Brown Greg A (61 results)

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. In English.

Condition: New.

Tapa blanda. Condition: Como nuevo. DC Comics Planeta Lázaro núm. 2 de 2, ECC Ediciones 2023. Tapa blanda de editorial ilustrada 136 paginas. Comic. Como nuevo A causa de su terrible batalla y del antiguo mal conocido como el diablo Nezha, la Isla de Lázaro ha entrado en erupción. Libro.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Very Good. Appears unread, binding tight; very good overall. Features: Courtship Rite (part three of four - Kingsbury), Virgy (Byers), Pawn's gambit (Zahn), Pixie Dixon and the Mystery of the Haunted Playpen (Brown), Schrodinger's Plague (Bear), Shake it all the Time (Nicholson). Cover by Vincent di Fate (illustrator). Book.…

Taschenbuch. Condition: Neu. Neuware - Throughout the history of warfare, great powers have dealt with counterinsurgencies and occupations. From Sun Tzu, Napoleon against the Spanish, the Americans against the Vietnamese, and the Soviets versus the Afghans, the difficulties of unsuccessful occupations have been well documented. These occupations share some common themes, including inhospitable terrain, failure to gain popular support among the local population, and simply being outlasted by their foes. What is less well documented, especially in the 20th century, are instances of successful occupations. Occupations, such as those by the British in Africa and Ireland, the French in Algeria, and the Nazis in occupied Europe achieved some level of short-term success, but failed in their efforts to achieve any long term political objective. There is, however, at least one instance of a superpower in the 20th century conducting a successful occupation that resulted in a half century of stability. For the Baltic nations of Latvia, Estonia, and Lithuania, World War II and its aftermath were devastating. These three Baltic States suffered three invasions and occupations by the Soviet Union and Nazi Germany over a span of a mere four years.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Condition: Neu. Neuware - improvising Bach: Book Three continues the exploration of Bach's improvisational language through a collection of fully developed two-voice inventions and advanced virtuosity training. These inventions are complete, architecturally coherent works that show how a single musical cell can grow into an entire composition through imitation, sequence, rotation, and expressive counterpoint. They reveal the actual mechanics behind Bach's improvisational process, giving the guitarist a direct experience of how real counterpoint is built.Before the inventions, the book opens with a comprehensive section on developing virtuosity in the key of C. This training begins with full-fretboard scale visualization, using the most advanced two-color system in print to show every playable note in C at a glance. The method then expands into chord and arpeggio architecture, demonstrating how harmonic shapes interlock and transform across the neck. From there, the material moves into pedal-point applications, where harmonic gravity and melodic motion combine to create expressive tension and release. The chapter on melodic sequence design shows how to craft lines that move with intention rather than falling into mechanical patterns, guiding the player toward expressive, non-formulaic virtuosity.The entire volume remains in the key of C so the guitarist can achieve complete mastery of one major key-an approach that builds true fluency rather than superficial pattern memorization. This foundation prepares the player for the caprices, which extend the same principles into full-fretboard expression. Each caprice demonstrates how a small musical idea can explode into a wide-ranging texture through intervallic expansion, motivic transformation, and rapid sequential flow. These pieces demand agility, clarity, and imagination, pushing the guitarist to navigate the entire neck with confidence and precision.The virtuosity in the caprices is not based on empty speed or repetitive patterns. Instead, it grows from musical logic-pedal-tone bursts that create rhythmic propulsion, broken-interval figures that leap across registers, and flowing sequences that trace harmonic movement with expressive intent. The lines are inventive and surprising, offering fresh musical ideas that inspire improvisation and composition. Every caprice is a demonstration of how true virtuosity emerges from structure, not from mechanical shredding.Improvising Bach: Book Three offers a unified path to advanced musicianship, showing how expressive technique, structural clarity, and creative imagination all grow from the same source-the principles Bach used when he improvised.…

Taschenbuch. Condition: Neu. Neuware - Yes, Zone Harmony has the potential to be a transformative approach and could very well represent the future of music education. Here's why: 1. Simplified Learning Process - Traditional music theory often relies on memorization of scales, chords, and intervals, which can feel overwhelming and disconnected for many learners. Zone Harmony simplifies this by organizing music into two symmetrical zones, making it easier to understand and retain.2. Universal Framework- Zone Harmony provides a unified system that applies to all instruments, making it adaptable for diverse musical contexts. This universality could streamline music education across different instruments and genres.3. Visual and Intuitive - The visual representation of zones on the staff and instruments like piano and guitar makes music theory more accessible. Students can 'see' the structure of harmony and scales, which bridges the gap between theoretical knowledge and practical application.4. Encourages Creativity- By focusing on the structural DNA of music, Zone Harmony fosters a deeper understanding of how harmony works. This can inspire musicians to experiment and compose with confidence, leading to more creative and innovative music.5. Efficiency- Learning six scales or chords at once, rather than one at a time, is a game-changer. This efficiency could make music education faster and more effective, allowing students to progress more quickly.6. Accessible to All Ages- The 'child's play' approach described in the document suggests that Zone Harmony can make music theory less intimidating and more engaging, which could attract a wider audience, including younger learners and those who may have struggled with traditional methods.7. Revolutionizing Music Theory. …

