Chaplin Ernest (8 results)

Soft cover. Condition: Very Good. Here is a single issue of "The American Neptune, a Quarterly Journal of Maritime History", Volume XX, No. 1, January 1960. the periodical was established in 1941, and after many decades of publication, the journal ceased production in 2002. Out of Print - OP CONTENTS : * The History of Holm Lighthouse -- by Captain W. R. Chaplin * Notes on American Shipping Based on Records of the Court of the Vice-Admiralty of Jamaica, 1776 -1812. -- by MacEdward Leach * The Russian Fleet on the Eastern Seaboard, 1863 - 1864 -- by Robin D. S. Higham * Pictorial Supplement : Antoine Roux Sketchbooks TITLE : The American Neptune - a Quarterly Journal of Maritime History ISSUE : Vol. XX, No. 1 DATE : January 1960 EDITOR : Walter Muir Whitehill, et al IMPRINT : The American Neptune Inc. & Peabody Museum of Salem PLACE : Salem, Massachusetts STATUS : OP . The Journal ceased publication in 2002. PHYSICAL DESCRIPTION : Quarterly periodical; Contains illustrations and an Index; volume pages [1] - [74] + 6 pages of back material (80 pages ); approximately 7" x 10", printed wraps with slightly extended covers. Has Advertising. CONDITION -- VERY GOOD -- This is a previously owned periodical which remains clean and attractive, with the following noted :: EXTERIOR : Shallow, lengthwise crease to spine; nicking to edges, light and weathering along edges ; else clean and attractive, including back cover. BINDING : Solid with no detached or loose leaves INTERIOR : Clean and unmarked throughout.

Vintage studio still photograph from the 1959 re-release of the 1928 silent film, showing actor and director Charlie Chaplin. Several manuscript ink and pencil annotations on the verso. A man wanders into the middle of a circus performance and accidentally becomes a hit. He is hired as a performer, later falling in love with the ringmaster's stepdaughter. Shot on location in West Hollywood, Los Angeles, and Glendale, California. 8 x 10 inches. Very Good plus. Criterion Collection 996. Ebert IV.

Paperback. Condition: New. Print on Demand. This book sets forth a framework to secure bonds at a rate of £15,000 per mile of track for the construction and operation of a railroad line from Regina to Prince Albert in the North-West Territories of Canada. The author, a professional in corporate law and finance, meticulously details the terms of the mortgage, including the particulars of the bonds to be issued, the interest rate, repayment schedule, and the remedies available to the bondholders in the event of default. The book is a valuable resource for historians and legal professionals interested in the financial history of Canada's railroads. It provides a fascinating glimpse into the legal and financial complexities of large-scale infrastructure projects in the late 19th century and illuminates the significant role played by railroads in the development of Canada's vast western territories. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Couverture souple. Condition: Très bon. Edition originale. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.

Couverture souple. Condition: Très bon. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.

Couverture souple. Condition: Très bon. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1889 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 41 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

This well-known English barrister was son of William James Chaplin (1787-1859), "perhaps the greatest coach proprietor that ever lived" who saw that railroads would destroy the coaching business and became an executive with the London and South Western Railway, a Member of Parliament from Salisbury (1847-57). ALS, 4pp (lettersheet), 5¼" X 8¼", "on board S.S. 'Java'" (likely Indian Ocean), 24 August 1873. Addressed to John. Very good. Thin, rather delicate onion-skin paper, with a few small archivally mended separations along original folds and a couple spots where iron-gall ink has burned through. Interesting travelogue of a lengthy tour through India and nearby parts, reading in part: "I will only begin with you from my second pleasant trip from Lucknow with Sir Henry Tombs the General in command who took me out to Nepaul to look for tigers. We had 56 elephants and a huge camp but only saw four tigers and a leopard (besides deer etc) which we bagged in safety. By the way, the skin men utterly spoilt my best tiger by burning large holes in it with lime or something. Well we had to give up and come back to Lucknow and thence up country to Umballa & 40 miles in carriage & 40 on a pony up to Simila [Shimla] in the Himilayas when the Government are all the summer. I had good fun then as Ld. Northbrook remembered me as a boy and gave me a sort of carte blanche for dinners. I went down again to the plains & by Lahore and. horses for 170 miles up to Rawul Pindee for a few days (so hot) & on with my company kit to Murru a hill station on the N.W. frontier. Thence I marched for six days over the mountains and came to the valley of Cashmere or the Happy Valley and wandered about up and down minor valleys and over snow passes for several weeks. It taught me a deal of Hindoostanee and also how to bargain with these rascals. One fine day I rode round the troops with the En[glis]h resident & the Maharajah of Cashmere about 8000 in single file all drawn up in a hollow square. Most curious things to buy and ruins to see of thousands of years standing. I had to cut my stay short however & came down in the rains (was nearly washed away) but reached the plains in safety & got down to Lahore by July 23d. Thence to Delhi & Agra with very curious [?] and well worth seeing. I was wonderfully lucky in the weather & found it cool in comparison to what it has been then back to Lucknow, Benares & Calcutta. The 9th Corps saw me going down the Hooghly and so to Rangoon the capital of Burmah. It lies low & they have 170 inches of rain during the year. That makes everything very green and nice looking. Most luxurious vegetation they go in for there. Then on to Moulmain in Burmah where they are great at rice mills and sawing m[ills]. In the latter they use elephants to swing huge trees & logs & it is a wonderful sight to see the way they do work -- Lifting up & placing logs 2 or 3 tons weight anywhere and squaring the ends exactly as they [?] one on the other! We have now run down the coast and are leaving Penang. An island with a large mountain on which they grow coffee & no end of cocoa nuts. Some very nice fruit also are found here. I hope to stop at Malacca & Singapore. Thence by first steamer to Hongkong & up China to Japan & so across to San Fco. whence I hope to receive orders from Mr. Norton or some one else. I hear he and the ladies are having a high old time in England and are making an impression. I think the November should see me in N.Y. as I got a telegram from Sir John saying 'hurry up' in other words." Intriguing and cryptic -- it's unclear whether Chaplin made this lengthy journey for business or military or other reasons, but it's clear he was well connected -- knew all the right people to facilitate a Grand Tour. Quite remarkable contents and worth further research. Accompanied by a second Chaplin signature, a corner-clipped 4½" X 3½" slip on which unknown hand pens large and bold "Autograph Signature of / [Chaplin signature] / New York, November 6th 1872" in brown ink. Very good. Mounting traces on verso. Perhaps penned at the start of Chaplin's lengthy expedition?