Buzas (254 results)

Condition: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. 1 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Good. 0th Edition. Corners are bent. Used - Good.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: Very Good. 1 Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAPERBACK. Condition: Good. B0042YE8SU Good++: The cover shows only mild wear and has a few small spots/smudges. There are a couple of stickers on the first page, but otherwise, the interior is in great shape. Overall, this is still a nice copy of the title. Ships, well packaged and very quickly, from MI. The condition selected for the item is accurate and consistent with our other listings of the same general condition. If you have any questions or you would like additional details about the item or pictures, please do not hesitate to contact us. We will get back to you as quickly as possible. Please buy with confidence from us, as we have several thousand satisfied customers and your satisfaction is the goal we strive to achieve with every transaction.

Pamphlet. Condition: Very Good. Vol 84, pp. 217-238, Maps, Illus, Extracted from orig vol, begins with title page, stapled & trimmed, thus is llike a pamphlet, VG.

Softcover/Paperback. Condition: Fine. Very good. Name on inside cover and minor mark on outside and very minor cover wear. Etherwise like new.

Hardcover. Very goodName and date in front;

Cloth. Condition: Very Good. Dust Jacket Condition: Good+. 7th edition, some edgewear to dw.

Paperback. Condition: Good. Text in English, French and German, with some underlining in English section; unfaded color photos very fine; map on verso of photographic front panel with only slight edge wear. Lengthy gift inscription on t.p.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. hardback, 4to, a very good tightly bound copy, text in German, English & French, coloured & b&w photographic plates.

Soft cover. Condition: Very Good. No Jacket. moderately used.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. This work is part of the Opus series (Architecture in individual presentations). White cloth boards blind-stamped with title on front and titled in gray on spine. Previous owner's bookplate. Illustrated throughout with color photography and line drawings. Bookmark laid in. 64 pp. Photographic dust jacket. Book and dust jacket both in fine condition. Nice copy. Full refund if not satisfied.

Soft cover. Condition: Very Good. No Jacket. 89 pp. Original brown covers. Some wearing to bottom edges. Small piece missing from top of pg. 3. Illust. w/ four b/w plates. Includes tables and figures.

Soft cover. Condition: Near Fine. Not ex-library. Smithsonian Contributions to Paleobiology, number 36. With 28 plates.

Paperback. Condition: Very Good. 8vo, paperback, stiff wraps, no dj, overall vg cond.: contents clean, binding tight. 26 pp.

HC. Condition: Sehr gut erhalten. mit Illustrationen von Heinz Gappmayr; (illustrator). 159 Seiten;

Soft cover. Condition: Good. Flat, tight, and clean. Owner's name on front cover, no other markings. Front cover is torn ~2+ inches at bottom hinge. Some spine and edge wear and corner curling.

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Hardcover. Condition: sieheBeschreibung. Bildband. Pbd. 100 S. 4° Sehr gut erhalten. Deutsch fester Einband.

Softcover. First Edition. 8vo. 8 1/2" x 5 1/2." 12 pp. in stapled wrappers. With New Amsterdam Theatre Company donation slip Insert present. Very Good with some age-toning.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Like New. Dust Jacket Condition: Like New. First Edition. First Edition, First Printing. Published by Wasmuth, 1994. Quarto. White cloth boards stamped in silver. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with light shelf wear and some scuff marks on back. 64 pages. ISBN: 3803027144. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

Hardcover. Condition: Très bon. Couverture différente. Edition 1980. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Edition 1980. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0910249059.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:

Hardback. Condition: New. Text in English and Italian. In a letter from London, dated 9 November 1815, Antonio Canova wrote: ".Here I am in London, dear and best friend, a wonderful city.I have seen the marbles arriving from Greece. Of the basreliefs we had some ideas from engravings, but of the full colossal figures, in which an artist can display his whole power and science, we have known nothing.The figures of Phidias are all real and living flesh, that is to say are beautiful nature itself." With his admiring words for the famous Elgin Marbles Canova, one of the last great artists embodying the grandiose heritage of the classical world, gave at the same time an appropriate description of his own artistic aims. It was his half-brother who decided to assemble most of Canova's plaster originals and to place them in a museum he had built in the garden of his brother's home in Possagno, a small village north of Venice, where the artist saw the light of day on 1 November 1757. This basilica-like building erected in 1836 now holds the great majority of Canova's compositions.To commemorate the bicentenary of his birth, the Venetian authorities decided to have an extension added to the overcrowded basilica, and they commissioned the Venetian architect Carlo Scarpa for this delicate task. Scarpa composed a small, but highly articulated building that is in a strong contrast to the Neo-Classical, monumental basilica. The subtly designed sequence of spaces is unique even among Scarpa's so many extraordinary museum interiors as the architect was here in the rare position to compose the spaces as well as the placings of the exhibits. The placing of the sources of natural light which infuses the plaster surfaces with the softness of real life is in itself a rare achievement and it took an equally rare photographer to record such symphonies in white in all their magic.