Celine Eidenbenz (73 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: as new. Wie neu/Like new.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Pauline Julier, born in 1981, graduated in political sciences from the Université Grenoble Alpes and in photography from the Ecole Nationale Supérieure de la Photographie d'Arles; she also completed the SPEAP Art and Politics Experimental Program at Sciences Po in Paris. Her multimedia works featured in this book take us through the geological ages of planet Earth and into space. At the interface of documentary and fiction, Julier takes us on a dizzying journey through space and time. She interweaves different histories and combines natural disasters with the Anthropocene's paradigm shifts. Looking into the past and the future, Julier investigates highly topical questions about the unlimited use of natural resources, escapism, and the colonisation of space.Conceived and designed as a work of art in its own right, this volume offers a comprehensive insight into Pauline Julier's art and thought through a conversation with eminent scholar of science and technology studies Donna Haraway, and contributions by curator Céline Eidenbenz; anthropologist and writer Nastassja Martin; and art historian, curator, and author Chus Martínez.Text in English and German.

Paperback. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Pauline Julier, born in 1981, graduated in political sciences from the Universite Grenoble Alpes and in photography from the Ecole Nationale Superieure de la Photographie d'Arles; she also completed the SPEAP Art and Politics Experimental Program at Sciences Po in Paris. Her multimedia works featured in this book take us through the geological ages of planet Earth and into space. At the interface of documentary and fiction, Julier takes us on a dizzying journey through space and time. She interweaves different histories and combines natural disasters with the Anthropocene's paradigm shifts. Looking into the past and the future, Julier investigates highly topical questions about the unlimited use of natural resources, escapism, and the colonisation of space. Conceived and designed as a work of art in its own right, this volume offers a comprehensive insight into Pauline Julier's art and thought through a conversation with eminent scholar of science and technology studies Donna Haraway, and contributions by curator Celine Eidenbenz; anthropologist and writer Nastassja Martin; and art historian, curator, and author Chus Martinez. Text in English and German. AUTHORS: Celine Eidenbenz is a curator and head of the program group at the Aargauer Kunsthaus in Aarau, Switzerland. Sarah Muehlebach is a research associate at the Aargauer Kunsthaus in Aarau, Switzerland. SELLING POINTS: . First major book on French-Swiss artist and filmmaker Pauline Julier, featuring works from the past 10 years . Offers a comprehensive insight into Pauline Julier's art and thought . Conceived as a work of art in its own right, designed by Julia Born, one of three 2021 Swiss Grand Award for Design laureates . Published to accompany the exhibition: Pauline Julier: A Single Universe at the Aargauer Kunsthaus Aarau, Switzerland (until October 27, 2024) 149 colour, 3 b/w illustrations First major book on French-Swiss artist and filmmaker Pauline Julier, featuring works from the past ten years. Accompanies an exhibition at the Aargauer Kunsthaus Aarau, Switzerland (until October 27, 2024). Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. James Baldwin's perennial essay as a starting point for artistic exploration of racism.James Baldwin (1924-1987) penned his famous essay Stranger in the Village in the early 1950s during a stay in the Swiss Alpine village of Loèches-les-Bains. It is the starting point for an artistic examination of the subject of racism in Switzerland, and in the art and culture industries in particular, that is documented in this multilingual French/German book.Works by international contemporary artists - including Igshaan Adams, Kader Attia, Omar Ba, James Bantone, Marlene Dumas, Melanie Grauer, Jonathan Horowitz, Sasha Huber, Pierre Koralnik, Glenn Ligon, Martine Syms, and others-react to Baldwin's literary-political treatise. Essays contributed by distinguished authors supplement the artistic debate and highlight the consequences of the prevailing structural racism.The book is an invitation to break taboos. It holds a mirror up to us, raising questions that concern us all, and reveals the topicality of everyday racism to every one of us through the artworks it features.Text in French, English and German.

Condition: New.

Paperback. Condition: Brand New. 198 pages. German language. 8.07x0.71x9.72 inches. In Stock.

Paperback. Condition: New. Raphael Ritz (1829-1894) is one of the most important artists to have emerged from the Swiss canton of Valais. In the 1850s, Ritz, who later became famous as the "Raphael of the Alps," studied at the renowned Academy of Art in Düsseldorf, Germany, and perfected his technique in the genre of mountain painting, which focuses on the relationship between landscape and man. Ritz, who felt a strong connection to his roots, created landscape idylls in faraway Düsseldorf for an audience that appreciated regional peculiarities. At times with a touch of irony, he put his works at the service of a modern effort to illustrate the timeless character of everyday life.This new monograph looks at the work of the Valais-born artist beyond national borders and frames it in both the Swiss and international artistic contexts of the time. Ritz's correspondence with his father, Lorenz Justin Ritz, who was a painter as well, is also comprehensively examined for the first time: it constitutes an important testimony to his artistic self-discovery. Selected photographs by Swiss contemporary artists from the museum's collection show the Valais of today and establish a connection between Ritz's ethnographic view of his own origins and the present.Text in French and German.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. In English.

