Traxbox; Care no. 3. Condition: minor handling, no tears, folded once. Very good +.

Condition: Very Good. Visual Poetry International 1975, Gallery de Doelen, Rotterdam, 1975. 210 x 150mm. Printed on both sides in black and red on white stock. Exhibition information on verso, list of artists on recto, including Bart Boumans (highlighted in red), Jiri Valoch, Herman de Vries, Gabor Toth, Clemente Padin, Dick Higgins, John Furnival, Lourdes Casto among others. Condition: Very Good, ding to bottom corners.

Amsterdam, Drukhuis, 1975. Cahiersteek met aanhangend kaartje en buikfoedraal aan de kop. (20) p. Gedrukt in een oplage van 45 geturfde en door de auteur, nou ja: duizendkunstenaar gesigneerde exemplaren. Met op het kaartje een gesigneerd opdrachtje van Boumans aan Huib van Krimpen. Een kriebelig typografisch experiment, geheel gezet uit bestaande, maar zelden gebruikte en veelal gekantelde of op de kop staande cursieve ligaturen.

Condition: Fine. Care 3: A New Mail Art Magazine, Enschede, Netherlands, October 1982. 370 x 260mm. Assembling magazine with original contributions from 55 artists. Themed around the topic of self-portraiture, this issue of Care was the last produced by Bart Boumans with his students at the Enschede Art Academy. With contributions from Paulo Bruscky, Pier van Dijk, Michiel Duvekot, JP Jacob, Holly Moors, Wac aw Ropiecki and Robert Swierkiewicz, among others. Includes a folded 'map' of mail art, which lists major European and North American mail art magazines with their addresses. On the verso of the map issues 1-9 of Care are listed, along with a full list of participants with their mailing addresses. Complete with original mailing cardboard envelope, printed in red, white, black and blue. Condition: Fine.

Condition: Fine. 9/100. Care Three: A New Mail-Art Magazine, Enschede, October 1982. Assembling magazine containing variously printed, unique and original contributions from 55 artists. Themed around the topic of 'self-portraiture'. With contributions by Walclaw Ropiecki, Holly Moors, Michiel Duvekot, Robin Crozier, Carlo Pittore, JP Jacob, Robert Swierkiewicz, Pier van Dijk, Paulo Bruscky and many others. Contains a folded 'map' of mail art, which lists major European and North American Mail Art magazines, including their addresses. On the verso of the map all issues of Care up to issue number 9 are listed, and a full list of participants with their mailing addresses is given. The assembling magazine is complete with original mailing cardboard envelope, screen printed in red, white, black and blue. Rubber stamped edition 9/100. An substantial and rare assembling magazine. See 'Geza Perneczky Assembling Magazines 1969-2000' p. 74-75. Condition: Fine.

Projected and Produced by Amazon. Archive of artistic works and projects about the Amazonic world. Milano. C:a 1980+). Stapled old Playboy magazine. the artists have changed it to a totally new magazine with all techniques possible. Almost all changes are original. The lists of participating artist,s, are printed. 28 x 21 cm. 158 pp. Only skightly worn.

