Charif Benhelima (30 results)

Hardcover. Condition: Used-Very Good. Illus. cloth, no dj. 4to. Illus. Slight shelfwear.

Gebundene Ausgabe. Condition: Neu. Neu Neuware; Rechnung mit MwSt.; new item; -Keine Renaissance von Harlem 80 pp. Deutsch, Englisch.

Hardcover. Condition: new. Hardcover. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover with dustjacket, pages; in English and German; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Condition: New. pp. 176.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Gebundene Ausgabe. Condition: Neu. Neu Neuware; Rechnung mit MwSt.; new item; -Keine Renaissance von Harlem 80 pp. Deutsch, Englisch.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardcover. Condition: Brand New. 01 edition. 176 pages. 10.94x8.66x1.57 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

Apr 30, 2003. Condition: D'occasion - Très bon état. Welcome to Belgium par Charif Benhelima. Editions Ludion, 2003. 105 pages. Format: 22x29,5cm. Poids: 810 grammes. E131. Texte en anglais et flamand. Livre en très bon état. Intérieur très propre, nombreuses photos N&B.

Apr 30, 2003. Condition: D'occasion - Très bon état. Welcome to Belgium par Charif Benhelima. Editions Ludion, 2003. 110 pages. Format: 22x29,5cm. Poids: 830 grammes. E60. Livre en très bon état, intérieur très propre, photos N&B.

De doorzichtige stofomslag ontbreekt, verder een zeer goed exemplaar.

Condition: New. pp. 176.

Condition: New. pp. 176.

Hardcover. Condition: new. Hardcover. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Ausstellungskatalog mit zahlreichen Fotografien, 79 S., Quart, sehr gutes Exemplar, illustrierter Original-Pappband mit Originalumschlag.

Soft Cover. Condition: New. Exhibition Catalogue. Text: Duch. 64 p.; b/w photographs; 21 x 27 cm. Charif Benhelima (b. 1967, Brussels), photo-artist lives and works in Antwerp. Benhelima investigates the notion of identity, memory/oblivion, document, and truth through images that explore perception, time and space, and a sense of invisibility. Besides having worked with analogical photography, he has been long experimenting with Polaroid 600. Consumed by a sense of incongruence -as the artist early became orphan of a mixed couple- Benhelima embarked in a nine-year (1990-1999) photographic research on the feeling of being a foreigner, which later resulted in the tough yet poetic book 'Welcome to Belgium'. New York city was somehow a turning point in Benhelima's work, once he brought his documentary approach to the popular Polaroid 600 (camera and film). Living in that city for 3 years, he developed the unpaired and far most accomplished work made with an amateuristic Polaroid, Harlem on my mind. Divided in two series, I Was, I Am and Projections purposely presented in Ilfochrome and greater formats - is a reflection of the black Americans situation in the artist's life. In 2003 Behelima participated in the artist residence program at Cite Internationale des Artes, Paris (Fr), where he continued working with the instantaneous film in the "fake document" (so-defined by the artist) project 'Semites". Part of a long and layered process and important issue of Benhelima's oeuvre - this work that is led by his own Arab and Jewish background deals with a more conceptual approach. Benhelima is granted with The Künstlerhaus Bethanien, artist residence Program 2005, Berlin, (G). Nominated for for the Robert Gardner Fellowship in Photography 2008 (Harvard University/Peabody Museum), Benhelima's diverse aesthetic, formal and conceptual research compose nevertheless a coherent and singular oeuvre. Book. …

Soft Cover. Condition: New. Exhibition Catalogue. Text: Duch. 64 p.; b/w photographs; 21 x 27 cm. Charif Benhelima (b. 1967, Brussels), photo-artist lives and works in Antwerp. Benhelima investigates the notion of identity, memory/oblivion, document, and truth through images that explore perception, time and space, and a sense of invisibility. Besides having worked with analogical photography, he has been long experimenting with Polaroid 600. Consumed by a sense of incongruence -as the artist early became orphan of a mixed couple- Benhelima embarked in a nine-year (1990-1999) photographic research on the feeling of being a foreigner, which later resulted in the tough yet poetic book 'Welcome to Belgium'. New York city was somehow a turning point in Benhelima's work, once he brought his documentary approach to the popular Polaroid 600 (camera and film). Living in that city for 3 years, he developed the unpaired and far most accomplished work made with an amateuristic Polaroid, Harlem on my mind. Divided in two series, I Was, I Am and Projections purposely presented in Ilfochrome and greater formats - is a reflection of the black Americans situation in the artist's life. In 2003 Behelima participated in the artist residence program at Cite Internationale des Artes, Paris (Fr), where he continued working with the instantaneous film in the "fake document" (so-defined by the artist) project 'Semites". Part of a long and layered process and important issue of Benhelima's oeuvre - this work that is led by his own Arab and Jewish background deals with a more conceptual approach. Benhelima is granted with The Künstlerhaus Bethanien, artist residence Program 2005, Berlin, (G). Nominated for for the Robert Gardner Fellowship in Photography 2008 (Harvard University/Peabody Museum), Benhelima's diverse aesthetic, formal and conceptual research compose nevertheless a coherent and singular oeuvre. …

Condition: gut. Charif Benhelima Semites, the Album + artist book In deutscher Sprache. pages.

