Brahms (Over 10,000 results)

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. By 1853 Brahms had emerged as a force in music and would afterward be acknowledged as the greatest master of the symphonic form of the last half of the century. In that generation of composers, only Dvořak (for whom he had a special regard and to whom he gave invaluable aid) produced as much chamber music as the prolific Brahms. This prodigious outpouring, perhaps more than any other aspect of Brahms's oeuvre, provides a clear and uninterrupted view of his artistic development.Here reproduced in this handsome, inexpensive volume is a superb selection of chamber works -- masterful compositions by Brahms, written for violin, viola, cello, and piano. Reprinted from the reliable Breitkopf & Hartel edition, they include Quintet in F Minor, Op. 34; the Quartet in C Minor, Op. 25; and Quartet in A Major, Op. 26, distinguished by their variety of moods, gypsy coloring, and richness of ideas; and the Quartet in C Minor, Op. 60, with its somber and foreboding atmosphere.Standards of the repertoire, these four compositions are strongly dramatic, richly inventive, and filled with ingenious thematic transformations. Musicians, music lovers, and any admirer of Brahms will welcome their appearance in this convenient, affordable edition. Large, readable noteheads and ample margins for notations make this excellent volume an important addition to the library of every serious student of chamber music. …

Condition: Good. Often called the last of the great classical composers, Brahms accommodated powerful romantic inclination to the demands of traditional musical form. The result is a delightful mixture of classical form clothed in the multicolored hues of German romanticism. (John Gillespie, Five Centuries of Keyboard Music).Brahms's masterful synthesis of these disparate elements: his inventive rhythmic drive and happy fusion of poetry and sound workmanship are strikingly evidenced in the concerti. Although he wrote only four -- two for piano, one for violin, and one double concerto for violin and cello -- they have all become absolute staples of the concert repertoire. Because they are for different instruments, however, they have rarely been available together in one convenient volume -- until now. This Dover edition reproduces all four concerti directly from Breitkopf and H rtel's definitive S mtliche Werke, Volumes 5 and 5, c. 1920-27. The original editor's commentary by Hans Gal is included both in German and in English.The four concerti are Piano Concerto No. 1 in D Minor, Op. 15; Piano Concerto No. 2 in B-flat Major, Op. 83; Violin Concerto, Op. 77; and Concerto for Violin and Cello, Op. 102.With this single low-priced volume, students, composers, and musicologists may savor Brahms's development in the form (extending over three decades, 1845-87). Conductors and librarians will have a handy, inexpensive, complete collection, and musicians and music lovers will find a way to experience the inexhaustible variety of one of music's great masters.…

Condition: Fair. By 1853 Brahms had emerged as a force in music and would afterward be acknowledged as the greatest master of the symphonic form of the last half of the century. In that generation of composers, only Dvořak (for whom he had a special regard and to whom he gave invaluable aid) produced as much chamber music as the prolific Brahms. This prodigious outpouring, perhaps more than any other aspect of Brahms's oeuvre, provides a clear and uninterrupted view of his artistic development.Here reproduced in this handsome, inexpensive volume is a superb selection of chamber works -- masterful compositions by Brahms, written for violin, viola, cello, and piano. Reprinted from the reliable Breitkopf & Hartel edition, they include Quintet in F Minor, Op. 34; the Quartet in C Minor, Op. 25; and Quartet in A Major, Op. 26, distinguished by their variety of moods, gypsy coloring, and richness of ideas; and the Quartet in C Minor, Op. 60, with its somber and foreboding atmosphere.Standards of the repertoire, these four compositions are strongly dramatic, richly inventive, and filled with ingenious thematic transformations. Musicians, music lovers, and any admirer of Brahms will welcome their appearance in this convenient, affordable edition. Large, readable noteheads and ample margins for notations make this excellent volume an important addition to the library of every serious student of chamber music. …

Condition: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Hardcover. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Mass Market Paperback. Condition: Fair. Second Printing. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Good.

Paperback. Condition: Good. The piano works of Johannes Brahms, Opus 118, in this collection include: No. 1, Intermezzo * No. 2, Intermezzo * No. 3, Ballade * No. 4, Intermezzo * No. 5, Romance * No. 6, Intermezzo.

Mass Market Paperback. Condition: Fair. Second Printing. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: Very Good. This edition of Brahms's greatest, most ambitious vocal work is reprinted from the definitive edition of the composer's works prepared by Breitkopf & Hartel of Leipzig. Inexpensive, yet sturdily constructed to provide years of pleasurable use, this full score combines all the musical parts in a clear, readable format, with wide margins and large noteheads.Brahms conducted the first major performance of the German Requiem in Bremen Cathedral in April 1888. The occasion, attended by many distinguished musicians, among them Clara Schumann, provided the 34-year-old composer with his first great public success.Scored for mixed chorus, solo voices, and full orchestra, the Requiem reflects Brahms's virtuoso grasp of nineteenth-century vocal technique as well as the polyphonic vocal traditions of the previous three centuries. Above all, it radiates Brahms's stalwart individuality, technical mastery, and stirring emotional appeal, which were soon to secure his unique position in the musical world.The German Requiem is in seven sections (the fifth was added shortly after the Bremen performance), which distinguishes it from the five-part Roman Catholic requiem. Brahms chose its nondenominational format to express faith in the resurrection rather than the fear of the day judgment. Now, over a century later, this masterpiece of choral music is one of the most performed and recorded works in the repertoire of religious music.…

