Buren Daniel, Signed (12 results)

First Edition. 37 x 30 cm unpaginated with colour and b&w illustrations throughout. French, Italian and English text. Wrappers, near fine copy, sold with a typed letter, signed by Buren to Peter Townsend, both in a large hand addressed envelope, by the artist to Townsend.

Erstausgabe, 4°, 215 S. mit zahlreichen Farbabbildungen, Lesebändchen, original Halbleinen-Einband (Hardcover) mit verlagsseitig ausgestanzter Raute als Deckelillustration, sehr gutes, sauberes Exemplar. Vom Künstler handschriftlich gewidmet und signiert. Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.

Soft cover. Condition: Near Fine. PRESENTATION COPY INSCRIBED backward, apparently written in mirror, to Art Critic/Historian Donald Kuspit, 7 slim volumes, one documenting each artist, oblong quartos, 4-6pp each in printed stiff wrappers staple-bound (very slight wear, near fine). housed in stiff paper folder (worn with a few tears and some toning, functional but only good condition). New Berlin Art Society was founded in 1968. Signed by Author(s).

No Binding. Condition: Near Fine. 37,5x79,5 cm. Triangular poster for major exhibition documenting conceptual art in Europe since 1968. List of exhibiting artists: Art & Language, Joseph Beuys, Christian Boltanski, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Tony Cragg, The Red Crayola, Hanne Darboven, Jan Dibbets, Braco Dimitrijevic, Luciano Fabro, Hans Peter Feldmann, Barry Flanagan, Gilbert & George, Hans Haacke, Imi Knoebel, Yannis Kounellis, Richard Long, Mario Merz, Panamarenko, Giulio Paolini, Ann et Patrick Poirier, Gerry Schum, Ger Van Elk, Jean Luc Vilmouth, Gilberto Zorio. Signed in pencil by Joseph Beuys. Rare. // [Ref: FONDAZIONE BONOTTO, CODE FXC1532; TATE, Ref AR00995] // Minor chipping on lower right corner. Else in VG+ / Excellent overall condition. Signed by Illustrator(s).

Le Bourget, éditions 11/28/48, 2000. In-4, 111 pp., cartonnage éditeur de toile noire (quelques petites taches à la couverture). Deuxième volume du catalogue raisonné des cabanes éclatées de l'artiste français Daniel Buren, produites entre 1975 et 2000. Il est enrichi d'un envoi autographe signé de l'artiste daté du 2 novembre 2001. Il est illustré de nombreuses reproductions en couleurs des oeuvres. Voir photographie(s) / See picture(s) * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.

Oblong 8vo. (Book: 190 x 297 mm) + 4to. (Stickers: 300 x 282 mm). in Folio. (410 x 266 mm). Printed book / catalogue ('Art Wall Sticker: Collection 2001') with text in English and French on a variety of different paper stock with illustration throughout in colour and monochrome depicting the various 'Art Wall Sticker' works by different artists available (Buren's contribution is on pp. 12 / 13 with text on pp. 55 / 79) with explanatory text, order forms and so on; 20 leaves of unused stickers ('White / Transparent / White' and 'Transparent / White / Transparent') for Buren's work are also included together with bilingual assembly instructions, a title sticker and the signed 'Certificat d'Authenticité'. Loose as issued in original publisher's black card portfolio, printed title labels to front cover and spine, publisher details and vignette in blind to front cover. Daniel Buren's 'Art Wall Sticker' multiple enabling the creation of a unique Buren work. From the edition limited by time (730 days), signed in capitals and numbered by Buren to the 'certificat d'authenticité'. The innovative 'Art Wall Sticker' catalogue proposed a series of works - the catalogue lists those by 20 individuals - that could be ordered through the post or from a website to be created in situ by the person who made the order. Each work would then, created in accordance with the instructions, be unique. The work presented here, by Daniel Buren, presents a series of vinyl stickers to be arranged in a grid pattern on a painted wall that would then be documented photographically by its creator and the images and details returned to 'Art Wall Sticker'. 'The artwork is about positioning on a wall a series of patterns in a sticker form on the indicated locations. To do this, one firstly paints the entire wall X in a colour Y, left to the choice of the collector. (All colours are authorised, including white) . It is . understood that each piece, once painted, drawn and the patterns stuck, is an original artwork, different from any other. The result of this 'mecanism' [sic] of unlimited edition, shall produce a unique work of art each time.' (From Buren's explanatory text).

