Bruce Smithson (27 results)

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. illustrated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.

Hardcover. Condition: Very Good +. Very Good + condition Hardcover laminated illustrated boards. Includes numerous color and b/w photographs with Selected Readings, 228 pages. The exception to the condition is soiling on the bottom of the text block. No DJ.

paperback. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

hardcover. Condition: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Condition: New. In.

Hardcover. Condition: Good. Hardcover. (Different than pictured) No dust jacket. Minor cover wear. Clean unmarked text. Tight binding. ** WE SHIP DAILY (Mon-Fri) ** Free Tracking Information.

Paperback. 143p., 8.5x11 inches, very good in staplebound wraps. Bibliography assembled at the early stages of the Black Studies movement.

Condition: Very good.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: Neuf.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condition: New. Satisfaction Guaranteed or your money back.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Softcover. First edition, third printing of 100. Tan paper wraps, 110 pp., color illus. Showcases photographs of life in middle America, as seen by Illinois-born photographer Bruce Morton. With an introduction by Aline Smithson. This copy is SIGNED BY MORTON on the first page. Scarce. VG (SIGNED BY PHOTOGRAPHER on first page.).

BOX SET - Paperback. Condition: Fine. First Edition, First Printing. Primary Information, 2010. BOX SET (The boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback). First Edition, First Edition. Limited Edition 1/1000 copies.Willoughby Sharp and Liza BÃ ar founded Avalanche shortly after they met in 1968. At the time, Sharp was a New York-based independent curator and BÃ ar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with probing interviews, extensive use of photography and dynamic layouts. For many artists, publication in Avalanche preceded a one-person gallery or museum show. Aside from an eight-page news section, the editorial content included only interviews, artists' texts and documents of art and art making. All interviews were conducted by Sharp, BÃ ar or done jointly. Among the featured artists were Vito Acconci, Joseph Beuys, Hanne Darboven, Walter De Maria, Jan Dibbets, Philip Glass, Barry Le Va, Sol LeWitt, Richard Long, Gordon Matta-Clark, Bruce Nauman, Dennis Oppenheim, Yvonne Rainer, Keith Sonnier, Richard Serra, Robert Smithson, William Wegman, Lawrence Weiner and Jackie Winsor. This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single newsprint paperback. CONDITION: Fine (the set)[ Housed in a Near Fine box showing ,oderate rubbing to panels from shelf wear.

Encuadernación de tapa dura. Condition: Nuevo. Dust Jacket Condition: Como Nuevo. Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Düsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.

Condition: good. 28 cm, 143, wraps, covers stapled, some wear and soiling to covers.

4to, soft cover, illustrated, 60 p. In good condition. K13.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Issue edited by John Coplans. Essays "Documenta: A Portfolio:" "'Reality': Ideology at D5," by Lawrence Alloway; "Claes Oldenburg, An Interview," by Angela Westwater Reaves; "Cultural Confinement," by Robert Smithson; "Adversary Spaces," by Carter Ratcliff; "Cosmologies," by Lizzie Borden. Additional Essays "Inwardness: Chicago Art Since 1945," by Max Kozloff; "Augustus Vincent Tack," by Eleanor Green; "Quality, Style and Olitski," by Walter D. Bannard; "The Quality Problem," by Bruce Boice; "Larry Bell Reassessed," by Peter Plagens; "The Search for a Legible Iconography," by Lawrence Alloway; "New Forms in Film," by Bill Simon; "The Italian Design Show at MOMA: A Postmortem," by Robert Jensen. Reviews by Lizzie Borden, Jerome Tarshis. Cover: Spectators viewing Franz Gertsch's "Medici.".

Soft cover. Condition: Very Good. 1st Edition. 4to. Spiral bound wraps, xeroxed on rectos only. [70] pp. Published to coincide with a 1991 exhibition of the same name at Daniel Newburg Gallery in New York, organized by Robert (Bob) Nickas. Participating artists include Vito Acconci, Richard Artschwager, Robert Barry, Larry Clark, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Neil Jenney, Jasper Johns, On Kawara, Olivier Mosset, Bruce Nauman, Blinky Palermo, Allen Ruppersberg, Roberth Smithson, Keith Sonnier, Andy Warhol, and Lawrence Weiner. In Very Good condition with spotted wear to the wraps and light sunning along the spine. Minor paint chipping away from the metal spiral binding. Interior pages are clean and unmarked. Scarce, OCLC locates only 2 copies worldwide, one in the U.S. and one in Switzerland.

Wrappers. Condition: Very Good. First Edition. 4to. 1st edition. Some toning to leaves. Light scuffing to spiral bound wrappers. Contents clean. VG in wrappers.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran October 16 through November 19, 1970. Acknowledgements by gallery director Dianne Perry Vanderlip. Includes a laid in 10 page text booklet with Les Levine's "The Information Fall-Out." Artist in the show were: Vito Acconci, John Baldessari, Mel Bochner, Michael Findlay, Dan Graham, Peter Hutchinson, Ray Johnson, Joseph Kosuth, Les Levine, Billy Adler, John Margolies, Bruce Nauman, Dennis Oppenheim, Michael Snow, John Van Saun, Bernar Venet, and Robert Smithson. A clean very near fine copy in stapled wrappers. An uncommon and important document in nicer than usual condition.

Tübingen: Studio Wasmuth, 1969, 20,8×22,8 cm. Softcover. English; German. 240 pp. Seminal and genre defining book by Germano Celant, art critic and curator who coined the Arte Povera definition in 1967, thus becoming its first theorist. Profusely illustrated in b&w, includes artist statements in English. It is interesting noting the expanded definition of Arte Povera employed here including a large array of artists that were not part of the canon and not associated with the movement outside the focus of this project-book. Artists presented here include: Carl Andre, Giovanni Anselmo, Robert Barry, Joseph Beuys, Alighiero Boetti, Marinus Boezem, Pier Paolo Calzolari, Jan Dibbets, Eva Hesse, Walter De Maria, Ger Van Elk, Lucio Fabro, Barry Flanagan, Hans Haacke, Michael Heizer, Douglas Huebler, Stephan Kaltenbach, Jannis Kounellis, Joseph Kosuth, Richard Long, Mario Merz, Robert Morris, Bruce Nauman, Dennis Oppenheim, Giulio Paolini, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini, Reiner Rutherbeck, Richard Serra, Robert Smithson, Keith Sonnier, France Erhard Walther, Lawrence Weiner and Gilberto Zorio 1st edition. VG+.

20,5×20,5 cm. 4pp. Announcement / catalogue - apparently the only printed document produced for the exhibition - for an intriguing institutional show curated by the visionary Stephen Prokopoff who had an eye for emerging or neglected artists and to genres like comics, folk and outsider art. Participating artists: Bruce Conner, Nancy Grossman, Peter Gutkin, Edward Kienholz, Robert Morris, Bruce Nauman, Dennis Oppenheim, Robert Smithson, Paul Thek, Andy Warhol. Document features work checklist and text by Prokopoff. Near Fine. "The artistic evocation of dread is used in this exhibition as a means of exploring the concept of the work of art as a structure that includes non-visual elements - association and expectation, psychologically charged text and sound - as essential components in its total expressive design. While other themes could have been selected, Menace is able to encompass a varied constellation of gestures and to offer an emotionally potent subject particularly appropriate to the artistic method found in these works. (?)" Stephen Prokopoff.