Campbell Paris (12 results)

Paperback. Condition: New.

Condition: New.

Soft cover. Condition: Very Good. From the collection of New York poet, Tom Savage and may contain minor markings from the poet in the book. We may request additional monies for international shipping, based on actual costs. Cover and/or pages may be lightly soiled/faded/discolored due to age or minor damage. Campbell, Jim (illustrator).…

Soft cover. Condition: Very Good. 32 pages. COAL BOARD UNDER FIRE / Wilson Harris "Paris Week-End" / Edward Hodgkin "At The Tribunal" / Rawle Knox "'Up The Republic'" / Peter Campbell "The Odds For 1950" / Cyril Ray "New Film Techniques" / Cleland Scott "Hippopotamus Land" / George Godwin "Horse Trade" (Papers).…

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: New.

Condition: Good. 8vo. 11.3 x 24cm. Original wraps. Pp. 488-534 + hors texte pages. .Foxing and minor wear to wrappers; occasional foxing to text and plates; very good.The Quartier Latin was a modernist journal devoted to the arts published between 1896 and 1899 by the American Art Association of Paris. Quartier Latin was illustrated and written by young American and British creators, mostly living in Paris, France. Contributors included John Butler Yeats, Lamar Middleton, Ethelyn Friend, and Grace Gallatin Seton Thompson.Trist Wood (died 1952) of New Orleans, Louisiana, appears to have chiefly worked as an artist, editor, and illustrator. After 1915, he seems to have turned his attention to genealogy, compiling extensive records on families related to his own and on Zachary Taylor (1784-1850) from whom he was descended.…

Condition: Good. 8vo. 11.3 x 24cm. Original wraps. Pp. 320-356 + hors texte pages. .Foxing and minor wear to wrappers; occasional foxing to text and plates; very good.The Quartier Latin was a modernist journal devoted to the arts published between 1896 and 1899 by the American Art Association of Paris. Quartier Latin was illustrated and written by young American and British creators, mostly living in Paris, France. Contributors included John Butler Yeats, Lamar Middleton, Ethelyn Friend, and Grace Gallatin Seton Thompson.Trist Wood (died 1952) of New Orleans, Louisiana, appears to have chiefly worked as an artist, editor, and illustrator. After 1915, he seems to have turned his attention to genealogy, compiling extensive records on families related to his own and on Zachary Taylor (1784-1850) from whom he was descended.…

Condition: Good. Photograph. 16.5 x 12.5 cm (sheet). A collection of 1 press photograph. Good, tears in the upper quadrant, along sheet edges.

Revised Draft script for the 1989 joint French-US short film. Attached by staple to the top corner of the title page is a small hand-written note, "Vicki," a phone number, and "Call from Space office." Copy belonging to uncredited actor Nick Dimitri, with two copies of a January 16, 1989 call sheet laid in. The 29-minute short film was the first film shot using the "Showscan" process developed by Douglas Trumbull , which is photographed and projected on 70mm film at 60 frames per second (2.5 times the standard film speed), and was only screened twice in 1989, once at the "Big Bang Schtroumpf" amusement park, now "Walygator Parc," in Maizières-les-Metz, France, and once at the Omnimax Theatre at Ceasars Palace, Las Vegas. A film director (Richard Brestoff) and his nephew (Bill Campbell), an aspiring actor and eccentric inventor, make a low-budget science fiction film, when one of the nephew's inventions begins to bring visitors from the past and future into the present, including Napoleon, Archimedes, and cavemen, making what they believe may be one of the greatest movies ever made. Featuring a cameo from James Coburn as an irate studio head, and the voice of Charlton Heston as an alien visitor. Director Richard Fleischer's final film. Shot on location in Simi Valley, California. Front wrapper integral with the title page, dated 1-6-89, noted as revised, with credits for screenwriter Sarah Paris and story by Peter Beal and Sarah Paris. 29 leaves, with last page of text numbered 26. Xerographic duplication, rectos only, with yellow, green, and goldenrod revision pages throughout, dated variously between 12/22/88 and 1/6/89. Pages Near Fine, bound with two gold brads.…

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The Earth is already dead. They just don't know it yet.For four hundred years, Commander Kofi Nartey has led the Exodus, the secret mission to save humanity-or at least, the portion of it biologically capable of survival. Known to the world as The Promise, the mission is a lie: Kofi is not leading his people to the past, but traveling a thousand years into a brutal, high-UV future called Aetheria, a world only survivable by those with the specific physiological shield of deep melanin.But as Kofi prepares to make the final, perilous temporal jump, a desperate act of hatred threatens to end humanity entirely. Senator Elias Thorne, leader of the Global Purity Coalition, launches a last-ditch nuclear strike on the Exodus fleet.Kofi's final defensive choice leads to catastrophe: the nuclear pulse strikes the Moon, unleashing the Lunar Fracture and dooming Earth to immediate geological collapse.Now, Kofi is faced with the ultimate moral paradox: he can escape cleanly, or he can perform an unthinkable maneuver-The Rescue Ark-to jump back and save the final six million survivors, including the very enemy who tried to destroy him.But bringing the toxic politics and the incompatible biology of the old world aboard the Ark means creating a new dilemma on Aetheria. Kofi must choose: will he risk his entire civilization for an act of total mercy, or will he enforce a difficult, permanent separation, ensuring one half of humanity's survival at the cost of the other's freedom The greatest choice humanity has ever faced is not whether to survive, but how.…