Brenson Michael (289 results)

Hardback. Condition: Good. Visionaries and Outcasts documents and analyzes, from hopeful creation to bitter end, the most ambitious experiment in artistic funding in American history. Through the creation of the National Endowment for the Arts in 1965, this country provided financial support for visual artists without exerting the stringent controls that patronage in the past required. That all ended thirty years later, as the NEA?s funding for individual artists was eliminated while the agency was at the center of a political, cultural, and moral firestorm. Michael Brenson chronicles the ?NEA years? with interviews from dozens of artists and scholars with firsthand knowledge of the NEA?s lightning-rod individual fellowship program.Brenson, the former New York Times art critic, vividly captures the eloquent verve with which Congress supported the public funding of artists in 1965 and contrasts that with the political climate in 1995, when fellowships to individual artists were ended and nary a person of political or cultural power came to the artists? defense. This examination of one of the most controversial government programs of our time is essential to the discussion of the place of the artist in America.…

Condition: Very Good. A bright, square, and overall a nice copy.

hardcover. Condition: Acceptable.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condition: Good. Visionaries and Outcasts documents and analyzes, from hopeful creation to bitter end, the most ambitious experiment in artistic funding in American history. Through the creation of the National Endowment for the Arts in 1965, this country provided financial support for visual artists without exerting the stringent controls that patronage in the past required. That all ended thirty years later, as the NEA?s funding for individual artists was eliminated while the agency was at the center of a political, cultural, and moral firestorm. Michael Brenson chronicles the ?NEA years? with interviews from dozens of artists and scholars with firsthand knowledge of the NEA?s lightning-rod individual fellowship program.Brenson, the former New York Times art critic, vividly captures the eloquent verve with which Congress supported the public funding of artists in 1965 and contrasts that with the political climate in 1995, when fellowships to individual artists were ended and nary a person of political or cultural power came to the artists? defense. This examination of one of the most controversial government programs of our time is essential to the discussion of the place of the artist in America.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. torn/chipped dj, some shelfwear/edgewear, may have remainder mark or previous owner's name, still NICE! Oversized.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: New. Paperback. Publisher overstock, may contain remainder mark on edge.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: acceptable. The book is complete and readable, with all pages and cover intact. Dust jacket, shrink wrap, or boxed set case may be missing. Pages may have light notes, highlighting, or minor water exposure, but nothing that affects readability. May be an ex-library copy and could include library markings or stickers.…

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Hardcover. Condition: Good. no dj, some shelfwear/edgewear, still NICE! - may have remainder mark or previous owner's name Oversized.

Hardback. Condition: Very Good. The landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century.The artist David Smith once wrote, "'Humanism' is a useless word in my time." A member of the abstract expressionist generation, he would do more than any sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to this project was his desire to explode the logic that equated representation and harmony with humanistic values in the postwar era - instead, Smith sought out the unbalanced and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of view to another. So groundbreaking and prolific were his contributions to American art that by the time Smith was just forty years old, Clement Greenberg was already calling him "the greatest sculptor this country has produced."Michael Brenson's David Smith: The Art and Life of a Transformational Sculptor is the first major biography of this epochal figure. It follows Smith from his upbringing in the Midwest, to his heady early years in Manhattan, to his decision to establish a permanent studio in Bolton Landing in upstate New York, where he would create many of his most significant works - among them the Cubis, Tanktomems, and Zigs. It explores his at times tempestuous personal life, marked by marriages, divorces, and fallings-out, as well as by deep friendships with the likes of Helen Frankenthaler and Robert Motherwell. His wife Jean Freas described him as "Salty and bombastic, jumbo and featherlight, thin-skinned and Mack Truck. And many more things" - and this was true of his work as well. He was a bricoleur, a skilled welder, a painter, and a writer, and he entranced critics and attracted admirers wherever he showed his work. With this book, richly illustrated with more than one hundred photographs, Brenson has contextualized Smith for a new generation of fans and confirmed his singular place in the history of American art.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good Dust Jacket. 66 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Very good dust jacket. This copy is smyth sewn. Smyth sewing is a method of book binding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Hard Cover. Condition: Good. No Jacket. Some light wear. Text is clean and tight in binding. Due to size, this book will require additional shipping outside the U.S. Size: 4to - over 9¾" - 12" tall.

Hardback. Condition: Very Good. The landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century.The artist David Smith once wrote, "'Humanism' is a useless word in my time." A member of the abstract expressionist generation, he would do more than any sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to this project was his desire to explode the logic that equated representation and harmony with humanistic values in the postwar era - instead, Smith sought out the unbalanced and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of view to another. So groundbreaking and prolific were his contributions to American art that by the time Smith was just forty years old, Clement Greenberg was already calling him "the greatest sculptor this country has produced."Michael Brenson's David Smith: The Art and Life of a Transformational Sculptor is the first major biography of this epochal figure. It follows Smith from his upbringing in the Midwest, to his heady early years in Manhattan, to his decision to establish a permanent studio in Bolton Landing in upstate New York, where he would create many of his most significant works - among them the Cubis, Tanktomems, and Zigs. It explores his at times tempestuous personal life, marked by marriages, divorces, and fallings-out, as well as by deep friendships with the likes of Helen Frankenthaler and Robert Motherwell. His wife Jean Freas described him as "Salty and bombastic, jumbo and featherlight, thin-skinned and Mack Truck. And many more things" - and this was true of his work as well. He was a bricoleur, a skilled welder, a painter, and a writer, and he entranced critics and attracted admirers wherever he showed his work. With this book, richly illustrated with more than one hundred photographs, Brenson has contextualized Smith for a new generation of fans and confirmed his singular place in the history of American art.…

Condition: New. Brand New.

Condition: Good. Good condition. Good dust jacket. (David Smith, Exhibitions) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

hardcover. Condition: Very Good++. Dust Jacket Condition: Very Good++. Rizzoli. 1995. Fine/Like new condition clean tight and bright. Cover is clean strong and square. DJ is lightly rubbed at top edge of spine. Beautiful book.

Softcover, 144 pages; very good condition, light rubbing to covers; scuffs to last page; no other internal marks. Foreign shipping may be extra.

paperback. Condition: Good.

Condition: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.