C 1643 (15 results)

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- teils leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- partly slightly stained, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- im Außenrand leicht fleckig, sonst gut erhalten. || Original copper engraving from 1714. -- slightly stained on the outer margin, otherwise in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Original Kupferstich von 1714. -- Blatt-Maße: ca. 46 x 30 cm; Platte: ca. 34 x 22,5 cm. -- gut erhalten. || Original copper engraving from 1714. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

CD, , 2000, Spielzeit ca. 64?? Kirkby, Nelson, Rogers, Monteverdi Choir u.a., Hogwood, Guest, Malcolm, Gardiner, (VNr. 458 829-2), 220 Gramm1567-1643. - Seltene, wunderbare Aufnahmen; beim Label vergriffen.

Condition: Good. Due parti in un volume in folio oblungo (mm. 370×475). Il volume contiene in totale 106 tavole calcografiche accompagnate da didascalie in italiano. 101 tavole (di cui una pieghevole composta da due tavole separate), compresi i due frontespizi incisi, provengono dalla serie I Palazzi di Roma. 5 tavole, convenzionalmente considerate parte della serie (la mappa del Collegio Romano, la mappa di Villa Borghese, il palazzo del Principe Chigi, palazzo Bolognetti e uno dei due palazzi Corsini) non sono presenti e sono state sostituite da 5 tavole pieghevoli non pertinenti ma sempre provenienti dai torchi di Giovanni Giacomo de Rossi (Colonna Traiana, Colonna Antonina, Obelisco Vaticano, Obelisco Lateranense e Obelisco di Santa Maria Maggiore). La prima parte è dedicata al cardinale Antonio Barberini, la seconda al cardinale Camillo Massimo. Il titolo della seconda parte recita: Nuovi disegni dell'architettura e piante dei palazzi di Roma dei più celebri architetti, disegnate e intagliate da Gio. Battista Falda. Rilegatura moderna in marocchino nocciola con dorature ai piatti e al dorso, tagli antichi a spruzzo, conservato in cofanetto di cartone marmorizzato. Alcune macchioline e fioriture occasionali, bordo destro dell'ultima carta smarginato per circa 10 mm, ma bella copia, molto fresca, con le tavole ottimamente impresse.Nonostante la rilegatura recente, le tavole pieghevoli sostitutive fanno parte di questo volume sin dall'inizio, come dimostrano i tagli antichi e la vecchia numerazione manoscritta delle tavole. Le tavole dei Palazzi di Roma sono in prima tiratura prima della numerazione. La prima tiratura è riconoscibile anche dalle didascalie sulle tavole che attribuiscono ancora la proprietà del palazzo situato in Piazza S. Marco nel Rione della Pigna alla famiglia d'Aste, palazzo che sarebbe stato successivamente acquistato dal marchese Rinuccini; o sulla tavola di Palazzo Caffarelli, successivamente acquistato da G.A. Coltrolini; o ancora sulla tavola di Palazzo Mattei, acquistato nel 1682 da G.F. Negroni. Due delle tavole non incluse nel volume, la mappa del Collegio Romano e la mappa di Villa Borghese (incise da Antonio Barbey su disegno di Carlo Quadri), furono aggiunte alla serie da Domenico de Rossi, erede di Giovanni Giacomo de Rossi, solo dopo il 1691.?This is the first publication to provide systematic, measured, and uniformly scaled illustrations of Roman palaces built in the fifteenth, sixteenth, and seventeenth centuries. By focusing exclusively on the palace, this book becomes a compendium of exempla, not only illustrating the great houses of a very special city, but also establishing the typology of the residential palace. Thus the book is of great documentary value, even though the illustrations do not aspire to high aesthetic achievement [. . .] This trendsetting book on Roman palaces is divided into two parts. Ferrerio was the author of most of the illustrations in the first part, except for one sheet engraved by Giovanni Battista Falda, who was also responsible for forty of the sixty sheets of the second part. While Falda's work and successful career as an engraver associated with the Roman publisher Giovanni Giacomo de Rossi have been amply documented, much less is known about Ferrerio, who seems to have practiced as an architect and engraver, and whose principal claim to recognition is this album of palace illustrations. He was a member of the Accademia di San Luca, where he was a registered member in 1634 [. . .] The illustrations in this collection demonstrate that Ferrerio was closely focused upon his work. He uses an unadorned style of representation, showing the chosen palaces in line drawings in plan, section, and elevation. Cross-hatching in the elevations is reserved for window and door openings, while in the sections cross-hatching is used to represent depth of space. An engraved line tightly frames the engraved illustrations, and the regularity and consistency of the representational style is as remark. Book.

