Burchard Wolf (26 results)
Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World
Marschner, Joanna [Editor]; Bindman, David [Editor]; Ford, Lisa L. [Editor]; Burchard, Wolf [Contributor]; Grant, Florence [Contributor]; Griffith, Tyler [Contributor]; Hallett, Mark [Contributor]; Hanson, Craig Ashley [Contributor]; Howard, Samantha [Contributor]; Inglesby, Roisin [Contributor]; Jay, Emma [Contributor]; Joncus, Berta [Contributor]; Jones, Kathryn [Contributor]; Laird, Mark [Contributor]; Longstaffe-Gowan, Todd [Contributor]; Meyers, Amy R. W. [Contributor]; Orr, Clarissa Campbell [Contributor]; Prochaska, Frank [Contributor]; Asleson, Robyn [Contributor]; Albinson, A. Cassandra [Contributor]; Prosser, Lee [Contributor]; Burrows, Donald [Contributor]; Ribeiro, Aileen [Contributor]; Roach, Joseph [Contributor]; Roberts, Jane
- Hardcover
Seller: Alplaus Books, Alplaus, U.S.A.Alplaus Books
Contact seller5-star sellerCondition: Used - Good
US$ 35.00
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hardcover. Condition: Good. Dust Jacket Condition: Good. Very large, heavy (7 lbs.) hardcover with dust jacket. No markings noted. NOTE: THIS BOOK IS TOO HEAVY TO SHIP OUTSIDE THE UNITED STATES. Extra charges may be requested for shipping and handling.
- Hardcover
Seller: Book Express (NZ), Shannon, New ZealandBook Express (NZ)
Contact seller4-star sellerCondition: Used - Very good
US$ 27.49
US$ 31.00 shippingShips from New Zealand to U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. 248 pages. This monograph examines the wide artistic production of Louis XIV?s most pr olific and powerful artist, Charles Le Brun (1619?1690), illustrating the magn ificence of his paintings and focusing particularly on the interiors and decorat.
- Hardcover
- First Edition
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, IrelandKennys Bookshop and Art Galleries Ltd.
Contact seller5-star sellerCondition: New
US$ 50.32
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Condition: New. Num Pages: 248 pages. BIC Classification: ACQB; AFC; AGB. Category: (G) General (US: Trade). Dimension: 252 x 288 x 28. Weight in Grams: 1652. . 2017. 1st edition. Hardcover. . . . .
Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World
Marschner, Joanna [Editor]; Bindman, David [Editor]; Ford, Lisa L. [Editor]; Burchard, Wolf [Contributor]; Grant, Florence [Contributor]; Griffith, Tyler [Contributor]; Hallett, Mark [Contributor]; Hanson, Craig Ashley [Contributor]; Howard, Samantha [Contributor]; Inglesby, Roisin [Contributor]; Jay, Emma [Contributor]; Joncus, Berta [Contributor]; Jones, Kathryn [Contributor]; Laird, Mark [Contributor]; Longstaffe-Gowan, Todd [Contributor]; Meyers, Amy R. W. [Contributor]; Orr, Clarissa Campbell [Contributor]; Prochaska, Frank [Contributor]; Asleson, Robyn [Contributor]; Albinson, A. Cassandra [Contributor]; Prosser, Lee [Contributor]; Burrows, Donald [Contributor]; Ribeiro, Aileen [Contributor]; Roach, Joseph [Contributor]; Roberts, Jane [Contributor]; Roman, Cynthia [Contributor]; Storey, Matthew [Contributor]; Styles, John [Contributor]; Adamson, Glenn [Contributor];
- Hardcover
Seller: Lavendier Books, Foster, U.S.A.Lavendier Books
Contact seller5-star sellerCondition: Used - Very good
US$ 55.00
US$ 7.00 shippingShips within U.S.A.Quantity: 1 available
hardcover. Condition: Very Good. Yale Center for British Art and Yale University Press; New Haven, 2017. Hardcover. A Very Good, black cloth binding with gilt lettering on front board and spine, binding sturdy and intact, bumped bottom board corners, very mild scattered foxing top text block edge, small and faint rub mark bottom… text block corner, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, crease to front flap, Mylar protected, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 572pp., appendix, bibliography, index, credits, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.
