Celio Gaspare (6 results)

Softcover. Brown wraps with black and red text. xiv, 133 pp. Bw illustrations. Text in Italian. Record of the names of the artists of the paintings found in some churches, facades, and palaces of Rome Facsimile of the 1638 Naples edition. Introduction and critical commentary by Emma Zocca. Good- (wear on wraps esp. around edges, some sunning on spine, page binding to wraps is tenuous but holds, pages generally excellent). …

paperback. Condition: Buono (Good). CLL42Brossura editoriale,Collana "Fonti e trattati di storiografia artistica", fac-simile della edizione del 1638 di Napoli, a cura di Emma Zocca, volume in buone condizioni,  illustrato, lievi segni di usura sulla copertina, interno in ottimo stato, legatura salda133 pagine circacopertina come da foto. Book.…

Brossura. Condition: quasi ottimo. Fac simile della edizione del 1638 di Napoli. Introduzione e commento critico a cura di Emma Zocca.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1638 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 179 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 179 Language: Italian.…

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1638. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: - 179, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 179 179.…

Helen, abducted by Paris, is rushed to the seaside. Some desperate maidens follow. On the right the sea and sailors waiting for Paris to join the crew on the larger boat. Seventeenth-century brown ink mixed technique.The original drawing of the composition is preserved at the Gabinetto dei disegni e delle stampe of the Uffizi inv. GDSU 1413F (signaled by S. Stemerding). Etching and aquatint trimmed to plate, on handmade laid paper; total: 276 x 261 mm; two tiny worm holes at bottom, some dirt on the most external margins, otherwise in very good condition. Contours retouched on plate. Rare.…