Taschenbuch. Condition: Neu. Neuware -In jedem Moment kann ich neu anfangen, um jemand anderes zu werden.Zwischen Traum und Stoff, zwischen Gestik und Reduktion, zwischen Denken und Fühlen, zwischen sinnlich und tiefgründig: In den Bildwelten von Klodin Erb entfaltet sich ein Kosmos voller Gegensätze und Metamorphosen. Menschen werden zu Fröschen, Farben zu Stoffen, Flossen zu Füßen - Identitäten lösen sich auf, nur um sich neu zu formen. Ihre Arbeiten sind poetische Wurzelgeflechte, in denen sich Weiblichkeit, Natur und Kunst immer wieder neu verflechten. Ihre Gemälde, Stoffwerke, Installationen und Videos öffnen Räume, in denen nichts festgelegt ist - alles ist in Bewegung, alles kann neu zusammengesetzt werden.Klodin Erb (\*1963) gehört zu den eigenwilligsten Stimmen der zeitgenössischen Schweizer Kunst. Sie verwandelt das Alltägliche ins Außergewöhnliche. Humorvoll und ernst zugleich, sinnlich und reflektiert verschränkt Erb Motive aus Mythologie, Kunstgeschichte, Pop- und Netzkultur mit Themen der Gegenwart. Ihre vielschichtigen Bildwelten laden ein, die Grenzen des Denkens zu hinterfragen.Dieses Künstlerinnenbuch erscheint anlässlich der bislang größten institutionellen Einzelausstellung von Klodin Erb im Aargauer Kunsthaus Vorhang fällt Hund bellt / Le rideau tombe un chien aboie. Es versammelt Arbeiten aus über drei Jahrzehnten Schaffen, von frühen Textilarbeiten bis hin zu aktuellen bühnenhaften Gemälden. Wie ihre Werke lässt sich auch das Buch immer wieder neu anordnen, neu betrachten, neu denken. Eine Einladung, offen und beweglich zu bleiben - im Blick auf die Kunst wie auf uns selbst. 198 pp. Französisch, Deutsch.

Taschenbuch. Condition: Neu. Neuware -In jedem Moment kann ich neu anfangen, um jemand anderes zu werden.Zwischen Traum und Stoff, zwischen Gestik und Reduktion, zwischen Denken und Fühlen, zwischen sinnlich und tiefgründig: In den Bildwelten von Klodin Erb entfaltet sich ein Kosmos voller Gegensätze und Metamorphosen. Menschen werden zu Fröschen, Farben zu Stoffen, Flossen zu Füßen - Identitäten lösen sich auf, nur um sich neu zu formen. Ihre Arbeiten sind poetische Wurzelgeflechte, in denen sich Weiblichkeit, Natur und Kunst immer wieder neu verflechten. Ihre Gemälde, Stoffwerke, Installationen und Videos öffnen Räume, in denen nichts festgelegt ist - alles ist in Bewegung, alles kann neu zusammengesetzt werden.Klodin Erb (\*1963) gehört zu den eigenwilligsten Stimmen der zeitgenössischen Schweizer Kunst. Sie verwandelt das Alltägliche ins Außergewöhnliche. Humorvoll und ernst zugleich, sinnlich und reflektiert verschränkt Erb Motive aus Mythologie, Kunstgeschichte, Pop- und Netzkultur mit Themen der Gegenwart. Ihre vielschichtigen Bildwelten laden ein, die Grenzen des Denkens zu hinterfragen.Dieses Künstlerinnenbuch erscheint anlässlich der bislang größten institutionellen Einzelausstellung von Klodin Erb im Aargauer Kunsthaus Vorhang fällt Hund bellt / Le rideau tombe un chien aboie. Es versammelt Arbeiten aus über drei Jahrzehnten Schaffen, von frühen Textilarbeiten bis hin zu aktuellen bühnenhaften Gemälden. Wie ihre Werke lässt sich auch das Buch immer wieder neu anordnen, neu betrachten, neu denken. Eine Einladung, offen und beweglich zu bleiben - im Blick auf die Kunst wie auf uns selbst. 198 pp. Französisch, Deutsch.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. Paperback. James Baldwin's perennial essay as a starting point for artistic exploration of racism. James Baldwin (19241987) penned his famous essay Stranger in the Village in the early 1950s during a stay in the Swiss Alpine village of Loeches-les-Bains. It is the starting point for an artistic examination of the subject of racism in Switzerland, and in the art and culture industries in particular, that is documented in this multilingual French/German book. Works by international contemporary artists - including Igshaan Adams, Kader Attia, Omar Ba, James Bantone, Marlene Dumas, Melanie Grauer, Jonathan Horowitz, Sasha Huber, Pierre Koralnik, Glenn Ligon, Martine Syms, and others-react to Baldwin's literary-political treatise. Essays contributed by distinguished authors supplement the artistic debate and highlight the consequences of the prevailing structural racism. The book is an invitation to break taboos. It holds a mirror up to us, raising questions that concern us all, and reveals the topicality of everyday racism to every one of us through the artworks it features. Text in French and German. AUTHORS: Celine Eidenbenz is a curator and head of the programme group at the Aargauer Kunsthaus in Aarau, Switzerland, where Sarah Muehlebach works as a research assistant. SELLING POINTS: . An artistic exploration of the highly topical subject of racism in the art and culture industry . Published in the run-up to the American writer James Baldwin's centenary on August 2, 2024 . Baldwin's perennial essay Stranger in the Village is reprinted in the book in the original English and supplemented by a glossary of terms relevant to contemporary discourses on racism 115 colour, 6 b/w illustrations An artistic exploration of the highly topical subject of racism in the art and culture industry. Text in French, English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Brand New. bilingual edition. 203 pages. 7.25x10.00x0.50 inches. In Stock.

