Carpenter Ken (190 results)

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condition: Good. . Satisfaction 100% guaranteed.

Paperback. Condition: Good. Minimal to no damage to book. Pages are clean and intact.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Mass Market Paperback. Condition: Near Fine. 1st Printing. Paperback original. Extremely light wear along the edges of the wraps and a very light stress line on the spine. Ken Kelly (cover) (illustrator).

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Very Good. 1st Edition. NY, Tor, March 1988 First Edition, First Printing, 273 pages Cover art by Ken Kelly A very good copy with edge wear, wear to the spine as shown, See Photos. Cover art by Ken Kelly (illustrator).

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. This book is in very good condition; no remainder marks. It does have some cover shelfwear. Inside pages are clean. ; NE; 6.5 X 0.31 X 9.25 inches; 128 pages.

Hardcover. Condition: Good. No Jacket. 1st Edition. Minor edge and corner wear; lightly scuffed and scratched; corners are gently bumped and rubbed; some light shelf wear; ex-library with the usual library markings; overall a nice used copy! Full-color pictorial boards with silver and red lettering. Decorative endpapers. 128 historical and artistic pages nicely enhanced by black and white and full-color photographs and illustrations! "In the 1950s Tim Scott studied architecture, and simultaneously, attended the St. Martin's School of Art studying sculpture part-time. His early work was heavily influenced by his teacher, Anthony Caro. Scott moved to Paris to work aAtelier Le Corbusier-Wogenscky, an architectural firm and while there, he discovered photographs of the work of American sculptor David Smith. Smith was to have a strong influence on a generation of British sculptors in the 1960s. Scott returned to London in 1961. Encouraged by Anthony Caro, he, along with other students at the St. Martin's school, rejected traditional methods and began to work abstractly. For an exhibition at the Whitechapel Art Gallery in 1965, they were dubbed the 'New Generation'. While Caro and a few other students began using industrial steel, Scott chose instead to work with fibre-glass, a relatively new material for sculpture. By the mid-sixties, Scott was experimenting with different kinds of plastics and bold volumetric shapes of bright colour. The sculptural works in the book and in the current exhibition at Pacart are from this period. From the foreword: The roots of abstract painting and sculpture reach back to the beginning of the 20th Century. In those roots was the start of a new language. At times painting seemed to spill into sculpture. In the decade between 1910 and 1920 Jacques Lipchitz, Henri Laurens, Elie Nadelman, Pablo Picasso and the Russian Constructivists all made coloured sculpture. By the early 1960s, the optimism that pervaded the Art World once more supercharged the dialogue between painting and sculpture. It was thought that sculpture could take the lead from painting and that colour would become three dimensional. Tim Scott introduced colour and new materials and was very much part of what animated this idea. Kenneth Noland's circle paintings were transformed by David Smith into painted steel sculpture, while Anthony Caro took weight away from sculpture and floated colour space.". …

Condition: New.

Paperback or Softback. Condition: New. The Infinite Sojourns Of Consciousness. Book.

Soft cover. Condition: Good. Soft cover with cover wear. Old price sticker on back. Ken Heyman (illustrator).

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback or Softback. Condition: New. You Sold What to Whom. Book.

Condition: New.

Paperback or Softback. Condition: New. Borderlands Boy: Love, War and Peace in the Atomic Age. Book.

Condition: New.

Soft cover. Condition: Very Good. A near new 4to Clan War paperback (CW 1004). Contents appear as new while the otherwise fine, glossy illustrated wrapper may have a corner crease or curl and a touch of rubbing to the edges from shelf wear.

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Very Good. 1st Edition. Light edge and corner wear with some creasing on the spine; no interior markings. Cover art by Ken Kelly. Ken Kelly; (illustrator). Book.