Boxall William (21 results)

dvd. Condition: Used - Like New. Wrapped in plastic, still sealed.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0851989829.

paperback. Condition: Fine. Slight scratches to cover. Appears unread, may have minor superficial marking. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

paperback. Condition: Fine. Same / next day dispatch (Monday - Friday),

Trade Paperback. Condition: Very Good. William Harnett, "Philadelphia Letter, Books, Writing Plume, 1879 (Cover Illustration); Richard Boxall (Cover Design) (illustrator). 194 pp. Solidly bound copy with minimal external wear, crisp pages and clean text. Very slight tear on back of book.

Hardcover. Condition: Very Good. Very good condition hard cover, some wear to cover and spine, internally clean and tidy with unmarked pages, in a good readable condition.

Rilegato in Tela. Condition: fine. London, 1995; clothbound, pp. 275, cm 16x24. Libro.

Condition: new.

Hardback. Condition: New. Global interest in forest conservation, biodiversity preservation, and non-timber values has risen while pressures on the forest as a source of income and employment have also increased. These demands are often conflicting, making forest planning, allocation and policy formation very complex. This volume explores theoretical and applied issues surrounding forest resource allocation. The book is divided into three main subject areas: tropical forests - environment, economics and trade; non-timber valuation - theory and application; and ecosystem management. The first of these focuses on tropical forests, reflecting the fact that global environmental concerns surrounding these regions are often in conflict with local economic objectives. The second section examines non-timber values, which are important in planning and policy decisions, but are also very controversial. The third group of chapters consider ecosystem management, a concept that promotes the use of forest harvesting practices that mimic natural disturbance patterns. Overall, the book will be of interest to readers in forestry and environmental economics.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 1995. First. Hardcover. . . . . .

Condition: New. Satisfaction Guaranteed or your money back.

Hardcover. Condition: Brand New. 275 pages. 9.75x6.50x0.75 inches. In Stock.

Condition: New. 1995. First. Hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New. Global interest in forest conservation, biodiversity preservation, and non-timber values has risen while pressures on the forest as a source of income and employment have also increased. These demands are often conflicting, making forest planning, allocation and policy formation very complex. This volume explores theoretical and applied issues surrounding forest resource allocation. The book is divided into three main subject areas: tropical forests - environment, economics and trade; non-timber valuation - theory and application; and ecosystem management. The first of these focuses on tropical forests, reflecting the fact that global environmental concerns surrounding these regions are often in conflict with local economic objectives. The second section examines non-timber values, which are important in planning and policy decisions, but are also very controversial. The third group of chapters consider ecosystem management, a concept that promotes the use of forest harvesting practices that mimic natural disturbance patterns. Overall, the book will be of interest to readers in forestry and environmental economics.

14 Welbeck Street, 19 February, no year given. ". I was kept a prisoner for three hours in a cold damp room." Sir William Boxall RA (1800 1879), English painter and museum director. Between 1827 and 1845 he made a number of trips to Italy to study the old masters. Initially hoping to make his name as a history painter, Boxall later had to turn to the more lucrative genre of portraiture. Among his friends were William Wordsworth, whose portrait he painted, the sculptor John Gibson and the painter Sir Edwin Landseer. He was the executor of the will of Sir Charles Lock Eastlake, his predecessor as Director of the National Gallery.

accepting her invitation.

Leather. Condition: Very Good Indeed. Multiple, inc. Jean-Antoine Watteau, George Barrett Sr., Sir Thomas Lawrence, J. M. W. Turner, David Roberts, Sir William Boxall. (illustrator). An uncommon edition of this discerning and richly illustrated anthology of poetry edited by Robert Bell. Uncommon.In full morocco binding with abundant gilt decoration and gilt fore edges. Marbled pastedown and marbled free endpaper at the front and rear of the work. Illustrated throughout with 66 monochrome vignettes replicating the work of several celebrated artists, including J. M. W. Turner, Jean-Antoine Watteau, Thomas Stothard, George Barrett Sr., and David Roberts. Collated complete. Printed by R. Clay, Son and Taylor. Richard Clay I's son and partner in the printers Charles John Clay played an important part in the history of Cambridge University's printing and press. This is a discerning anthology of poetry which brings together the work of more than 150 poets, with its golden leaves featuring excerpts from Geoffrey Chaucer's 'The Marriage of Patient Grissel', Samuel Taylor Coleridge's 'Song of the Pixies', John Donne's 'A Lecture upon Shadows', John Milton's 'L'Allegro', Lady Mary Wortley Montague's 'The Lover', three of William Shakespeare's sonnets, Percy Bysshe Shelley's 'The Cloud', and Alfred Tennyson's 'Break, O Sea'. Edited by Robert Bell. In decorated full morocco binding. Externally very smart with good colour to the binding on the boards barring a touch of browning to the spine; gilt decoration and edges bright. The odd wormhole to the front and rear boards. Slight rubbing to the front board and to the bottom edge. Slight bumping to the corners and to the head and tail of the spine. Slight loss of marbling on the front and rear free endpapers at the hinge. Hinges strained. Internally, firmly with generally bright and clean pages. Some toning and spotting throughout, First front free endpaper blind stamped with 'James Davies Bookseller Bath'. Richard Clay printer's mark on front blank. One minor closed tear to the first free rear endpaper, not impacting text. Very Good Indeed. book.

Watercolour wash on thick mouldmade paper, (137x220mm), with a range of mountains and lowering clouds in watercolour washes with colour-mix notes in ink at the tail. Sir William Boxall (1800-1879) initially intended to become an historical painter but later turned to the more lucrative genre of portraiture, This rather attractive little sketch gives an indication of his watercolour technique. Please note that the advised postage is based on an average book, if necessary the postage will be reduced to the correct amount and you will be notified by email.

Pencil drawing on paper (206x159mm). A fine worked study of a female model in classical drapery. Sir William Boxall (1800-1879) initially intended to become an historical painter but later turned to the more lucrative genre of portraiture. Please note that the advised postage is based on an average book, if necessary the postage will be reduced to the correct amount and you will be notified by email.

8vo. 1 p. on single leaf. With a portrait photograph (65 x 105 mm). To a Miss Moore in response to an invitation: "I hope Rembrandts works interested you. The collection is I think most admirable. - We will talk of their wonders on Thursday at a 1/4 past 7 when I hope to have the pleasure of hearing your criticisms as well as eating your dinner [.]". - Boxall refers to the Rembrandt collection of the National Gallery that grew under his mandate as director (1865-74). The attributions of serveral of Boxall's acquisitions where controversial at their time. Some of them couldn't be substantiated as in the case of the so called "Suermondt Rembrandt". - With damages of the upper right and the lower left corners and traces of former mounting. No text loss.