Taschenbuch. Condition: Neu. Neuware - Improvising Bach, Book 1 presents a breakthrough approach to counterpoint on the guitar - one that classical players never expect, and electric players have never been offered. Instead of spending years learning one piece after another, this book teaches the actual developmental path Bach may have used to build his improvisational and contrapuntal mastery.You begin with simple, playable drills: one-against-one counterpoint, then two-against-one, three-against-one, and eventually four-against-one. But unlike traditional theory books, these are not abstract rules or written assignments. They are hands-on musical behaviors practiced directly on the guitar, using intervallic cells, voice-leading gravity, pedal-point structures, and rotational patterns that generate authentic Baroque motion under your fingers.As the chapters progress, the skills compound. By the end of the book, you can: - improvise in an advanced Baroque style- build independent voices that move with clarity and purpose- use pedal point as a structural engine for invention- develop phrases from tiny cells the way Bach did- create contrary-motion lines that sound composed- modulate using Bach-like rotational engines- take a simple melody and transform it into full, multi-voice counterpointThis is the first guitar method that shows how a player can move from basic drills to high-level contrapuntal improvisation in a single, coherent progression.And for those who need it, the book also provides a complete foundation in classical guitar technique and reading, starting from the very beginning. You learn how to read music, how to use the right hand correctly, and how to apply those skills immediately to counterpoint and improvisation - not years later.Whether you are a classical guitarist seeking a faster, more direct path into counterpoint, or an electric guitarist discovering Baroque improvisation for the first time, this book gives you something rare: a practical, playable, improvisation-driven method that takes you from the first steps of counterpoint all the way to advanced Baroque fluency.This is not a shortcut. It is the origin point and the destination of contrapuntal mastery - rebuilt for the guitar.All the exercises are in notation and tab, and provide a source for advance reading too.…

