Carl William Drepperd (36 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condition: Very Good.

Hardcover. Condition: Very Good. Hardcover. No dust jacket. Pages are clean and unmarked. Covers show very minor shelving wear. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. Red cloth hardcover, dust jacket has a few nicks. We ship fast.

Paperback. Condition: Good. No Jacket. Solid binding. Moderate edgewear on the boards. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A book that looks almost new with dustjacket; 260P; 8.10 X 5.30 X 1.10 inches.

Condition: Very Good. First edition copy. . Very Good dust jacket. In protective mylar cover. (Victorian Furniture, Antiques, Collecting).

Hardcover. Condition: Acceptable. reading copy only - Damaged /worn /marked copy. May be ex-libris. Oversized.

Staplebound wraps. Condition: Very Good. First edition. Printing limited to 600 copies. Small 8vo, pp. unnumbered, b/w illus. Articles reprinted Timepieces Quarterly. Spine faded, wrappers lightly dustsoiled.

Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. Very Good Hardcover with Very Good dustjacket.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. First Edition. B&W Figures; 8vo 8" - 9" tall; 404 pages; [SIGNED] 1952 Doubleday & Company. HC/DJ 1st edition. Signed by Drepperd on the front flyleaf. Soundly bound and clean in original dust jacket. Jacket shelf rubbed with several short closed tears and small chips at edges. Prior owner's archival repairs to jacket spine ends with japanese paper kozo tape. Prior owner's small ink ownership name stamp scribbed out middle of title page. Illustrated with many b&w figures. VG/VG-; Signed by Author.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Near fine. Garden City Books reprint edition. Hardcover quarto with light brown, blue, and red DJ. x, 274 pages: b/w illustrations (including facsimiles); 22 cm. Art objects. Furniture -- United States. Implements, utensils, etc. -- United States. Very mild rubbing to book and DJ head and foot of spine and outer corners. DJ is price clipped to front flap. Else pages clean and binding tight. Near fine.…

Condition: Very Good. 1969. Paperback. Fine copy with minor shelf wear. Previous owners name on ffep. remains fine. . . . .

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Very Good. 1969. Paperback. Fine copy with minor shelf wear. Previous owners name on ffep. remains fine. . . . . Books ship from the US and Ireland.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good. First Edition. B&W reproductions; 4to 11" - 13" tall; 172 pages; Small 4to HC/DJ. 1st edition. Soundly bound and clean in original dust jacket with color illustration mounted to the front panel. Green cloth with titles in gilt to spine and printed paper title label to cover board. Light moderate offset toning to front endpages, presumably from newspaper clipping laid in at front. Dust jacket lightly shelf rubbed at edges with a few tiny nicks and spots of rub. Color pictorial panel to the front panel of the jacket is lightly surface rubbed and with a short stress crease and wrinkling top edge. Illustrated throughout with b&w reproductions. VG++/VG.…

Condition: New.

Hardcover in slipcase. Condition: Near Fine. Dust Jacket Condition: Very Good-. First Edition; First Printing. B&W Figures; Large 8vo 9" - 10" tall; 311 pages; 1st edition. Snugly bound and clean in original publisher issued slipcase. Inscribed warnly by the author to John Hartman, proprietor of the Barr Hurst book shop in Lancaster, who hosted a book signing event on Oct 27, 1949. Dust jacket lightly shelf rubbed at edges with spine panel a little faded and toned; front flap price clipped. Publisher slipcase lightly shelf rubbed to surfaces. Illustrated throughout with b&w figures showing tools, implements, furniture, toys, dwellings etc etc. VG+ in VG- jacket and VG slipcase. ; Signed by Author.…

Hardcover. Condition: As New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Green cloth boards with black lettering, color frontispiece, 172 pp., bw illustrations throughout. Sections on Landscape, Genre, Miniature Painting and Portraiture. Also contains very useful information on Art Instruction, including a very detailed bibliography. Good+ (spine somewhat worn, shelf wear, some age toning, otherwise in good used condition, sticker mark on cover).…

Paperback. Condition: Good. Signed by author on second page. Published by Doubleday, 1949. Hardbound without dust jacket. Jacket flaps are tucked inside. Wear at corners, tips of spine. No text markings noted.

Hardcover. Condition: Good.

Unknown Binding. Condition: Good. Sorry, No international shipping on this item.1957, Second Printing. Ex-Library hardcover no dj (blue boards) with all the usual markings, possible attachments, and library wear. Text block clean and unmarked. Tight binding.

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Taschenbuch. Condition: Neu. Neuware - 'Early American Prints' offers a comprehensive and scholarly exploration into the evolution of printmaking in the United States, from the colonial era through the mid-nineteenth century. Author Carl William Drepperd provides a detailed account of the development of various techniques, including woodcutting, copperplate engraving, etching, and the eventual rise of lithography. This work serves as an essential guide for understanding how visual media shaped and reflected the burgeoning American identity.The book examines the lives and legacies of influential engravers and artists who captured the spirit of a developing nation. From the crude but expressive works of early colonial artisans to the refined productions of the Victorian era, the text covers a wide array of subjects, including historical portraiture, scenic landscapes, political caricatures, and architectural renderings. Drepperd meticulously catalogues the transition from utilitarian illustration to fine art, highlighting the significance of prints as both historical records and aesthetic achievements.Ideal for art historians, collectors, and enthusiasts of Americana, 'Early American Prints' remains a foundational text. It illuminates the technical challenges and creative triumphs of early American printmakers, offering valuable insights into the social and cultural history preserved within these timeless images.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…