Canossi (86 results)

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Paperback or Softback. Condition: New. Black Matrilineage, Photography, and Representation: Another Way of Knowing. Book.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. Black Matrilineage, Photography, and Representation questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities.The essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture - primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration.This visual exploration of Black motherhood through pictures made by Black woman-identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy.This book emerges from the project Women Picturing Revolution.For more information, visit womenpicturingrevolution.comContributing authors: Tomi Akitunde (founder and editor-in-chief of mater mea), Grace Aneiza Ali (New York University), Emily Brady (University of Nottingham), Lesly Deschler Canossi (Women Picturing Revolution), Nicole J. Caruth (independent curator), Haile Eshe Cole (University of Connecticut), Atalie Gerhard (Saarland University), Kellie Carter Jackson (Wellesley College), Rachel Lobo (York University), Zoraida Lopez-Diago (Women Picturing Revolution), Salamishah Tillet (Rutgers University), Scheherazade Tillet (A Long Walk Home), Brie McLemore (University of California, Berkeley), Renee Mussai (Autograph London), Marly Pierre-Louis (independent curator), Jonathan Michael Square (Parsons School of Design), Susan Thompson (independent curator), Jennifer Turner (Hollins University), Sasha Turner (Johns Hopkins University), Rhaisa Kameela Williams (Princeton University)Contributing artists: Nydia Blas, Samantha Box, Renee Cox, Andrea Chung, Nona Faustine, Adama Delphine Fawundu, vanessa german, Ayana V. Jackson, Lebohang Kganye, Deana Lawson, Qiana Mestich, Marcia Michael, Zanele Muholi, Wangechi Mutu, Keisha Scarville, Mickalene Thomas, Mary Sibande, Carrie Mae Weems, Deborah Willis. Black motherhood through Black woman photographic art Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New. Brand New.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Black Matrilineage, Photography, and Representation questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. Drawing on a wide range of scholarly inquiry and contemporary art, this book addresses these misconceptions and fills in the gaps that exist in the photographic representation of Black motherhood, mothering, and mutual care within Black communities.The essays and interviews, paired with a curated selection of images, address the complicated relationship between Blackness and photography and in particular its gendered dimension, its relationship to health, sexuality, and digital culture - primarily in the context of racialized heteronormativity. This collection, then, challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal stories, history, political acts, connections to place, moments of pleasure, and communal celebration.This visual exploration of Black motherhood through pictures made by Black woman-identifying photographers thus serves as a reflection of the past and a portal to the future and contributes to recent scholarship on the complexity of Black life and Black joy.This book emerges from the project Women Picturing Revolution.For more information, visit womenpicturingrevolution.comContributing authors: Tomi Akitunde (founder and editor-in-chief of mater mea), Grace Aneiza Ali (New York University), Emily Brady (University of Nottingham), Lesly Deschler Canossi (Women Picturing Revolution), Nicole J. Caruth (independent curator), Haile Eshe Cole (University of Connecticut), Atalie Gerhard (Saarland University), Kellie Carter Jackson (Wellesley College), Rachel Lobo (York University), Zoraida Lopez-Diago (Women Picturing Revolution), Salamishah Tillet (Rutgers University), Scheherazade Tillet (A Long Walk Home), Brie McLemore (University of California, Berkeley), Renee Mussai (Autograph London), Marly Pierre-Louis (independent curator), Jonathan Michael Square (Parsons School of Design), Susan Thompson (independent curator), Jennifer Turner (Hollins University), Sasha Turner (Johns Hopkins University), Rhaisa Kameela Williams (Princeton University)Contributing artists: Nydia Blas, Samantha Box, Renee Cox, Andrea Chung, Nona Faustine, Adama Delphine Fawundu, vanessa german, Ayana V. Jackson, Lebohang Kganye, Deana Lawson, Qiana Mestich, Marcia Michael, Zanele Muholi, Wangechi Mutu, Keisha Scarville, Mickalene Thomas, Mary Sibande, Carrie Mae Weems, Deborah Willis.

Paperback. Condition: New.

paperback. Condition: New. Special order direct from the distributor.

Paperback. Condition: Brand New. 320 pages. 9.00x6.70x0.79 inches. In Stock.

Frontespizio: Edizione definitiva a cura di Aldo Cibaldi. Ristampa del Centenario. Scelta per le scuole. In 8° (cm 23,7 x 16,7), pp. 111. Bross. autore al dorso avorio. Lievi segni di consunzione ai margini e alle cuffie. Tracce di polvere. Buone condizioni.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Condition: New.

Rilegato. Condition: ottimo. Frontespizio: Edizione definitiva a cura di Aldo Cibaldi. Ristampa nel XXV° della morte del Poeta. In 8° (cm 24,2 x 17,3), pp. [XXXIX] + 278. Leg. piena tela bordeaux, tit. oro al dorso. Ottime condizioni, come in stato di nuovo.

Paperback. Condition: Brand New. 320 pages. 9.00x6.70x0.79 inches. In Stock.

Cartonato con sovracoperta. Testo in italiano/dialetto bresciano.Edizione definitiva a cura di Aldo Cibaldi. Numero di tavole: 0 pp.278 altezza 0 larghezza 0 Esemplare in buone condizioni.Sovraccoperta con lieve ingiallimento, tracce di polvere e lievi segni di usura ai bordi e agli angoli. Copertina rigida telata con titoli dorati al dorso.Tagli con tracce di polvere.Prima pagina di guardia con annotazione a matita.Testo in italiano/dialetto bresciano.

Tapa blanda. Condition: Bueno. edicion 1968, 278 paginas, tapa dura con sobrecubierta, edicion en italiano.

Condition: New.

Condition: New.

Condition: Good. Il cofanetto (se previsto) può presentare modeste tracce d'uso, piccole lesioni, fioriture e macchie non invasive.Sovraccoperta con modeste tracce d'uso. Può presentare piccole mancanze, leggere bruniture, rade fioriture o macchiette.Copertina con modeste tracce d'uso. Può presentare minime mancanze, qualche rada fioritura o macchietta, leggere bruniture o piccole pieghe.Dorso in buone condizioni. Può presentare un fisiologico stress da lettura, piccole mancanze e segni di cedevolezza in prossimità delle cerniere.Tagli moderatamente bruniti; possono presentare fioriture rade.L'interno può presentare modeste tracce d'uso, segni a matita, timbro o firma di appartenenza. Le pagine possono presentare minime gualciture, fioriture non invasive e leggere bruniture.Per Maggiori informazioni o foto non esitate a contattarci. . Buono (Good). Book.

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, strappi Condizioni dell'interno: Buone.

Paperback. Condition: New.

Condition: Buone. italiano Condizioni dell'esterno: Discrete con difetti, strappi Condizioni dell'interno: Discrete con Difetti, note nel testo sottolineature nel testo.

Frontespizio: Illustrazione rimata dell' Ara di tutti i Santi bresciani. In 8° (cm 24,1 x 16,9), pp. 16. Bross. spillata. Lievi segni di consunzione ai margini. Lievi gore diffuse. Tracce di polvere. Buone condizioni.

Condition: New. &Uumlber den AutorLesly Deschler Canossi is a photography educator, cultural producer and co-founder of Women Picturing Revolution. She is faculty at the International Center of Photography, New York.Zoraida Lopez-Diago sta.