- Hardcover
Seller: GreatBookPrices, Columbia, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: New
US$ 59.74
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Condition: New.
- Hardcover
Seller: PBShop.store UK, Fairford, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
US$ 52.64
US$ 11.32 shippingShips from United Kingdom to U.S.A.Quantity: 15 available
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Seller: Kennys Bookstore, Olney, U.S.A.Kennys Bookstore
Contact seller5-star sellerCondition: New
US$ 60.45
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Condition: New. Num Pages: 248 pages. BIC Classification: ACQB; AFC; AGB. Category: (G) General (US: Trade). Dimension: 252 x 288 x 28. Weight in Grams: 1652. . 2017. 1st edition. Hardcover. . . . . Books ship from the US and Ireland.
- Hardcover
Seller: Rarewaves.com USA, London, United KingdomRarewaves.com USA
Contact seller5-star sellerCondition: New
US$ 72.92
Free ShippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Hardback. Condition: New. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joint capacitie…s of Premier peintre du roi, director of the Gobelins manufactory and rector of the Académie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Académie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Académie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East façade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought h.
- Hardcover
- Signed
Seller: HALCYON BOOKS, LONDON, United KingdomHALCYON BOOKS
Contact seller5-star sellerCondition: Used - Very good
US$ 50.13
US$ 24.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
hardcover. Condition: Very Good. Dust Jacket Condition: Includes dust jacket. Signed. A clean, tight copy. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE… FOR MULTI VOLUME SETS BEFORE ORDERING.
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: New
US$ 55.32
US$ 20.00 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: New.
The First Georgians: Art and Monarchy, 1714-1760
Rufus Bird,Wolf Burchard,Kate Heard,Kathryn Jones,Desmond Shawe-Taylor
- Hardcover
Seller: Book Express (NZ), Shannon, New ZealandBook Express (NZ)
Contact seller4-star sellerCondition: Used - Very good
US$ 44.83
US$ 31.00 shippingShips from New Zealand to U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. 495 pages. 2014 marks the three-hundredth anniversary of the succession of the House of Hanover to the British throne. In celebration of this historic milestone, The Fi rst Georgians explores the rich artistic patronage of the early Hanoverian perio.
- Hardcover
Seller: Grand Eagle Retail, Bensenville, U.S.A.Grand Eagle Retail
Contact seller5-star sellerCondition: New
US$ 78.07
Free ShippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joi…nt capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Academie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Academie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Academie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East facade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought his own sovereign authority over the visual arts. Charles Le Brun and the Image of Louis XIV. In his joint capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Acadmie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts so much so that some scholars have repeatedly described him as dictator of the arts in France. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
Contact seller5-star sellerCondition: New
US$ 59.88
US$ 26.67 shippingShips from United Kingdom to U.S.A.Quantity: 2 available
Hardcover. Condition: Brand New. 287 pages. 11.25x9.75x1.25 inches. In Stock.
The First Georgians: Art and Monarchy, 1714-1760
Bird, Rufus; Burchard, Wolf; Heard, Kate; Jones, Kathryn; Shawe-Taylor, Desmond
- Hardcover
Seller: Oakholm Books, Aberfeldy, United KingdomOakholm Books
Contact seller5-star sellerCondition: Used - Fine
US$ 54.94
US$ 40.00 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. No inscriptions etc; looks barely used.
- Hardcover
Seller: Gallix, Gif sur Yvette, FranceGallix
Contact seller5-star sellerCondition: New
US$ 59.37
US$ 41.11 shippingShips from France to U.S.A.Quantity: 1 available
Condition: Neuf.
- Hardcover
Seller: GreatBookPrices, Columbia, U.S.A.GreatBookPrices
Contact seller5-star sellerCondition: Used - As new
US$ 103.85
US$ 2.64 shippingShips within U.S.A.Quantity: Over 20 available
Condition: As New. Unread book in perfect condition.
