Caroline Wake (74 results)

Paperback. Condition: New. Revised ed.

Condition: New.

Paperback. Condition: new. Paperback. Introducing Staging Asylum, Again, an anthology that exposes Australia's mistreatment of people seeking refuge. Building on the success of its predecessor, this collection presents a timely and powerful exploration archive of artistic resistance to one of Australia's most enduring and unjust policies. The anthology showcases a diverse range of plays that delve into different facets of seeking asylum. Tribunal, devised and performed by Kaz Therese, Joe Tan, Aunty Rhonda Dixon-Grovenor, Mahdi Mohammadi, Katie Green, Paul Dwyer, and Jawad Yaqoubi, immerses readers in a truth and reconciliation commission, where newly arrived refugees and a First Nations Elder share poignant testimonies. We All Know What's Happening, conceived by Samara Hersch and Lara Thoms, involves seven young Australians devising a show about the incarceration of refugee children their age. Finally, The Audition, written by Patricia Cornelius, Sahra Davoudi, Tes Lyssiotis, Wahibe Moussa, Milad Norouzi, Melissa Reeves, and Christos Tsiolkas, is a metatheatrical play that draws parallels between an actor's audition and an asylum seeker's application for protection. The volume also includes three one-act plays showcased at the 2015 Asylum festival. Noelle Janaczewska's Going for Gold, Tania Canas' Three Angry Australians, and Georgia Symon's A Puppet Show for All Ages. Editors Tania Canas and Caroline Wake provide an introduction to the volume, along with individual essays about each play.Staging Asylum, Again is a testament to the power of theatre to shed light on injustice and spark dialogue, making it an essential read for anyone seeking a deeper understanding of Australia's border policies and their impacts. Introducing Staging Asylum, Again, an anthology that exposes Australia's mistreatment of people seeking refuge. It includes plays such as Tribunal, We All Know What's Happening and The Audition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9788763540704.

Condition: New.

Paperback. Condition: new. Paperback. Visions and Revisions brings the fields of performance studies and trauma studies together in conversation where they inform crucial themes such as trauma, testimony, witness, and spectatorship. While performance studies is increasingly addressing trauma and how to represent it, attention is still often relegated to high-brow forms of art and political theater. The contributors here fill a critical gap, raising questions about how popular and mediatized performances that memorialize trauma might also be viewed through performance theory. They also look at how performance studies might shift its focus from the visual to the sensorial and materialas a method of rethinking the act of witnessand in doing so offer a fresh perspective on performance and trauma studies. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 174 pages. 5.39x0.47x8.27 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. In 1983 US president Ronald Reagan told the Israeli Prime Minister that he, as a photographer during World War II, had documented the atrocities of the concentration camps on film. The story was later exposed as a fraud as it was revealed that Reagan had resided in Hollywood during the entire war. Does this mean that Reagan was simply an amoral liar or that he established a connection to the Holocaust that can be said to have evolved from the intersection between real and reel? Visions and Revisions. Performance, Memory, Trauma brings the fields of performance studies and trauma studies together in conversation in order to investigate how these two fields both envision and revision one another in relation to crucial themes such as trauma, testimony, witness, and spectatorship. According to Peggy Phelan, a leading performance studies scholar, performance provides a unique model for witnessing events that are both unbearably real and beyond reasons ability to grasp traumatic events like the Holocaust. While Reagans claim is obviously both paradoxical and problematic, it opens up a space in which the potential insights that performance studies and trauma studies might bring to one another become particularly visible. The first half of the anthology focuses on issues of spectatorship, specifically its ethics and the possibility of witnessing. The second half widens the discussion to include memory more broadly, shifting the emphasis from sight to site, and particularly to site-specific works and the embodied encounters they model, enable and enact. The contributors here fill a critical gap, raising questions about how popular and mediatized performances that memoralize trauma might be viewed through performance theory. They also look at how performance studies might shift its focus from the visual to the sensorial and material and in doing so, they offer a fresh perspective on both performance and trauma studies. Writing from different disciplinary vantages and drawing on multiple case studies from South Africa, the former Soviet Union, Lebanon and Thailand, among others, the contributors decolonize trauma studies and make us question, how and where our own eyes and bodies are positioned as we revision the scenes before us.…

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9788763540704.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9788763540704.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: New. Brand New.

Condition: As New. Unread book in perfect condition.

Condition: New. Editor(s): Tresize, Bryoni; Wake, Caroline. Num Pages: 233 pages, 34 b/w illus. BIC Classification: AS. Category: (G) General (US: Trade). Dimension: 166 x 237 x 18. Weight in Grams: 570. . 2014. Paperback. . . . .

Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. Editor(s): Tresize, Bryoni; Wake, Caroline. Num Pages: 233 pages, 34 b/w illus. BIC Classification: AS. Category: (G) General (US: Trade). Dimension: 166 x 237 x 18. Weight in Grams: 570. . 2014. Paperback. . . . . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: new. Paperback. Introducing Staging Asylum, Again, an anthology that exposes Australia's mistreatment of people seeking refuge. Building on the success of its predecessor, this collection presents a timely and powerful exploration archive of artistic resistance to one of Australia's most enduring and unjust policies. The anthology showcases a diverse range of plays that delve into different facets of seeking asylum. Tribunal, devised and performed by Kaz Therese, Joe Tan, Aunty Rhonda Dixon-Grovenor, Mahdi Mohammadi, Katie Green, Paul Dwyer, and Jawad Yaqoubi, immerses readers in a truth and reconciliation commission, where newly arrived refugees and a First Nations Elder share poignant testimonies. We All Know What's Happening, conceived by Samara Hersch and Lara Thoms, involves seven young Australians devising a show about the incarceration of refugee children their age. Finally, The Audition, written by Patricia Cornelius, Sahra Davoudi, Tes Lyssiotis, Wahibe Moussa, Milad Norouzi, Melissa Reeves, and Christos Tsiolkas, is a metatheatrical play that draws parallels between an actor's audition and an asylum seeker's application for protection. The volume also includes three one-act plays showcased at the 2015 Asylum festival. Noelle Janaczewska's Going for Gold, Tania Canas' Three Angry Australians, and Georgia Symon's A Puppet Show for All Ages. Editors Tania Canas and Caroline Wake provide an introduction to the volume, along with individual essays about each play.Staging Asylum, Again is a testament to the power of theatre to shed light on injustice and spark dialogue, making it an essential read for anyone seeking a deeper understanding of Australia's border policies and their impacts. Introducing Staging Asylum, Again, an anthology that exposes Australia's mistreatment of people seeking refuge. It includes plays such as Tribunal, We All Know What's Happening and The Audition. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 1st edition NO-PA16APR2015-KAP.

Condition: New. 2022. 1st Edition. Paperback. . . . . .

Condition: New.

Condition: New. In English.