1 pièce autographe signée 1 p. In-8 10 février 2013 Bon Photographie, montée sur bristol, de l'installation in situ de Daniel Buren, lors de Monumenta, au Grand Palais, en 2012. Elle représente la coupole décorée par l'artiste. En dessous, Daniel Buren écrit ces quelques mots : "Pour Gérard Leman, le souvenir d'une coupole bleue. Très amicalement. Paris le 10 02 13. Buren". Monumenta était une exposition d'art contemporain, dans la nef du Grand Palais à Paris, qui eut lieu sept fois entre 2007 et 2016, à laquelle participèrent Anselm Kiefer, Richard Serra, Christian Boltanski, Anish Kapoor, Daniel Buren. Artistefrançais, peintre,sculpteur etplasticien.

1 photo dédicacée 10,1 x 15,1 cm 1er décembre 2003 Bon Beau portrait photographique de Daniel Buren, en buste, les bras croisés. Tirage en couleur, avec envoi autographe signé, au dos :"Meilleurs souvenirs de Paris. Le 1/12/3 Buren". Artistefrançais, peintre,sculpteur etplasticien.

1 pièce autographe signée 1 p. 21 x 14 cm 1er avril 2018 Enveloppe jointe. Bon Reproduction photographique, montée sur bristol, d'un amusant cliché des Colonnes de Buren lors de leur installation, avec cette inscription écrite sur le coffrage : "Si vous êtes contre, écrire à Léotard 3 rue de Valois Paris 1er". En dessous,Daniel Buren écrit ces quelquesmots, trente ans après leur installation : "Et oui, le temps passe ! Je vous remercie pour votre fidélité et vous prie d'accepter ces quelques modestes mots en gage de ma reconnaissance. Joyeuses Pâques (puisque je suis si en retard à vous répondre!)". Artistefrançais, peintre,sculpteur etplasticien.

Condition: Excellent. Daniel Buren (illustrator). Each volume is composed of plates printed offset with stripes of the same color, on one side. The same color for each volume, printed deeper and deeper, plate after plate. Vol. I: Blue: 32 plates; Vol. II: Yellow: 39 plates; Vol. III: Black: 25 plates; Vol. IV: Orange: 29 plates; Vol. V: Red: 26 plates; Vol. VI: Green: 31 plates; Vol. VII: Violet: 33 plates. Artestudio, Macerata, Italy, 1972. Edition of 100 + 10 (A.P.) unnumbered copies. Reference in the artist's work inventory: C 64. Catalogue of the Documenta 5, Kassel, 1972: 17-30. A. Moeglin-Delcroix, Livres d'artistes, l'invention d'un genre, 1997, n°255, p. 28. Art-Rite #14, 1976, p. 48: "At the other end of the scale of signed and numbered editions which could be listed as books is Buren's Passages. It is seven large bound volumes in a slipcase, all beautifully made. Each volume is a different color and the first page of each has been printed, or passed through the press once. The second pages have been passed through twice, and so forth, until at the end of the volume, the color saturation on the stripes is quite intense. At the start of the book the colors are extremely weak - barely distinguishable from the white of the page between the stripes. In a completely different spirit, this is a work which has been worked out very thoughtfully and with great finesse".

