Cale Luisa (56 results)
Language: English
Published by Palgrave Macmillan, New York, 2010
Series: Palgrave Studies in Nineteenth-Century Writing and Culture, Book 25 of 86. Book 25 of 86 - Palgrave Studies in Nineteenth-Century Writing and Culture
- Hardcover
Seller: Argosy Book Store, ABAA, ILAB, New York, NY, U.S.A.Argosy Book Store, ABAA, ILAB
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hardcover. Condition: near fine. Foreword by Hilary Fraser. Black & white illustrations. xix, 206 pages. 8vo, pictorial boards. New York: Palgrave Macmillan, (2010). Some inked marginalia at the copyright page and table of contents, otherwise internally pristine. A near fine copy. Part of the "Palgrave Studies in Nineteenth-Cent…ury Writing and Culture" series.
Language: English
Published by Clarendon Press, 2007
Series: Oxford English Monographs, Book 15 of 63. Book 15 of 63 - Oxford English Monographs
- Hardcover
- First Edition
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Hardcover. Condition: As New. 1st Edition. As new, bright, clean and unmarked hardcover. Bluestem Books is an independent brick-and-mortar bookstore established in 1984.
Language: English
Published by Palgrave Macmillan, 2010
Series: Palgrave Studies in Nineteenth-Century Writing and Culture, Book 25 of 86. Book 25 of 86 - Palgrave Studies in Nineteenth-Century Writing and Culture
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Hardcover. Condition: Brand New. 248 pages. 8.50x5.50x0.75 inches. In Stock.
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Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
- Hardcover
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Hardcover. Condition: Brand New. 330 pages. 6.00x0.75x9.00 inches. In Stock.
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Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - How does our understanding of Romantic literature change when we shift the focus from bound books to unbound forms Assumptions about the book as a bound object have isolated literature from overlapping material cultures of book making, reading, viewing, a…nd collecting. The Book Unbound reconstructs a Romantic textual condition of unbound forms in which the book acted as a repository for open-ended collections of discrete book parts, prints, watercolours, manuscripts, and serial publications, ca. 1750-1850. Three case studies trace changing material practices of book making before and after publisher's bindings marked a turning point from a culture of unbound books. Through the restricted coterie gathered around Horace Walpole's private press at Strawberry Hill, William Blake's printmaker-poet's book making, and Charles Dickens's serialized part publications, this monograph changes understandings of the book as a medium.
Language: English
Published by Clarendon Press, 2007
Series: Oxford English Monographs, Book 15 of 63. Book 15 of 63 - Oxford English Monographs
- Hardcover
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Language: English
Published by Clarendon Press, 2007
Series: Oxford English Monographs, Book 15 of 63. Book 15 of 63 - Oxford English Monographs
- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Condition: As New. Unread book in perfect condition.
Language: English
Published by Clarendon Press, 2007
Series: Oxford English Monographs, Book 15 of 63. Book 15 of 63 - Oxford English Monographs
- Hardcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Gebunden. Condition: New.
Language: English
Published by Clarendon Press, 2007
Series: Oxford English Monographs, Book 15 of 63. Book 15 of 63 - Oxford English Monographs
- Hardcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Language: English
Published by Clarendon Press, 2007
Series: Oxford English Monographs, Book 15 of 63. Book 15 of 63 - Oxford English Monographs
- Hardcover
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Condition: As New. Unread book in perfect condition.
Language: English
Published by Oxford University Press, GB, 2006
Series: Oxford English Monographs, Book 15 of 63. Book 15 of 63 - Oxford English Monographs
- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Hardback. Condition: New. Fuseli's Milton Gallery challenges the antipictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other literary galleries developed within an expanding market for illustr…ated books and a culture of anthologization used to reading British and other 'classics' in terms of the visualization of key moments in the text. Thus transformed into repositories of virtual pictures literary texts became ideal sources of subjects for painters. Illustrating British literature was a way of inventing a national 'grand style' to fit the needs of a consumer society. Cale calls into question the separation of reading and viewing as autonomous aesthetic practices. To 'turn readers into spectators' meant to place readers and reading within the dizzying world of associations offered by an emerging culture of exhibitions. Attending to the energized reading effects developed by Fuseli's Gallery we rediscover a new side of the Romantic imagination which is not the solitary mentalist experience preferred by Wordsworth and Coleridge, nor divorced from the senses, let alone a refuge from the crowded public spaces of the Revolutionary period. Rather, Fuseli's embodied aesthetic exemplifies the associationist psychology espoused by the radical circle convening around the publisher Joseph Johnson, including Joseph Priestley and Mary Wollstonecraft. This book analyses exhibitions as important sites of Romantic sociability and one of many interrelated mediums for the literature, debates and controversies of the Revolutionary period.
- Hardcover
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Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
- Hardcover
- First Edition
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
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Condition: New. A collection of essays that analyses the presence of the Italian Medieval poet Dante Alighieri in the visual and performing arts since the Middle Ages. This volume explores the image of Dante emerging in medieval illuminated manuscripts and later ideological and nostalgic uses of the poet. Editor(s): Braida, Anto…nella; Cale, Luisa. Num Pages: 244 pages, Includes 21 b&w illustrations. BIC Classification: 2ADT; ACV; AN; APFA; DSBB; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 241 x 163 x 19. Weight in Grams: 516. . 2007. 1st Edition. hardcover. . . . .
Language: English
Published by Oxford University Press, GB, 2006
Series: Oxford English Monographs, Book 15 of 63. Book 15 of 63 - Oxford English Monographs
- Hardcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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Hardback. Condition: New. Fuseli's Milton Gallery challenges the antipictorial theories and canons of Romantic period culture. Between 1791 and 1799 Swiss painter Henry Fuseli turned Milton's Paradise Lost into a series of 40 pictures. Fuseli's project and other literary galleries developed within an expanding market for illustr…ated books and a culture of anthologization used to reading British and other 'classics' in terms of the visualization of key moments in the text. Thus transformed into repositories of virtual pictures literary texts became ideal sources of subjects for painters. Illustrating British literature was a way of inventing a national 'grand style' to fit the needs of a consumer society. Cale calls into question the separation of reading and viewing as autonomous aesthetic practices. To 'turn readers into spectators' meant to place readers and reading within the dizzying world of associations offered by an emerging culture of exhibitions. Attending to the energized reading effects developed by Fuseli's Gallery we rediscover a new side of the Romantic imagination which is not the solitary mentalist experience preferred by Wordsworth and Coleridge, nor divorced from the senses, let alone a refuge from the crowded public spaces of the Revolutionary period. Rather, Fuseli's embodied aesthetic exemplifies the associationist psychology espoused by the radical circle convening around the publisher Joseph Johnson, including Joseph Priestley and Mary Wollstonecraft. This book analyses exhibitions as important sites of Romantic sociability and one of many interrelated mediums for the literature, debates and controversies of the Revolutionary period.
- Hardcover
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Hardcover. Condition: Brand New. illustrated edition. 244 pages. 9.50x6.50x1.00 inches. In Stock.