Couverture rigide. Condition: Bon. 567, 218 p. Folding map. Bookplate of the Fraser Institute. Wear to binding. Front cover almost detached.

Original hand-coloured copper engraving. Plate Size: 49.2 cm x 37 cm. Sheet Size: 59.8 cm x 45 cm. Original map. Very good condition. Faint hint of foxing along left fore edge. Centre fold as issued. Latin text on reverse. [Koeman I, 6000H:1.2]. Border with longitudinal and latitudinal information. A richly detailed and very interesting map showing Roman Hispania - the Iberian Peninsula and the Balearic Islands. The three Ancient Roman provinces (organised by the emperor Augustus) of Hispania Citerior et Tarraconensis, Hispania Baetica and Lusitania Hispania are shown on the map. Northern tip of Africa ('Hispania Transfretana Sive Tingitana, Qua et Mauritania') pictured also. Relief shown pictorially with rivers, mountains and significant towns and cities depicted. Large decorative cartouche with finely detailed Classical allusions in lower right section of map contains an inset box showing the coastal area around 'Gades' (Cadiz). Cartouche also lists numerous place names of uncertain location (in Latin). Bar-scales within cartouche in top right corner of the map. Decorative title cartouche in lower left corner. Three ships are also pictured suggesting the region's maritime importance. 'Mare Mediterraneum Internum' and 'Ocean Atlanticus, Quod et Mare Hesperium, Vespertinum Occiduum, et Externum' are also listed. Abraham Goos (1590 c. 1643) was a Dutch cartographer, publisher, and engraver. He made globes, maps of North America, a comprehensive map of European coastlines, and the first printed Hebrew language map of The Holy Land. His first teacher was Jodocus Hondius (15631612), a renowned map-maker, whose son-in-law was Johannes Janssonius. After Hondius died, his son-in-law Jan Janssonius took over Hondius's business and continued the partnership with Goos. One of Hondius' specialties was the manufacture of globes, and Goos and Janssonius continued this, regularly modifying them as more geographical information became available. In 1616 he published Nieuw Nederlandtsch Caertboeck, an atlas of the Seventeen Provinces in 23 maps, and one of the first atlases of the Netherlands; Johannes Janssonius (1588-1664) was a renowned geographer and publisher of the seventeenth century, when the Dutch dominated map publishing in Europe.

FAMOUS MAP OF THE DUCHY OF BRABANT "Brabantia Ducatus." Copper engraving by Abraham Goos, published in Amsterdam by Claes Jansz. Visscher in 1622. 2nd state (of 11). Coloured by a later hand. Size 46 × 56.5 cm. The Duchy of Brabant was at the time an extensive territory, stretching far beyond the borders of present-day Belgium and the Netherlands. Much of it was then sparsely populatedlands where wars were fought and territories were gained or lost. The map was published shortly after the Twelve Years' Truce. Visscher incorporated unfolding news events, and the map appeared, repeatedly updated, in no fewer than eleven different states. This particular example shows the punitive expedition led by Prince Frederik Hendrik from Breda to Rustenburg near Leuven between 15 and 22 May 1622, and the devastation of enemy territory, symbolized by countless plumes of smoke rising from burning villages between Leuven and Brussels. In Brabant, the Eighty Years' War was primarily a conflict between Catholics and Protestants. It was a war of fortressescities were captured and recaptured, and borders shifted constantly. Most of Brabant's inhabitants remained loyal to the Spanish king; they did not regard the army of the Prince of Orange as liberators, but as occupiers. After eighty years of warfare, the Peace of Münster was finally signed in 1648. The duchy was divided in two: southern Brabant remained under Spanish rule, while the northern part became part of the Dutch Republic. Above and below the map image are city views of Leuven, Brussels, Antwerp, 's-Hertogenbosch, Tienen, Bergen op Zoom, Lier, Helmond, Breda, and Mechelen. In the upper corners are portraits of Archduke Albrecht VII of Austria and his wife Isabella of Spain, who jointly ruled the Habsburg Netherlands from 1598 to 1621. To the left and right of the map appear an aristocratic couple, a merchant and his wife, a farmer and his wife, and a man and woman dressed in the costume of Mechelen. In the lower left corner is the coat of arms of the Margraviate of Antwerp; in the lower right, that of Mechelen. Price: Euro 2.150,- (incl. frame).