Taschenbuch. Condition: Neu. Neuware.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Condition: Neu. Neuware.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: new. Paperback. Improvising Bach Book 2 is the bridge between imagination and structure - the moment where the ideas you explored in Book One begin to grow into real music. This volume shows you what becomes possible when counterpoint, seeds, harmonic awareness, and form all come together. It is not a theory book, not a composition book, and not a technique book - it is all of them working together in a single system. This book teaches you how Bach thought, not by analyzing his music, but by showing you the process behind it: how small ideas become larger ideas, how harmony expands, how forms shape improvisation, and how improvisation becomes composition. What You Will Learn in This Volume - The Five Baroque Forms You will step through the five doors of Baroque composition - Inventions, Prelude, Minuet, Sarabande, Gavotte, and Bourree - learning the character, rhythm, phrasing, and architecture of each. These forms become the containers for your improvisations and the models for your compositions. - How to Improvise Inside Real Forms Book One taught you how to create melodic ideas. Book Two teaches you how to place those ideas inside actual musical structures. You will learn how to improvise a prelude, how to shape a minuet phrase, how to create the long singing lines of a sarabande, and how to build the rhythmic clarity of a gavotte or bourree. - How to Use Seeds to Generate Endless Melodic Material You will learn how to form seeds from five-note cells, how to alter them, how to fit them over chords, and how to combine them into longer phrases. This is the engine behind Bach-style improvisation - the ability to create new ideas from small, reachable shapes. - How Counterpoint Actually Works in Real Playing You will learn how to place a counter-voice under a melody, how to choose intervals, how to create independence between voices, and how to turn a simple line into a two-voice invention. This is counterpoint you can play, not just study. - How Harmony Expands Beyond the Key of C You will learn how keys relate through the zone system, how the 3/4 split works in every major key, and how a single added note (#4, b7, #5, etc.) shifts the tonal center. You will see how Bach moved through keys using simple structural logic - not memorized rules. - How to Hear Harmonic Minor and Melodic Minor as Pathways You will learn how harmonic minor creates gravitational pull, how melodic minor brightens the sound, and how these tonalities open new doors for improvisation and composition. - How to Build Sections, Develop Ideas, and Create Flow You will learn how to take a small idea and expand it into a full section, how to use harmonic cycles (6-2-5-1) to support your melodies, and how to create forward motion through rhythm, counterpoint, and harmonic direction. What This Book Gives You - Complete Original Compositions This volume includes multiple original works - preludes, minuets, sarabandes, gavottes, bourrees, inventions - all composed specifically to show you what can be done with the tools you learned in Book One. These pieces are not filler; they are demonstrations of the process. - Guitar Friendly Counterpoint Every example is written for classical guitar, showing you how to apply Bach style thinking directly on the instrument without needing a keyboard. - A Clear Path from Improvisation to Composition You will see how ideas begin, how they grow, how they develop, and how they become finished pieces. This book shows you the actual process of composing - not by inspiration, but by structure, imagination, and method. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: new. Paperback. Improvising Bach, Book 1 presents a breakthrough approach to counterpoint on the guitar - one that classical players never expect, and electric players have never been offered. Instead of spending years learning one piece after another, this book teaches the actual developmental path Bach may have used to build his improvisational and contrapuntal mastery.You begin with simple, playable drills: one-against-one counterpoint, then two-against-one, three-against-one, and eventually four-against-one. But unlike traditional theory books, these are not abstract rules or written assignments. They are hands-on musical behaviors practiced directly on the guitar, using intervallic cells, voice-leading gravity, pedal-point structures, and rotational patterns that generate authentic Baroque motion under your fingers.As the chapters progress, the skills compound. By the end of the book, you can: improvise in an advanced Baroque stylebuild independent voices that move with clarity and purposeuse pedal point as a structural engine for inventiondevelop phrases from tiny cells the way Bach didcreate contrary-motion lines that sound composedmodulate using Bach-like rotational enginestake a simple melody and transform it into full, multi-voice counterpointThis is the first guitar method that shows how a player can move from basic drills to high-level contrapuntal improvisation in a single, coherent progression.And for those who need it, the book also provides a complete foundation in classical guitar technique and reading, starting from the very beginning. You learn how to read music, how to use the right hand correctly, and how to apply those skills immediately to counterpoint and improvisation - not years later.Whether you are a classical guitarist seeking a faster, more direct path into counterpoint, or an electric guitarist discovering Baroque improvisation for the first time, this book gives you something rare: a practical, playable, improvisation-driven method that takes you from the first steps of counterpoint all the way to advanced Baroque fluency.This is not a shortcut. It is the origin point and the destination of contrapuntal mastery - rebuilt for the guitar.All the exercises are in notation and tab, and provide a source for advance reading too. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: new. Paperback. improvising Bach: Book Three continues the exploration of Bach's improvisational language through a collection of fully developed two-voice inventions and advanced virtuosity training. These inventions are complete, architecturally coherent works that show how a single musical cell can grow into an entire composition through imitation, sequence, rotation, and expressive counterpoint. They reveal the actual mechanics behind Bach's improvisational process, giving the guitarist a direct experience of how real counterpoint is built.Before the inventions, the book opens with a comprehensive section on developing virtuosity in the key of C. This training begins with full-fretboard scale visualization, using the most advanced two-color system in print to show every playable note in C at a glance. The method then expands into chord and arpeggio architecture, demonstrating how harmonic shapes interlock and transform across the neck. From there, the material moves into pedal-point applications, where harmonic gravity and melodic motion combine to create expressive tension and release. The chapter on melodic sequence design shows how to craft lines that move with intention rather than falling into mechanical patterns, guiding the player toward expressive, non-formulaic virtuosity.The entire volume remains in the key of C so the guitarist can achieve complete mastery of one major key-an approach that builds true fluency rather than superficial pattern memorization. This foundation prepares the player for the caprices, which extend the same principles into full-fretboard expression. Each caprice demonstrates how a small musical idea can explode into a wide-ranging texture through intervallic expansion, motivic transformation, and rapid sequential flow. These pieces demand agility, clarity, and imagination, pushing the guitarist to navigate the entire neck with confidence and precision.The virtuosity in the caprices is not based on empty speed or repetitive patterns. Instead, it grows from musical logic-pedal-tone bursts that create rhythmic propulsion, broken-interval figures that leap across registers, and flowing sequences that trace harmonic movement with expressive intent. The lines are inventive and surprising, offering fresh musical ideas that inspire improvisation and composition. Every caprice is a demonstration of how true virtuosity emerges from structure, not from mechanical shredding.Improvising Bach: Book Three offers a unified path to advanced musicianship, showing how expressive technique, structural clarity, and creative imagination all grow from the same source-the principles Bach used when he improvised. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…