Hardcover. Condition: New. English and German Edition; Living in Harlem from 1999-2002, Belgian-Moroccan photographer Charif Benhelima creates this personal and powerful document of Harlem, degraded and almost deserted, a landscape of spattered walls, shadowy figures, dirty streets and battered buildings. Using Polaroid 600 film and camera (and occasionally a red filter), the photographer composes works that speak to the continuing condition of African Americans in today's United States - yet also uplift the viewer with their originality and almost prayerful spirituality. The title of this exhibition catalog by the highly regarded Benhelima recalls the Metropolitan Museum's overly rosy Harlem on my Mind show in 1967, but this body of work provides a compelling counterpoint for the 21st century.…

Set of 2 hardback Volumes, 255x205mm, 176p, 180 colour illustrations. ISBN 9789490693305. Charif Benhelima (1967, Brussel) is een kunstenaar met Belgische, Sefardische en Arabische roots. Zijn hele oeuvre is een fotografisch onderzoek naar identiteit en naar het gevoel een buitenstaander te zijn. Naast het onderwerp is ook de reflectie over het medium een belangrijk gegeven in de artistieke praktijk van de kunstenaar. Voor de reeks 'Semites' (2005) koos Charif Benhelima de polaroidcamera als werkinstrument. De polaroid levert een 1-op-1-beeld af: het moment kristalliseert zich zonder omwegen in een foto. Deze foto is meteen het eindresultaat. 'Semites' omvat 135 polaroidfoto's van bestaande afbeeldingen (m.a.w. reproducties via de polaroidcamera), waarin de flits van de polaroidcamera duidelijk zichtbaar is. De reflectie van dit licht schijnt over het oorspronkelijke beeld en wordt zichtbaar op het uiteindelijke resultaat, het polaroidbeeld. 'In New York werd ik tot mijn verbazing geconfronteerd met het feit dat mijn naam, Benhelima, van Joodse afkomst is en dat heeft het werk "Semites" beinvloed. Met de Polaroid 600 als hulpmiddel en door het in vraag stellen van de begrippen identiteit en werkelijkheid ontwikkelde ik wat ikzelf een fake documentary work noem. Door op een paneel afbeeldingen van Joodse, Arabische, Sefardisch Joodse portretten en portretten van mezelf door elkaar te hangen creeer ik een persoonlijk document, een collage van afbeeldingen van strijdige identiteiten die tegenstrijdig verwarrend zijn. Om nog meer desorientatie te creeren heb ik licht aan de portretten toegevoegd, wat in plaats van het uiterlijk van mensen te benadrukken en te belichten eerder de details van hun gezicht vervaagt. Hierdoor wordt er een verband gelegd met de vage herinneringen die we hebben aan onze kindertijd. Ook de herinneringen die ik heb aan mijn ouders zijn eerder vaag.' (Vrij naar van An Van Dienderen in gesprek met Charif Benhelima). Exclusief voor deze tentoonstelling in Be-Part, Platform voor actuele kunst, werd de volledige reeks van 135 polaroidfoto's omgezet in cibachromeprints, die hun plaats krijgen in een imposante 'muur', a wall under construction. Charif Benhelima (?°1967, Brussels) is an artist with Belgian, Jewish-Sefardic and Arabic roots. It is only during a visit in New York that Benhelima realizes his name also implies a Jewish background. His whole oeuvre thereafter is a photographic quest in search of identity and the sense of being an outsider. For his series 'Semites' (2005), presented in a limited signed book, Charif Benhelima chose the polaroidcamera 600 as a working instrument, enabling him to question issues of identity and reality that result in what can be called a fake documentary work. 'The Semites: The Album' comprises 90 (2 x 45) polaroid pictures of already existing images: they are reproductions received via the polaroidcamera, in which the flash of the camera is clearly visible. The reflection of this light shines on top of the original image and becomes visible through over-exposure on the final result. Benhelima's polaroids deliver a one-on-one image: the moment crystallizes itself without detours in the photo. The photo instantly becomes the final result of the research. In this way, the polaroid image is even more desorienting. Details of the faces become blurry instead of sharp and well delineated. Benhelima thus creates a link with vague memories we have of our parents during the time we were children. Apart from Charif's search of identity and sense of belonging, reflection on photography is an equally important basis of the artist's artistic practice. During the exhibition in BE-Part Waregem devoted to 'Semites', Charif juxtaposed 135 images of Jewish, Arabic and Sefardic portraits and portraits of himself on a panel. The result is a personal document 1680 g. …

No Binding. Condition: Good. Poster. Folded poster (40 x 60 cm), light wear; exhibition announcement card, fine. Poster.

No Binding. Condition: New. Announcement. 1) 'Charif Benhelima - Drawing lines', Trampoline, Antwerpen, 2017. Envelop/announcement. Size: 24 x 16 cm. New. --- 2) 'Charif Benhelima - The Allochtoon', B.P.S.22, Charleroi, 2013. Exhibition announcement. Card size: 15 x 18 cm. Front: color ill.; reverse: text printed black on white. New. --- 3) 'Charif Benhelima. Semites: A wall under construction', Be Part, Waregem, 2011. Mini-poster / flyer. Folded. Unfold: 29,5 x 42 cm. Text: NL. Fine. Ephemera. …

No Binding. Condition: Fine. Invitation. Various sizes, years. All items in fine condition. Ephemera.