Cargnelli (74 results)

Condition: New. Destination London: German-Speaking Emigres and British Cinema, 1925-1950 (Film Europa).

Hardcover. Condition: New. 1st Edition. New. Pristine, unmarked. // Shipped carefully packed in a sturdy box.

Hardcover. Condition: Used-Very Good. Dec. cloth, no d.j. (as issued). Some shelf-wear. Else clean copy.

Hardcover. Condition: Very Good+. Very good plus hardcover with pictorial boards, nice tight copy. A superb hardcover copy. Ships from Dinkytown in Minneapolis, Minnesota.

Hardcover. Condition: ***NEW***. First Edition. 89pp. HARDCOVER ***NEW BOOK*** Size: 8vo - over 73/4" - 93/4" tall. Book.

Hardcover. Condition: ***NEW***. First Edition. 89pp. HARDCOVER ***NEW BOOK*** (Slt. shopsoil.) Size: 8vo - over 73/4" - 93/4" tall. Book.

Hardcover. Condition: ***NEW***. First Edition. 89pp. HARDCOVER ***NEW BOOK*** Size: 8vo - over 73/4" - 93/4" tall. Book.

Condition: New.

Paperback or Softback. Condition: New. Destination London: German-Speaking Emigr�s and British Cinema, 1925-1950. Book.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. The legacy of emigres in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance. Focusing on areas such as exile, genre, technological transfer, professional training and education, cross-cultural exchange and representation, it begins by mapping the reasons for this neglect before examining the contributions made to British cinema by emigre directors, actors, screenwriters, cinematographers, set designers, and composers. It goes on to assess the cultural and economic contexts of transnational industry collaborations in the 1920s, artistic cosmopolitanism in the 1930s, and anti-Nazi propaganda in the 1940s. Tim Bergfelder is Professor in Film at the University of Southampton. He is the author of International Adventures: Popular German Cinema and European Co-Productions in the 1960s (2005). His co-edited or co-authored volumes include The German Cinema Book (2002), The Titanic in Myth and Memory: Representations in Visual and Literary Culture (2004), and Film Architecture and the Transnational Imagination (2007).Christian Cargnelli is a film historian based in Vienna and teaches film history at the University of Vienna. He holds a PhD in Film Studies from the University of Southampton and has published widely on film exile and exile film. His co-edited volumes include Aufbruch ins Ungewisse: terreichische Filmschaffende in der Emigration vor 1945 (1993), Schatten. Exil: Europaiche Emigranten im Film Noir (1997), and Carl Mayer, Scenar[t]ist (2003). He is the editor of Gustav Machaty - Ein Filmregisseur zwischen Prag und Hollywood (2005).

Paperback. Condition: New. The legacy of emigres in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance. Focusing on areas such as exile, genre, technological transfer, professional training and education, cross-cultural exchange and representation, it begins by mapping the reasons for this neglect before examining the contributions made to British cinema by emigre directors, actors, screenwriters, cinematographers, set designers, and composers. It goes on to assess the cultural and economic contexts of transnational industry collaborations in the 1920s, artistic cosmopolitanism in the 1930s, and anti-Nazi propaganda in the 1940s. Tim Bergfelder is Professor in Film at the University of Southampton. He is the author of International Adventures: Popular German Cinema and European Co-Productions in the 1960s (2005). His co-edited or co-authored volumes include The German Cinema Book (2002), The Titanic in Myth and Memory: Representations in Visual and Literary Culture (2004), and Film Architecture and the Transnational Imagination (2007).Christian Cargnelli is a film historian based in Vienna and teaches film history at the University of Vienna. He holds a PhD in Film Studies from the University of Southampton and has published widely on film exile and exile film. His co-edited volumes include Aufbruch ins Ungewisse: terreichische Filmschaffende in der Emigration vor 1945 (1993), Schatten. Exil: Europaiche Emigranten im Film Noir (1997), and Carl Mayer, Scenar[t]ist (2003). He is the editor of Gustav Machaty - Ein Filmregisseur zwischen Prag und Hollywood (2005).

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: Very Good. Dust Jacket Condition: Very Good. 1st. First edition hardback, 1985, with no jacket. In overall very good used condition with only minor signs of age, handling and storage - dust jacket a touch faded to spine. Internally clean. Binding tight and appears little read; no annotation or inscriptions; text and illustrations bright and clear throughout. Not an old library book.

