Language: English
Published by Palgrave Macmillan, New York, 2010
ISBN 10: 0230221971 ISBN 13: 9780230221970
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.
hardcover. Condition: near fine. Foreword by Hilary Fraser. Black & white illustrations. xix, 206 pages. 8vo, pictorial boards. New York: Palgrave Macmillan, (2010). Some inked marginalia at the copyright page and table of contents, otherwise internally pristine. A near fine copy. Part of the "Palgrave Studies in Nineteenth-Century Writing and Culture" series.
Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketHardcover. Condition: Brand New. 248 pages. 8.50x5.50x0.75 inches. In Stock.
Language: English
Published by Cambridge University Press, 2026
ISBN 10: 1009599984 ISBN 13: 9781009599986
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Language: English
Published by Cambridge University Press, 2026
ISBN 10: 1009599984 ISBN 13: 9781009599986
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Language: English
Published by Cambridge University Press, 2026
ISBN 10: 1009599984 ISBN 13: 9781009599986
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Cambridge University Press, 2026
ISBN 10: 1009599984 ISBN 13: 9781009599986
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by Cambridge University Press, 2026
ISBN 10: 1009599984 ISBN 13: 9781009599986
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Add to basketCondition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Language: English
Published by Cambridge University Press, 2026
ISBN 10: 1009599984 ISBN 13: 9781009599986
Seller: Books Puddle, New York, NY, U.S.A.
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Language: English
Published by Cambridge University Press, 2026
ISBN 10: 1009599984 ISBN 13: 9781009599986
Seller: Kennys Bookstore, Olney, MD, U.S.A.
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Language: English
Published by Cambridge University Press, 2026
ISBN 10: 1009599984 ISBN 13: 9781009599986
Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketHardcover. Condition: Brand New. 330 pages. 6.00x0.75x9.00 inches. In Stock.
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by Routledge 2007-11-28, 2007
ISBN 10: 0754658961 ISBN 13: 9780754658962
Seller: Chiron Media, Wallingford, United Kingdom
US$ 204.26
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Add to basketHardcover. Condition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: Ria Christie Collections, Uxbridge, United Kingdom
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Add to basketGebunden. Condition: New.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Cambridge University Press, 2026
ISBN 10: 1009599984 ISBN 13: 9781009599986
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - How does our understanding of Romantic literature change when we shift the focus from bound books to unbound forms Assumptions about the book as a bound object have isolated literature from overlapping material cultures of book making, reading, viewing, and collecting. The Book Unbound reconstructs a Romantic textual condition of unbound forms in which the book acted as a repository for open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, ca. 1750-1850. Three case studies trace changing material practices of book making before and after publisher's bindings marked a turning point from a culture of unbound books. Through the restricted coterie gathered around Horace Walpole's private press at Strawberry Hill, William Blake's printmaker-poet's book making, and Charles Dickens's serialized part publications, this monograph changes understandings of the book as a medium.
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
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Language: English
Published by Taylor & Francis Ltd, 2007
ISBN 10: 0754658961 ISBN 13: 9780754658962
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
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Add to basketHardback. Condition: New. New copy - Usually dispatched within 4 working days.
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
First Edition
US$ 302.05
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Add to basketCondition: New. A collection of essays that analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts since the Middle Ages. This volume explores the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. Editor(s): Braida, Antonella; Cale, Luisa. Num Pages: 244 pages, Includes 21 b&w illustrations. BIC Classification: 2ADT; ACV; AN; APFA; DSBB; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 241 x 163 x 19. Weight in Grams: 516. . 2007. 1st Edition. hardcover. . . . .
Language: English
Published by Oxford University Press, Oxford, 2006
ISBN 10: 0199267383 ISBN 13: 9780199267385
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Fuseli's Milton Gallery challenges the antipictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other literary galleries developed within an expanding market for illustrated books and a culture of anthologization used to reading British and other 'classics' in terms of the visualization of key moments in the text.Thus transformed into repositories of virtual pictures literary texts became ideal sources of subjects for painters. Illustrating British literature was a way of inventing a national 'grand style' to fit the needs of aconsumer society. Cale calls into question the separation of reading and viewing as autonomous aesthetic practices. To 'turn readers into spectators' meant to place readers and reading within the dizzying world of associations offered by an emerging culture of exhibitions. Attending to the energized reading effects developed by Fuseli's Gallery we rediscover a new side of the Romantic imagination which is not the solitary mentalist experience preferred by Wordsworth andColeridge, nor divorced from the senses, let alone a refuge from the crowded public spaces of the Revolutionary period. Rather, Fuseli's embodied aesthetic exemplifies the associationist psychologyespoused by the radical circle convening around the publisher Joseph Johnson, including Joseph Priestley and Mary Wollstonecraft. This book analyses exhibitions as important sites of Romantic sociability and one of many interrelated mediums for the literature, debates and controversies of the Revolutionary period. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures that were exhibited in London in 1799 and 1800. Starting from Fuseli's adaptation, Cale analyses how visual practices impact on the act of reading and calls into question the separation of reading and viewing as autonomous aesthetic practices. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Seller: Revaluation Books, Exeter, United Kingdom
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Add to basketHardcover. Condition: Brand New. illustrated edition. 244 pages. 9.50x6.50x1.00 inches. In Stock.
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. A collection of essays that analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts since the Middle Ages. This volume explores the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. Editor(s): Braida, Antonella; Cale, Luisa. Num Pages: 244 pages, Includes 21 b&w illustrations. BIC Classification: 2ADT; ACV; AN; APFA; DSBB; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 241 x 163 x 19. Weight in Grams: 516. . 2007. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Condition: New. Challenges the antipictorial theories and canons of Romantic period culture. This book calls into question the separation of reading and viewing as autonomous aesthetic practices. It analyses exhibitions as important sites of Romantic sociability and an interrelated medium for the literature, debates and controversies of the Revolutionary period. Series: Oxford English Monographs. Num Pages: 292 pages, numerous halftones. BIC Classification: ACQ; ACVC; DSBD; DSBF; DSC. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 220 x 140 x 20. Weight in Grams: 507. . 2006. Illustrated. hardcover. . . . . Books ship from the US and Ireland.