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Good. The Norton Critical Score of Brahm's Fourth Symphony is the latest volume in this highly-regarded series, in which an authoritative score--here the first edition as corrected by the composer--is combined with illuminating essays and documents for an in-depth study of the work.…

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condition: Good. Often called the last of the great classical composers, Brahms accommodated powerful romantic inclination to the demands of traditional musical form. The result is a delightful mixture of classical form clothed in the multicolored hues of German romanticism. (John Gillespie, Five Centuries of Keyboard Music).Brahms's masterful synthesis of these disparate elements: his inventive rhythmic drive and happy fusion of poetry and sound workmanship are strikingly evidenced in the concerti. Although he wrote only four -- two for piano, one for violin, and one double concerto for violin and cello -- they have all become absolute staples of the concert repertoire. Because they are for different instruments, however, they have rarely been available together in one convenient volume -- until now. This Dover edition reproduces all four concerti directly from Breitkopf and H rtel's definitive S mtliche Werke, Volumes 5 and 5, c. 1920-27. The original editor's commentary by Hans Gal is included both in German and in English.The four concerti are Piano Concerto No. 1 in D Minor, Op. 15; Piano Concerto No. 2 in B-flat Major, Op. 83; Violin Concerto, Op. 77; and Concerto for Violin and Cello, Op. 102.With this single low-priced volume, students, composers, and musicologists may savor Brahms's development in the form (extending over three decades, 1845-87). Conductors and librarians will have a handy, inexpensive, complete collection, and musicians and music lovers will find a way to experience the inexhaustible variety of one of music's great masters.…

Condition: Fair. By 1853 Brahms had emerged as a force in music and would afterward be acknowledged as the greatest master of the symphonic form of the last half of the century. In that generation of composers, only Dvořak (for whom he had a special regard and to whom he gave invaluable aid) produced as much chamber music as the prolific Brahms. This prodigious outpouring, perhaps more than any other aspect of Brahms's oeuvre, provides a clear and uninterrupted view of his artistic development.Here reproduced in this handsome, inexpensive volume is a superb selection of chamber works -- masterful compositions by Brahms, written for violin, viola, cello, and piano. Reprinted from the reliable Breitkopf & Hartel edition, they include Quintet in F Minor, Op. 34; the Quartet in C Minor, Op. 25; and Quartet in A Major, Op. 26, distinguished by their variety of moods, gypsy coloring, and richness of ideas; and the Quartet in C Minor, Op. 60, with its somber and foreboding atmosphere.Standards of the repertoire, these four compositions are strongly dramatic, richly inventive, and filled with ingenious thematic transformations. Musicians, music lovers, and any admirer of Brahms will welcome their appearance in this convenient, affordable edition. Large, readable noteheads and ample margins for notations make this excellent volume an important addition to the library of every serious student of chamber music. …

Condition: Good. By 1853 Brahms had emerged as a force in music and would afterward be acknowledged as the greatest master of the symphonic form of the last half of the century. In that generation of composers, only Dvořak (for whom he had a special regard and to whom he gave invaluable aid) produced as much chamber music as the prolific Brahms. This prodigious outpouring, perhaps more than any other aspect of Brahms's oeuvre, provides a clear and uninterrupted view of his artistic development.Here reproduced in this handsome, inexpensive volume is a superb selection of chamber works -- masterful compositions by Brahms, written for violin, viola, cello, and piano. Reprinted from the reliable Breitkopf & Hartel edition, they include Quintet in F Minor, Op. 34; the Quartet in C Minor, Op. 25; and Quartet in A Major, Op. 26, distinguished by their variety of moods, gypsy coloring, and richness of ideas; and the Quartet in C Minor, Op. 60, with its somber and foreboding atmosphere.Standards of the repertoire, these four compositions are strongly dramatic, richly inventive, and filled with ingenious thematic transformations. Musicians, music lovers, and any admirer of Brahms will welcome their appearance in this convenient, affordable edition. Large, readable noteheads and ample margins for notations make this excellent volume an important addition to the library of every serious student of chamber music. …

paperback. Condition: Very Good.

Condition: Good. Faced with the daunting legacy of Beethoven's symphonic works, Johannes Brahms (1833-1897) took twenty years to shape his first symphony -- a masterpiece that premiered in 1876 to great critical acclaim.The expansive Symphony No. 1 in C Minor perfectly displays Brahms's ability to organize a variety of moods into a coherent whole. The dramatic tension and somber coloring of the first movement are balanced by two central movements of charming lyrical relief; and the finale, with its grand main theme and famous horn solo (inspired by a shepherd's horn call), is considered one of the great movements in the orchestral literature.The symphony is published here in full score, with bar-numbered movements. Ideal for study in the classroom, at home, or in the concert hall, this affordable, high-quality, convenient sized volume will be the edition of choice for music students and music lovers alike.…

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condition: Acceptable.

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Condition: acceptable. This book is a well used but readable copy. Integrity of the book is still intact with no missing pages. May have notes or highlighting. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.