More images- Hardcover
Seller: Shelley and Son Books (IOBA), Hendersonville, U.S.A.Shelley and Son Books (IOBA)
Contact seller5-star sellerCondition: Used - As new
US$ 100.00
US$ 6.50 shippingShips within U.S.A.Quantity: 1 available
hardcover. Condition: Like New. Like New. A beautiful book in wonderful condition. Full refund if not satisfied.
The First Georgians: Art and Monarchy, 1714-1760
Bird, Rufus; Burchard, Wolf; Heard, Kate; Jones, Kathryn; Shawe-Taylor, Desmond
- Hardcover
Seller: Carlton Books, Shaftesbury, United KingdomCarlton Books
Contact seller4-star sellerCondition: Used - Very good
US$ 116.74
US$ 5.47 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. Some dust on the top edge.
- Hardcover
Seller: Book_Mob, Santa Clarita, U.S.A.Book_Mob
Contact seller5-star sellerCondition: Used - Very good
US$ 134.98
US$ 6.24 shippingShips within U.S.A.Quantity: 1 available
hardcover. Condition: Very Good. Clean pages with no markings. Minor wear on edges and corners.Ships same day in most cases!Textbooks may not include supplemental items i.e. CDs, access codes etc.
- Hardcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
US$ 69.56
US$ 86.67 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Hardback. Condition: New. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joint capacitie…s of Premier peintre du roi, director of the Gobelins manufactory and rector of the Académie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Académie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Académie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East façade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought h.
- Hardcover
Seller: AussieBookSeller, Truganina, AustraliaAussieBookSeller
Contact seller5-star sellerCondition: New
US$ 126.34
US$ 37.00 shippingShips from Australia to U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joi…nt capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Academie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Academie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Academie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East facade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought his own sovereign authority over the visual arts. Charles Le Brun and the Image of Louis XIV. In his joint capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Acadmie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts so much so that some scholars have repeatedly described him as dictator of the arts in France. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
Contact seller5-star sellerCondition: Used - As new
US$ 152.42
US$ 20.00 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: As New. Unread book in perfect condition.
- Hardcover
Seller: Rebooksellers, Tequesta, U.S.A.Rebooksellers
Contact seller5-star sellerCondition: Used - Very good
US$ 175.99
US$ 5.47 shippingShips within U.S.A.Quantity: 1 available
hardcover. Condition: Very Good. This Book is in Very Good condition. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity, check your package for this month's…charity. Reuse-Recycle-Rebook.
- Hardcover
Seller: Librairie Le Trait d'Union sarl., TROYES, FranceLibrairie Le Trait d'Union sarl.
Contact seller5-star sellerCondition: Used
US$ 53.43
US$ 41.27 shippingShips from France to U.S.A.Quantity: 1 available
London, Paul Holberton, 2016. In-4, rel. d?éditeur pleine toile jaune sous jaquette ill., 287 pp., texte en anglais, ill. en noir et en couleurs. Bibliogr., index. /92F Hardcover, with dust wrappers. Fine condition, unmarked.
More images- Hardcover
- First Edition
Seller: Nighttown Books, Powell, U.S.A.Nighttown Books
Contact seller4-star sellerCondition: Used - Fine
US$ 195.00
US$ 5.95 shippingShips within U.S.A.Quantity: 1 available
Hard Cover. Condition: Fine. First Edition. First Printing in illustrated boards with white-stamped blue cloth shelfback as new, no remainder or other markings, NOT ex-lib, binding tight pages bright, slight wear top corners, tiny soil spots to cloth lower rear panel, else Fine unread copy of already scarce title (no dj, as issu…ed); 4to; 240pp fully illus in color; illustrated endpapers. Extra shipping charge REQUIRED for shipment of this heavy oversize book (additional charge MAY BE SUBSTANTIAL for expedited or overseas shipment).
The First Georgians; Art and Monarchy, 1714-1760
Bird, Rufus & Desmond Shawe-Taylor & Wolf Burchard & Kate Heard & Kathryn Jones
- Hardcover
Seller: BWS BKS, Ferndale, U.S.A.BWS BKS
Contact seller4-star sellerCondition: New
US$ 1,976.00
US$ 3.00 shippingShips within U.S.A.Quantity: 2 available
Hardcover. Condition: New.