Condition: Near fine. RUBBER VOL. 1-4 (missing only vol. 1 nos. 1-3), Stempelplaats, Amsterdam, 1978-1981. This collection includes 39 issues in 32 publications, with an additional 5 invitation cards and 1 hand-stamped envelope invitation.The monthly magazine was published in Amsterdam by Stempelplaats and edited by Aart van Barneveld. The issues explore artists' use of rubber stampsthedemocraticandanti-elitist Mail Artmedium.This collection is an indispensable resource on the Amsterdam art scene,rubber stamp practicesandthe international Mail Art movement overall.RUBBER VOL. 1, 1978 (incomplete, missing no. 1-3):All issues:two folded sheets,235 x 160 mm. Nr. 4,Pawel Petasz, April 1978.Hand-stampedin colour. Nr5,Marie C. Combs, Rubber Stamp Acts, May 1978. Nr.6,Ulises Carrion, Rubberstamps, Theory and Praxis, June 78. Rubber-stamped in blue with a hole-punched element. Nr.7,Dik Walraven, July 1978.Handstamp in red. Nr.8,Elsa Stansfield, August 1978.Includes black and whitephotographic elementsand ahand-stamped plastic sheet insert. Nr.9,Ray Di Palma, September 1978. Hand stamped in purple. Nr.10,J.H. Kocman, October 1978. Hand-stamped in blue. Nr.11,Anna Banana&Bill Gaglione, November 1978.Hand stamped. Includes Dadaland Stampbook; an invitation to the artists' exhibition at Stempelwerke; a folded sheet printed withanAnna Banana design andlist ofRubber Stamp Shows and publications on the verso. Nr.12,Franz Immoos, December 1978.RUBBER VOL.2,1979 (complete): All issues:folded sheets,235 x 160 mm. Nr.1,Davi Det Hompson, January 1979. Hand stamped in green. Nr.2,Paulo Brusky et al.Karimbada, Brasil Issue, February 1979.Includes text byUlises Carrion. Nr.3,FluxPostKit 7, March 1979. Contributions from Nam June Paik. Includes aFluxus exhibition invite. Nr.4,Claudio Goulart, March 1979. Nr.5,Dieter Rot, May 1979. Hand-stamped in pink. IncludesaDieter Rotinvitation card.Nr.6.Bart Boumans, June 79.Hand-stamped in colour. Nr.7, DR post, George Brett/ Henryk Bidok, June 1979. Hand-stamped in colour. Nr.8, Ulises Carrion, Mail-Art project, August 1979. Hand stamped in colour. Nr.9,Ken Friedmann, September 1979. Hand-stampedincolour.Nr.10,R.Saunders, October 1979. Hand-stamped. Nr.11,Raul Marroquin, November 1979. Colour stampswith English text by Raul Marroquin. Nr.12,R.D.Schroeck and Eduard Bal, December 1979. Hand stamped.RUBBER VOL.3,1980 (complete):All issues edited byAart van Barneveld,c.235x 160mm.Nr.1,Stempelkunst in Nederland, 1980.Printed booklet with rubber stampsand intro byUlises Carrion. Edition size: 500.Includespaper brochureinsert.Unnumbered issue,P.J. Spettstösser, April 1980. Nr.46,Rubber Stamp Publications (An Index), April June 1980.Nr.79,Six Mail Art Projects/Zes Post-Kunst Projeckten, July September 1980.Includes work byPawel Petasz andothers. Nr.1012,Stempelakties / Stamp Actions, October December 1980.Featuresstamp action projectsbyEndré Totand others.RUBBER VOL.4,1981 (complete):All issues: edited byPim Wiersinga and Mekka,235 x 160 mm.Nr.1,Four Projects, January April 1981. Including: Robin Crozier,Table-project, January April 1981.Oosterbos,Letters,with various contributions.Claudio Goulart,Daily Art Poster,March 1981.Hand-stamped in colour. Rodolpho and Rolf Weijburg,Inviting the World at Home, August 1981. Nr.4, Vol.3,Zero zero, schrijvers stempels, March 1981.'Rubber 4',Rubber Stamp Publications II,1981.OTHER RUBBER EPHEMERAThis collection includes arare invitationto Rubber'sfirst exhibition, hand-stamped (possibly) by Ulises Carrion.Rubber cards by Robert Jacks, Anna Banana & Bill Gaglione, Davi Det Hompson, Paulo Bruscky and Leonhard Frank Duck and Dieter Rot (all between 1978-9).FULL LISTING AVAILABLE UPON REQUEST.

Amsterdam, Drukhuis, 1975. Cahiersteek met aanhangend kaartje en buikfoedraal aan de kop. (20) p. Gedrukt in een oplage van 45 geturfde en door de auteur, nou ja: duizendkunstenaar gesigneerde exemplaren. Hoekje van het buikfoedraal en rug van het boek hebben een klein een vochtvlekje. Dit exemplaar is voorzien van een kartonnen envelop, schitterend gedecoreerd met postzegels en stempels (Stamp Art). De adressering luidt: 'I shake hands with Thomas G.' en op de achterkant zien we een gestempeld kraszelfportret van Boumans. Een kriebelig typografisch experiment, geheel gezet uit bestaande, maar zelden gebruikte en veelal gekantelde of op de kop staande cursieve ligaturen. Even kriebelig zijn de toegevoegde vlovignetten. Boumans is een onderschat graficus.

[Amsterdam, Drukhuis, 1974]. 25 x 25 cm. Zeven bladen in overslagmapje. [Gedrukt in een oplage van 20 exemplaren]. In 1972 moest de werkplaats van de drukkersgemeenschap Typotent wijken voor de bouw van de Amsterdamse metro, wat zou resulteren in de oprichting van Het Drukhuis aan de Herengracht. Inventief en kunstig drukwerk over de Amsterdamse metro ('Voor de aanleg van Stadsmetrobuizen/ moesten wij onze Drukpers verhuizen/ daar gaat onze poen/ per dag een miljoen/ hij vreet zelfs zijn weg door de kluizen'). Fantastische prenten met uit drukvormen en sierclichés opgebouwde trams, stadhuispaleizen en steampunk-metrowagens. Zonder colofon, op de tweede flap staat geschreven: 'dit is no I'.