Cates Jon (20 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paper Back. Condition: Good.

Paper Back. Condition: Good.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: New. Chicago New Media, 1973-1992 chronicles the unrecognized story of Chicago's contributions to new media art by artists at the University of Illinois at Chicago's Electronic Visualization Laboratory, the School of the Art Institute of Chicago, and at Midway and Bally games. It includes original scholarship of the prehistory, communities, and legacy of the city's new media output in the latter half of the twentieth century along with color plate images of video game artifacts, new media technologies, historical photographs, game stills, playable video game consoles, and virtual reality modules. The featured essay focuses on the career of programmer and artist Jamie Fenton, a key figure from the era, who connected new media, academia, and industry. This catalog is a companion to the exhibition Chicago New Media 1973-1992, curated by Jon Cates, and organized by Video Game Art Gallery in partnership with Gallery 400 and the Electronic Visualization Laboratory. It is part of Art Design Chicago, a 2018 initiative of the Terra Foundation for American Art, with presenting partner The Richard H. Driehaus Foundation, to explore Chicago's art and design legacy.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Chicago New Media, 1973-1992 chronicles the unrecognized story of Chicago's contributions to new media art by artists at the University of Illinois at Chicago's Electronic Visualization Laboratory, the School of the Art Institute of Chicago, and at Midway and Bally games. It includes original scholarship of the prehistory, communities, and legacy of the city's new media output in the latter half of the twentieth century along with color plate images of video game artifacts, new media technologies, historical photographs, game stills, playable video game consoles, and virtual reality modules. The featured essay focuses on the career of programmer and artist Jamie Fenton, a key figure from the era, who connected new media, academia, and industry. This catalog is a companion to the exhibition Chicago New Media 1973-1992, curated by Jon Cates, and organized by Video Game Art Gallery in partnership with Gallery 400 and the Electronic Visualization Laboratory. It is part of Art Design Chicago, a 2018 initiative of the Terra Foundation for American Art, with presenting partner The Richard H. Driehaus Foundation, to explore Chicago's art and design legacy. "Chicago New Media 1973-1992 is published in conjunction with an exhibition of the same title, curated by Jon Cates with assistance from Chaz Evan and Janathan Kinkley, and organized by Video Game Art Gallery in partnership with Gallery 400 at University of illinois at Chicago and with the support of the Electronic Visualization Laboratory"--Back cover. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: new.

Paperback. Condition: Brand New. 96 pages. 10.00x8.00x0.10 inches. In Stock.

Condition: New. pp. 96.

Condition: New. 2018. Illustrated. Paperback. . . . . .

Hardcover. Condition: Near fine. Dust Jacket Condition: None. First. First edition, near fine cloth hardcover (no dust jacket) shows just a touch of wear, else tight and clean. 89 pages with illustrations mostly in black & white but with a few in color. Still a pleasing copy of this work on the noted wildlife artist.

Condition: New. pp. 96.

Condition: New. 2018. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Near Fine. RON JENKINS (illustrator). 1st Edition. BEAUTIFUL LIMITED EDITION BOOK AND SLIP COVER. NOTE WRITTEN AND SIGNED INSIDE BY RON JENKINS. VERY NICE DRAWING ACROSS ON PAGE OF MALLARD DUCKS IN INK AND SIGNED BY JENKINS; THIS IS DONE IN BOOK. JENKINS DREW A DIFFERENT SCENE IN EACH OF THE 200 LIMITED EDITIONS. JON CATES ALSO SIGNED BEST WISHES. BOOK IS A BEAUTIFUL DARK BROWN COVER, GOLD DUCKS ON FRONT WITH GOLD PRINT FRONT AND SPINE.WONDERFUL WILDLIFE ART THROUGHOUT. SLIP CASE IS NEAR FINE AND A VANILLA COLOR. Ron Jenkins was born on August 18, 1932 in Pawtucket, Rhode Island and then was raised in Carlisle, Pennsylvania. He attended the Philadelphia Museum School of Art throughout the academic year of 1954-1955, but increasing family responsibilities prompted him to drop his art education temporarily to go to work for a savings and loan association. He has illustrated a number of stories for the Pennsylvania Game News and the Pennsylvania Angler. His work has also appeared in the National Geographic magazine and the Modern Game Breeding magazine. In 1980, he won the third annual Montana Bird Stamp Design contest with his 'Whistlers' or Barrows Goldenyes which he produced in two medium which was that of a reproduction edition and a hand colored stone lithograph edition. In 1993, Ron was selected as the 1993 First of State for the Rhode Island Trout Conservation Stamp with his work of a brook trout during a Rhode Island caddis hatch. ANTIQUE BOOKS DEN, WHERE HISTORY LIVES. SIGNED BY ILLUSTRATOR AND AUTH.

hardback. 1976. 7 x 10 inches hardback 1976, number 79 of a 200 copy limited edition, signed by the author and subject, with an original drawing (Mountain BlueBird with tipis in background), 4 color and several b&w illustrations, 89 pages. 89 Very good to fine. No dust wrapper. signed by the author and the subject.

Paperback. Condition: new. Paperback. Chicago New Media, 1973-1992 chronicles the unrecognized story of Chicago's contributions to new media art by artists at the University of Illinois at Chicago's Electronic Visualization Laboratory, the School of the Art Institute of Chicago, and at Midway and Bally games. It includes original scholarship of the prehistory, communities, and legacy of the city's new media output in the latter half of the twentieth century along with color plate images of video game artifacts, new media technologies, historical photographs, game stills, playable video game consoles, and virtual reality modules. The featured essay focuses on the career of programmer and artist Jamie Fenton, a key figure from the era, who connected new media, academia, and industry. This catalog is a companion to the exhibition Chicago New Media 1973-1992, curated by Jon Cates, and organized by Video Game Art Gallery in partnership with Gallery 400 and the Electronic Visualization Laboratory. It is part of Art Design Chicago, a 2018 initiative of the Terra Foundation for American Art, with presenting partner The Richard H. Driehaus Foundation, to explore Chicago's art and design legacy. "Chicago New Media 1973-1992 is published in conjunction with an exhibition of the same title, curated by Jon Cates with assistance from Chaz Evan and Janathan Kinkley, and organized by Video Game Art Gallery in partnership with Gallery 400 at University of illinois at Chicago and with the support of the Electronic Visualization Laboratory"--Back cover. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New. Chicago New Media, 1973-1992 chronicles the unrecognized story of Chicago's contributions to new media art by artists at the University of Illinois at Chicago's Electronic Visualization Laboratory, the School of the Art Institute of Chicago, and at Midway and Bally games. It includes original scholarship of the prehistory, communities, and legacy of the city's new media output in the latter half of the twentieth century along with color plate images of video game artifacts, new media technologies, historical photographs, game stills, playable video game consoles, and virtual reality modules. The featured essay focuses on the career of programmer and artist Jamie Fenton, a key figure from the era, who connected new media, academia, and industry. This catalog is a companion to the exhibition Chicago New Media 1973-1992, curated by Jon Cates, and organized by Video Game Art Gallery in partnership with Gallery 400 and the Electronic Visualization Laboratory. It is part of Art Design Chicago, a 2018 initiative of the Terra Foundation for American Art, with presenting partner The Richard H. Driehaus Foundation, to explore Chicago's art and design legacy.