Catologue (6 results)
Published by Leigh Yawkey Woodson Art Museum, Wausau 2000
- Softcover
Seller: Blue Moon Books, Stevens Point, U.S.A.Blue Moon Books
Contact seller5-star sellerCondition: Used - Near fine
US$ 9.90
US$ 6.50 shippingShips within U.S.A.Quantity: 1 available
Add to basketTrade Paperback. Condition: Near Fine. NF. Tight and bright oblong trade paperback. Wonderful color photographs of paintings. A very nice copy.
Published by Leigh Yawkey Woodson Art Museum, Wausau 1999
- Softcover
Seller: Blue Moon Books, Stevens Point, U.S.A.Blue Moon Books
Contact seller5-star sellerCondition: Used - Near fine
US$ 9.95
US$ 6.50 shippingShips within U.S.A.Quantity: 1 available
Add to basketTrade Paperback. Condition: Near Fine. NF. Light wear to a corner. Bright and attractive oblong trade paperback. 116 pages with wonderful color illustrations. Color Illustrations. (illustrator).
Published by Rutgers 1990
- Softcover
- Manuscript
Seller: Alan Angele Popular Culture, IOBA, Upper Nyack, U.S.A.Alan Angele Popular Culture, IOBA
Contact seller5-star sellerCondition: Used - As new
US$ 20.00
US$ 5.99 shippingShips within U.S.A.Quantity: 1 available
Add to basketSoft cover. Condition: As New. No Jacket. Stiff paper wrapper. Catalogue for exhibition at the Jane Vorhees Zimmerli Art Museum, Rutgers University, December 9, 1990 - February 24, 1991. Includes 25 black and white and 6 color illustrations.
Published by Trosby 1968
- Hardcover
Seller: CorgiPack, Fulton, U.S.A.CorgiPack
Contact seller4-star sellerCondition: Used - Very good
US$ 45.00
Free ShippingShips within U.S.A.Quantity: 1 available
Add to basketLeather Bound. Condition: VG. Very Good.
More imagesLanguage: English
Published by Rosc Teoranta, Dublin 1967
- Softcover
- First Edition
Seller: Collectible Books Ireland, Portarlington, IrelandCollectible Books Ireland
Contact seller5-star sellerCondition: Used - Good
US$ 53.43
US$ 34.59 shippingShips from Ireland to U.S.A.Quantity: 1 available
Add to basketSoft cover. Condition: Good. No Jacket. 1st Edition. Scarce copy of the 1967 ROSC exhibition catalogue. Illustrated in black and white throughout. The laminated wraps have edge wear, corners bumped and a small tear on the front right edge. Internally clean and bright. Binding strong. Please examine all seller photos.
More imagesTracing the Past, Drawing the Future: Master Ink Painters in Twentieth-Century China
Yang, Xiaoneng; Essays by: Hong, Zaixin; Shaojun, Lang; Gongkai, Pan; Shen, Kuiyi and Vinograd, Richard; Catologue entries by: Tianmin, Gao; Liya, Hong; Yan, Huang; Jianqun, Luo; Xiaohong, Wang and Yiqing, Zhang
- Hardcover
Seller: Jorge Welsh Books, Lisboa, PortugalJorge Welsh Books
Contact seller5-star sellerCondition: Used - Very good
US$ 106.87
US$ 69.17 shippingShips from Portugal to U.S.A.Quantity: 1 available
Hardcover. Condition: Very Good. No Jacket. English text.; Hardcover (with dust jacket); 25 x 31.5 cm.; 2.8 Kg.; 440 pages with colour illustrations throughout. Used with minor signs of wear on the exterior of the hardcover. Interior with minor signs of wear. Very good condition overall.; Catalogue from the exhibition held at Ir…is & B. Gerald Cantor Center for Visual Arts, Stanford University, California from February 17 to July 4, 2010.; Tracing the Past, Drawing the Future examines a crucial point in the development of Chinese ink painting represented by the beautiful and innovative work of four artists, Wu Changshuo (1844-1927), Qi Baishi (1864-1957), Huang Binhong (1865-1955), and Pan Tianshou (1897-1971). With careers spanning more than a century of radical social and political change in China, these artists were instrumental in driving the ancient tradition of Chinese ink painting into the modern era in the face of compelling Western influences. The lavish catalogue iluminates the context in which these artists worked, describes their overall contribution on the history of Chinese art, and highlights their individual ideas and achievements. Xiaoneng Yang defines the historical context in which modern Chinese painting developed, while Richard Vinograd analyses the "alternative modernism" represented by these artists, each of whom worked in the brush-an-ink idiom. All four artists engaged to a greater or lesser degree with Western styles and media, and gave new life to cherished traditions through this engagement. Essays devoted to each artist are followed by individual entries discussing the works chosen to exemplify their achievements. Featuring more than one hundred works of painting and calligraphy by the four artists, the book also includes several portraits by Ren Yi (1840-1895), appendices transcribing the works' inscriptions and seals, a concordance, and a detailed bibliography.
