Language: English
Published by Manchester University Press, 2011
ISBN 10: 0719079217 ISBN 13: 9780719079214
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Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Language: English
Published by Manchester University Press, 2011
ISBN 10: 0719079217 ISBN 13: 9780719079214
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Hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Language: English
Published by Manchester University Press, 2011
ISBN 10: 0719079217 ISBN 13: 9780719079214
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Hardback. Condition: Fine.
Language: English
Published by Manchester University Press, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
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Language: English
Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Language: English
Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Language: English
Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Language: English
Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Language: English
Published by Manchester University Press, GB, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. Drawing on feminist cultural materialist theories and historiographies, 'Treading the bawds' analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player's co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright 'Ariadne'. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.
Language: English
Published by Manchester University Press, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Language: English
Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Language: English
Published by Manchester University Press, GB, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Drawing on feminist cultural materialist theories and historiographies, 'Treading the bawds' analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player's co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright 'Ariadne'. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.
Language: English
Published by Manchester University Press, Manchester, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. Drawing on feminist cultural materialist theories and historiographies, 'Treading the bawds' analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player's co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright 'Ariadne'. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre. -- . Treading the bawds breaks the traditional boundaries that have separated the histories of the first actresses and the early female playwright. This is a story of collaboration and influence, played out on the seventeenth-century London stage as women's words and women's bodies come together for the first time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Manchester University Press, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
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Language: English
Published by Manchester University Press, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
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Condition: New.
Language: English
Published by Manchester University Press, Manchester, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condition: new. Paperback. This groundbreaking anthology, part of the Women, Theatre and Performance series, brings together an extraordinary mix of one-act and full length plays and solo performance texts written by women. Included in the volume are texts by Beatrice Herford, Ruth Draper, Zora Neale Hurston and G. B. Stern, originally performed across commercial and amateur theatres in Britain and America. Some of the plays have remained unpublished since their original performance - Georgina Weldon's Not Alone, Clothilde Graves' Mother of Three, Rachel Crother's Ourselves and Marie Stope's Our Ostriches. Others are anthologized here alongside plays with which they connect aesthetically and historically, for example, Edith Lyttelton's Warp and Woof, Elizabeth Robins' Votes for Women, Elizabeth Baker's Edith, Sophie Treadwell's Machinal and Aimee Stuarts' Nine Till Six. The volume, for students and scholars, provides an accessible collection of texts exemplifying the range and breadth of women's theatre writing from the 1880s to the early decades of the twentieth century. -- . An exciting new anthology of plays and performance texts by British and American women from the late nineteenth century to the early 1930s. Written in an accessible style for students it contains an overview and two introductory essays, as well as biographical materials on each of the writers. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Manchester University Press, GB, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Paperback. Condition: New. This groundbreaking anthology, part of the Women, Theatre and Performance series, brings together an extraordinary mix of one-act and full length plays and solo performance texts written by women. Included in the volume are texts by Beatrice Herford, Ruth Draper, Zora Neale Hurston and G. B. Stern, originally performed across commercial and amateur theatres in Britain and America. Some of the plays have remained unpublished since their original performance - Georgina Weldon's Not Alone, Clothilde Graves' Mother of Three, Rachel Crother's Ourselves and Marie Stope's Our Ostriches. Others are anthologized here alongside plays with which they connect aesthetically and historically, for example, Edith Lyttelton's Warp and Woof, Elizabeth Robins' Votes for Women, Elizabeth Baker's Edith, Sophie Treadwell's Machinal and Aimée Stuarts' Nine Till Six. The volume, for students and scholars, provides an accessible collection of texts exemplifying the range and breadth of women's theatre writing from the 1880s to the early decades of the twentieth century.
Language: English
Published by Manchester University Press, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
Seller: PBShop.store US, Wood Dale, IL, U.S.A.
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Language: English
Published by Manchester University Press, 2006
ISBN 10: 0719072506 ISBN 13: 9780719072505
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Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Language: English
Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Language: English
Published by Manchester University Press, Manchester, 2006
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Language: English
Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Published by Manchester University Press, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
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Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
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Language: English
Published by Manchester University Press, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
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Language: English
Published by Manchester University Press, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
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Language: English
Published by Manchester University Press, 2009
ISBN 10: 0719072514 ISBN 13: 9780719072512
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Treading the bawds breaks the traditional boundaries that have separated the histories of the first actresses and the early female playwright. This is a story of collaboration and influence, played out on the seventeenth-century London stage as women's words and women's bodies come together for the first time. Series Editor(s): Dorney, Kate; Gale, Maggie B. Series: Women, Theatre and Performance. Num Pages: 272 pages, black & white illustrations. BIC Classification: 3JD; AN. Category: (U) Tertiary Education (US: College). Dimension: 216 x 141 x 1. Weight in Grams: 276. . 2009. Paperback. . . . .
Language: English
Published by Manchester University Press, GB, 2012
ISBN 10: 0719082048 ISBN 13: 9780719082047
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. This groundbreaking anthology, part of the Women, Theatre and Performance series, brings together an extraordinary mix of one-act and full length plays and solo performance texts written by women. Included in the volume are texts by Beatrice Herford, Ruth Draper, Zora Neale Hurston and G. B. Stern, originally performed across commercial and amateur theatres in Britain and America. Some of the plays have remained unpublished since their original performance - Georgina Weldon's Not Alone, Clothilde Graves' Mother of Three, Rachel Crother's Ourselves and Marie Stope's Our Ostriches. Others are anthologized here alongside plays with which they connect aesthetically and historically, for example, Edith Lyttelton's Warp and Woof, Elizabeth Robins' Votes for Women, Elizabeth Baker's Edith, Sophie Treadwell's Machinal and Aimée Stuarts' Nine Till Six. The volume, for students and scholars, provides an accessible collection of texts exemplifying the range and breadth of women's theatre writing from the 1880s to the early decades of the twentieth century.