Taschenbuch. Condition: Neu. Neuware -In jedem Moment kann ich neu anfangen, um jemand anderes zu werden.Zwischen Traum und Stoff, zwischen Gestik und Reduktion, zwischen Denken und Fühlen, zwischen sinnlich und tiefgründig: In den Bildwelten von Klodin Erb entfaltet sich ein Kosmos voller Gegensätze und Metamorphosen. Menschen werden zu Fröschen, Farben zu Stoffen, Flossen zu Füßen - Identitäten lösen sich auf, nur um sich neu zu formen. Ihre Arbeiten sind poetische Wurzelgeflechte, in denen sich Weiblichkeit, Natur und Kunst immer wieder neu verflechten. Ihre Gemälde, Stoffwerke, Installationen und Videos öffnen Räume, in denen nichts festgelegt ist - alles ist in Bewegung, alles kann neu zusammengesetzt werden.Klodin Erb (\*1963) gehört zu den eigenwilligsten Stimmen der zeitgenössischen Schweizer Kunst. Sie verwandelt das Alltägliche ins Außergewöhnliche. Humorvoll und ernst zugleich, sinnlich und reflektiert verschränkt Erb Motive aus Mythologie, Kunstgeschichte, Pop- und Netzkultur mit Themen der Gegenwart. Ihre vielschichtigen Bildwelten laden ein, die Grenzen des Denkens zu hinterfragen.Dieses Künstlerinnenbuch erscheint anlässlich der bislang größten institutionellen Einzelausstellung von Klodin Erb im Aargauer Kunsthaus Vorhang fällt Hund bellt / Le rideau tombe un chien aboie. Es versammelt Arbeiten aus über drei Jahrzehnten Schaffen, von frühen Textilarbeiten bis hin zu aktuellen bühnenhaften Gemälden. Wie ihre Werke lässt sich auch das Buch immer wieder neu anordnen, neu betrachten, neu denken. Eine Einladung, offen und beweglich zu bleiben - im Blick auf die Kunst wie auf uns selbst.

Condition: New.

Paperback. Condition: new. Paperback. Raphael Ritz (18291894) is one of the most important artists to have emerged from the Swiss canton of Valais. In the 1850s, Ritz, who later became famous as the "Raphael of the Alps," studied at the renowned Academy of Art in Duesseldorf, Germany, and perfected his technique in the genre of mountain painting, which focuses on the relationship between landscape and man. Ritz, who felt a strong connection to his roots, created landscape idylls in faraway Duesseldorf for an audience that appreciated regional peculiarities. At times with a touch of irony, he put his works at the service of a modern effort to illustrate the timeless character of everyday life. This new monograph looks at the work of the Valais-born artist beyond national borders and frames it in both the Swiss and international artistic contexts of the time. Ritz's correspondence with his father, Lorenz Justin Ritz, who was a painter as well, is also comprehensively examined for the first time: it constitutes an important testimony to his artistic self-discovery. Selected photographs by Swiss contemporary artists from the museum's collection show the Valais of today and establish a connection between Ritz's ethnographic view of his own origins and the present. Text in French and German. AUTHOR: Celine Eidenbenz is director of the Musee d'art du Valais in Sion, Switzerland. She has been curator of the Salon Suisse at the 2019 Biennale Art in Venice. SELLING POINTS: . First new monograph in decades on Swiss genre painter Raphael Ritz (182994), who became famous as the "Raphael of the Alps" . Explores Ritz's work in the context of nineteenth-century European art 110 colour, 10 b/w illustrations First new monograph in decades on Swiss genre painter Raphael Ritz (182994), who became famous as the Raphael of the Alps, featuring also contemporary Swiss landscape photography. Text in French and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.