Capra Andrea (91 results)

Condition: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Soft cover. Condition: New. 1st Edition. No marks in text. Not a library book. Ships today in a cardboard enclosure, with tracking. One copy only of this title at this price. The book you see listed here is the book you'll receive. Tim's Used Books, open shop in Provincetown, Mass., recognized for great books and great service since 1991. shelf O.…

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Plato's Four Muses reconstructs Plato's authorial self-portrait through a fresh reading of the Phaedrus, with an Introduction and Conclusion that contextualize the construction more broadly. The Phaedrus, it is argued, is Plato's most self-referential dialogue, and Plato's reference to four Muses in Phaedrus 259c-d is read as a hint at the "ingredients" of philosophical discourse, which turns out to be a form of provocatively old-fashioned mousikê.Andrea Capra maintains that Socrates's conversion to "demotic"-as opposed to metaphorical-music in the Phaedo closely parallels the Phaedrus and is apologetic in character, since Socrates was held responsible for dismissing traditional mousikê. This parallelism reveals three surprising features that define Plato's works: first, a measure of anti-intellectualism (Plato counters the rationalistic excesses of other forms of discourse, thus distinguishing it from both prose and poetry); second, a new beginning for philosophy (Plato conceptualizes the birth of Socratic dialogue in, and against, the Pythagorean tradition, with an emphasis on the new role of writing); and finally, a self-consciously ambivalent attitude with respect to the social function of the dialogues, which are conceived both as a kind of "resistance literature" and as a preliminary move toward the new poetry of the Kallipolis.…

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback or Softback. Condition: New. Plato's Four Muses: The Phaedrus and the Poetics of Philosophy. Book.

Paperback. Condition: New. What is horror? Setting aside the implausible circumstances typical of the horror genre, Capra investigates what he terms "ordinary horror"-the horror that haunts our world, and that we may encounter firsthand. Drawing from ordinary language philosophy and phenomenology, he reframes horror as a common human experience tied to a sense of forced powerlessness-the shattering moment when our control over a given situation, and our very sense of reality, unravels. By tracing this experience across texts beyond the horror genre, Capra reveals its significance for our time.  Centering on modern Italian literature, Ordinary Horror shows a tradition not typically associated with horror to be rife with it. To this end, Capra emphasizes the centrality of the experience in canonical authors, as seen, for instance, in Giacomo Leopardi's pages on existential suffering, Primo Levi's writings on Auschwitz, and Elena Ferrante's descriptions of sexual violence. Literature, Capra argues, can convey horror's experiential magnitude through what he calls the "aesthetics of deformation"-scenes when otherwise realistic texts depart from verisimilitude and embrace a more disquieting style. Weaving together aesthetics and phenomenology, Capra shows that just as horror may rupture the fabric of everyday life, so too may it rupture the fabric of a literary text. …

Paperback. Condition: New. What is horror? Setting aside the implausible circumstances typical of the horror genre, Capra investigates what he terms "ordinary horror"-the horror that haunts our world, and that we may encounter firsthand. Drawing from ordinary language philosophy and phenomenology, he reframes horror as a common human experience tied to a sense of forced powerlessness-the shattering moment when our control over a given situation, and our very sense of reality, unravels. By tracing this experience across texts beyond the horror genre, Capra reveals its significance for our time.  Centering on modern Italian literature, Ordinary Horror shows a tradition not typically associated with horror to be rife with it. To this end, Capra emphasizes the centrality of the experience in canonical authors, as seen, for instance, in Giacomo Leopardi's pages on existential suffering, Primo Levi's writings on Auschwitz, and Elena Ferrante's descriptions of sexual violence. Literature, Capra argues, can convey horror's experiential magnitude through what he calls the "aesthetics of deformation"-scenes when otherwise realistic texts depart from verisimilitude and embrace a more disquieting style. Weaving together aesthetics and phenomenology, Capra shows that just as horror may rupture the fabric of everyday life, so too may it rupture the fabric of a literary text. …

Condition: new.

Paperback. Condition: new. Paperback. What is horror? Setting aside the implausible circumstances typical of the horror genre, Capra investigates what he terms "ordinary horror"the horror that haunts our world, and that we may encounter firsthand. Drawing from ordinary language philosophy and phenomenology, he reframes horror as a common human experience tied to a sense of forced powerlessnessthe shattering moment when our control over a given situation, and our very sense of reality, unravels. By tracing this experience across texts beyond the horror genre, Capra reveals its significance for our time. Centering on modern Italian literature, Ordinary Horror shows a tradition not typically associated with horror to be rife with it. To this end, Capra emphasizes the centrality of the experience in canonical authors, as seen, for instance, in Giacomo Leopardi's pages on existential suffering, Primo Levi's writings on Auschwitz, and Elena Ferrante's descriptions of sexual violence. Literature, Capra argues, can convey horror's experiential magnitude through what he calls the "aesthetics of deformation"scenes when otherwise realistic texts depart from verisimilitude and embrace a more disquieting style. Weaving together aesthetics and phenomenology, Capra shows that just as horror may rupture the fabric of everyday life, so too may it rupture the fabric of a literary text. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 304 pages. 6.00x2.00x9.00 inches. In Stock.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Very Good. No Jacket.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Paperback. Condition: New.

Paperback. Condition: Brand New. 234 pages. 9.25x6.25x0.75 inches. In Stock.

Paperback. Condition: Brand New. 304 pages. 6.00x2.00x9.00 inches. In Stock.

Paperback. Condition: New.

Condition: New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. pp. 252.

Condition: New. pp. 252.

Condition: New.

Condition: New. 2026. 1st Edition. paperback. . . . . .

Condition: NEW.