Wraps. Condition: Good. Dust Jacket Condition: No d/w. CUHADAR, MEHMET (illustrator). First Edition. 46pp; Covers sunned and dusty; Inscribed by author to title page; Internally sound and bright; Size: 12mo. Inscribed by Author(s). Book.

Paperback. Condition: new. Paperback. The legacy of emigres in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance. Focusing on areas such as exile, genre, technological transfer, professional training and education, cross-cultural exchange and representation, it begins by mapping the reasons for this neglect before examining the contributions made to British cinema by emigre directors, actors, screenwriters, cinematographers, set designers, and composers. It goes on to assess the cultural and economic contexts of transnational industry collaborations in the 1920s, artistic cosmopolitanism in the 1930s, and anti-Nazi propaganda in the 1940s. Tim Bergfelder is Professor in Film at the University of Southampton. He is the author of International Adventures: Popular German Cinema and European Co-Productions in the 1960s (2005). His co-edited or co-authored volumes include The German Cinema Book (2002), The Titanic in Myth and Memory: Representations in Visual and Literary Culture (2004), and Film Architecture and the Transnational Imagination (2007).Christian Cargnelli is a film historian based in Vienna and teaches film history at the University of Vienna. He holds a PhD in Film Studies from the University of Southampton and has published widely on film exile and exile film. His co-edited volumes include Aufbruch ins Ungewisse: terreichische Filmschaffende in der Emigration vor 1945 (1993), Schatten. Exil: Europaiche Emigranten im Film Noir (1997), and Carl Mayer, Scenar[t]ist (2003). He is the editor of Gustav Machaty - Ein Filmregisseur zwischen Prag und Hollywood (2005). The legacy of emigres in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781845455323.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781845455323.

hardcover. Condition: Sehr gut. 367 Seiten; Ge66,69 Sprache: Deutsch Gewicht in Gramm: 1.

Paperback. Condition: Brand New. reprint edition. 272 pages. 9.00x6.00x0.75 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Very Good. 1st Edition.

Hardcover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. First edition, VG in good only unclipped dw. No inscriptions.Text clean and unmarked. Some tearing, wear and loss to the dw. See photographs. S9.

Original Broschur. 333 Seiten 23x18,5 Sehr gut, fast ungelesen. ISBN: 3901196269. 900 Gramm Sprache: Deutsch.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:3901196269.

First edition hard back binding in publisher's original navy paper covers, gilt lettering to spine. 8vo 8½" x 5¼" 89 pp. ISBN 0863320937. Monochrome illustrations. Fine in Fine dust wrapper, not price clipped £7.65. Dust wrapper supplied in archival acetate film protection. Member of the P.B.F.A. POETRY, VERSE & RHYMES.

Paperback. Condition: New. The legacy of emigres in the British film industry, from the silent film era until after the Second World War, has been largely neglected in the scholarly literature. Destination London is the first book to redress this imbalance. Focusing on areas such as exile, genre, technological transfer, professional training and education, cross-cultural exchange and representation, it begins by mapping the reasons for this neglect before examining the contributions made to British cinema by emigre directors, actors, screenwriters, cinematographers, set designers, and composers. It goes on to assess the cultural and economic contexts of transnational industry collaborations in the 1920s, artistic cosmopolitanism in the 1930s, and anti-Nazi propaganda in the 1940s. Tim Bergfelder is Professor in Film at the University of Southampton. He is the author of International Adventures: Popular German Cinema and European Co-Productions in the 1960s (2005). His co-edited or co-authored volumes include The German Cinema Book (2002), The Titanic in Myth and Memory: Representations in Visual and Literary Culture (2004), and Film Architecture and the Transnational Imagination (2007).Christian Cargnelli is a film historian based in Vienna and teaches film history at the University of Vienna. He holds a PhD in Film Studies from the University of Southampton and has published widely on film exile and exile film. His co-edited volumes include Aufbruch ins Ungewisse: terreichische Filmschaffende in der Emigration vor 1945 (1993), Schatten. Exil: Europaiche Emigranten im Film Noir (1997), and Carl Mayer, Scenar[t]ist (2003). He is the editor of Gustav Machaty - Ein Filmregisseur zwischen Prag und Hollywood (2005).