Calvin Goodman (28 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Hardcover.. 1972 thus first, no DJ as issued, Gently used. Mild age tanning/foxing. For any additional information or pictures, please inquire.

hardcover. Condition: Hardcover.. 1972 thus first, no DJ as issued, Gently used. Mild age tanning/foxing. For any additional information or pictures, please inquire.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

softcover. Condition: Used; Very Good. First Edition; First Printing. 6 full page color plates (including cover) and 3 black and white. With an essay by Calvin J. Goodman. Published on the occasion of the exhibition at Louis Newman Galleries, Beverly Hills, May 17 - June 7, 1990. ; Tight, clean and crisp. A touch of light handling wear to wraps, otherwise in excellent condition. No inscriptions. Not ex-library. As New.…

paperback. Condition: Very Good. stapled gallery pamphlet Very Good paperback with light shelfwear - NICE! Standard-sized.

Soft cover. Condition: As New. 8 pages with essay and 7 works illustrated in full color. Pristine.

Trade Paperback. Condition: Used - Very Good. Very nice clean, tight copy free of any marks.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

unknown_binding. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Very Good. 6 Sub. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Condition: Near Very Good - Fine conditio. Dust Jacket Condition: No dust jacket, as issued. First Edition (so stated). Los Angeles, California: gee tee bee, 1978. Condition of the cover is rated Near Very Good due to moderate wear at the spine ends. NOT bad -- PHOTOS UPON REQUEST. Bright and shiny. NO fading. FINE inside. NO owner's name or bookplate. NOT a library discard. NOT a remainder. A few sentences underlined on pages 6-7 only, and a few more neatly highlighted in yellow on pages 206-207 only. All other pages are crisp, clean and unmarked -- apparently seldom read. 1978. First Edition is so stated on the copyright page. Illustrated with diagram. Index. Bound in the original brown and tan laminated boards, with photo and biography of the author on the rear cover. From a Sept. 2000 review by ZoAnn Reinmuth: "5 Stars. A one book library!! I have read (and own) several art marketing books and this is by far the best one yet. It is very complete in every aspect of art marketing. The table of contents alone is 7 pages long!! Goodman starts out discussing the psychology of art collectors and how to get to understand them. This alone is worth the price of the book! Imagine knowing how to think like a buyer!! From there is covers how to promote the art, creating a marketing plan, how to design a gallery, pricing, ethics, contracts, hiring and training gallery employees, etc. The only problem - if you want to call it that - is that it reads like a text book and takes a little time going through, but the reading is easy, unlike most text books. This is a must have for gallery owners, artists, art reps and anyone interested in making a living in the arts.". First Edition (so stated). Hardcover. Near Very Good - Fine conditio/No dust jacket, as issued. Illus. by NOT a library discard. 8vo. ix, 501pp. Great Packaging, Fast Shipping. NOT a library discard (illustrator).…

Hardcover. Condition: Very Good. No Jacket. 1972 Edition. ex-library.

Softcover. Condition: VG (some shelfwear/scuffing). Stapled white wraps with color illustration and black text. Unnumbered pages, color and bw illustrations. Ephemera laid in. Text by Calvin J. Goodman./ Catalog of an exhibition held from May 17-June 7, 1990 at the Louis Newman Galleries.

Softcover. White illus. stapled wraps; Unpaginated, 8 pp.; 7 bw plates. Accompanied a 1991 exhibition. Includes short pieces of text by Calvin J. Goodman and Douglas Dreishpoon. VG- (Ex-gallery lib., may have small label at front cover / BENTON in ink along spine, ink stamping and pencil markings at title page, may have light wear to covers / crease to back cover).…

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. None Issued. 3rd Edition. Rare Book .262 unmarked pages, no writing no tearing. see picture on left.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. 1st Edition. SOFT COVER IN VERY GOOD CONDITION,SIGNED BY THE AUTHOR. Signed by Author(s).

Condition: Good. Stapled 8vo., printed wraps. [40] pp. Eng. Ill. 5 color & 3 black & white plates/lists 19 works. Essay. Exhib. 17 May - 7 Jun 1990. NF.

Condition: Good. 4to. Hard Cover. [ca. 300 pp.] B&W Plates. Very Good with age Toning. No Dust JacketProvenance: From the library of the San Francisco Gallerist Pasquale Iannetti.

Condition: Good. Oblong 8vo., printed wrapper. [12] pp. Eng. Ill. 8 black & white plates. Essay. Exhib. 6-20 Jun, 1991. NF.

hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condition: Fair. First Edition. 102 pages. Features: How Far Can An Artist Go? - the journey of Bev Doolittle; Jack Riggio; C. Daniel Graves; The Watercolor Page - George Shedd; Kathleen Kelly; Robert McKibbin; Clare Smith; Pen & Ink - Drawing Faces; and more. Somewhat above-average wear. Binding intact. Unmarked. A sound reference copy.; 4to - over 9¾" - 12" tall; American Artist Magazine, December 1988, Volume 52, Issue 557 - The Journey of Bev Doolittle How Far Can An Artist Go? - the journey of Bev Doolittle; Jack Riggio; C. Daniel Graves; The Watercolor Page - George Shedd; Kathleen Kelly; Robert McKibbin; Cla. Illustrated by Graves, C. Daniel (Cover) (illustrator). …

Soft Cover. Condition: Acceptable. No date found. Comb binding. The first three pages have a paper clip indentation at upper edge. The interior is clean and tight. Cover is slightly discolored and edge worn. 240 pages. (g).