Kein Einband. Condition: Sehr gut. This rare and visually striking exhibition poster was produced for Daniel Burens solo show " Farbige und vielfache Eindrücke " at Neues Museum Weserburg Bremen, 2000 *** Sheet size : 84 x 59.5 cm *** Signed in blue ink below the exhibition date - center low *** Uniquely, this poster is hand-signed by Daniel Buren, which is particularly rare given the artist s consistent conceptual choice to abstain from signing his artworks *** This signature adds both value and personal relevance to the piece, making it an exceptional collector s item for admirers of Buren s radical minimalism and institutional critique. *** Known for his iconic use of vertical stripes and spatial interventions, Buren presents a bold composition in this poster using his signature visual vocabulary precise stripes, geometric balance, and color-field contrasts *** Daniel Buren (born 1938, Boulogne-Billancourt, France) is one of France s most important conceptual artists. Since the 1960s, Buren has used 8.7 cm-wide vertical stripes as a visual tool to mark space, challenging traditional ideas of authorship, context, and the art object. His works often respond directly to the architectural environment, making site-specific installations in museums, public buildings, and urban settings around the world. *** Buren represented France at the Venice Biennale in 1986 and has exhibited at major institutions including Centre Pompidou, Guggenheim Museum, and Palais Royal in Paris, where his famous installation Les Deux Plateaux (1986) remains a landmark. This signed poster represents both his graphic rigor and conceptual innovation. ****** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition ***. Signatur des Verfassers.

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. DANIEL BUREN - A Unique Opportunity for Collectors *** Silkscreen by Daniel Buren - 1990. *** Numbered on the reverse *** Stamped with Buren on the reverse *** Number and stamp visible through the Plexiglas window on the back *** Not signed as Buren does not use signatures in his works *** Professionally framed in exclusive wooden frame with PLEXIGLAS Optical HC, which is scratch-resistant and UV-protected. Framed approx. 70 x 55 cm *** Unfolded work with visible folds, as originally published. *** As with all his works, this piece is not signed, as Buren does not apply signatures to his artworks *** Daniel Buren ( 1938 Boulogne-Billancourt) This striking 1990 screenprint is a signature example of the renowned French conceptual artist Daniel Buren, celebrated for his iconic vertical stripes and site-specific installations. As with all of his works, this piece is not signed, staying true to Buren s artistic philosophy. However, it is numbered and stamped on the reverse with the official Buren stamp, ensuring authenticity * The artwork is presented in a custom handmade wooden frame, featuring high-quality Plexiglas® Optical HC, which enhances the visual clarity and protects the delicate print. The framed dimensions are approximately 70 x 55 cm, with visible folds that add to its unique character * Daniel Buren (b. 1938, Boulogne-Billancourt, France) is one of the most influential conceptual artists of the 20th and 21st centuries. He is internationally renowned for his distinctive use of vertical stripes, usually 8.7 cm wide, which have become a signature element of his practice. Rejecting traditional notions of painting and authorship, Buren uses these stripes as a "visual tool" to reveal and question the context in which the artwork existswhether architectural, social, or institutional. His work often blurs the boundaries between art and its environment, intervening directly in public and architectural spaces with site-specific installations. One of his most iconic works is Les Deux Plateaux (1986), a large-scale sculptural installation in the courtyard of the Palais Royal in Paris. Throughout his career, Buren has challenged the art world's conventions, advocating for transparency, context, and minimal visual vocabulary. Buren represented France at the Venice Biennale in 1986, where he won the Golden Lion. His works are included in major international museum collections, including the Centre Pompidou in Paris, the Museum of Modern Art in New York, and the Tate Modern in London. His practice continues to influence generations of artists working across installation, conceptual art, and institutional critique. This 1990 silkscreen is a compelling embodiment of Buren's philosophy: a precise balance of simplicity and conceptual depth, where the absence of a signature reinforces the work's autonomy and its direct relationship to the viewer. ***** SHIPPING: Worldwide shipping available *** CONDITION: in very good condition *****. Signatur des Verfassers.